Manchester Venues 147 to 148 – Royal Northern College of Music

As you progress down Oxford Road towards the Academy venues you reach the traffic light junction with Booth Street West and on that very corner is the Manchester Royal Northern College of Music (RNCM). Just beyond there is a recently developed retail area containing a Brewdog outpost and a branch of the omnipresent fast food chain Five Guys.

Across the road from the RNCM for many years resided the Phoenix public house, previously Barney McGrews, situated under the precinct. I can find records of the Phoenix being around since the 1970’s and in those days, it was a punky biker venue where upstairs they held sweaty club nights under the Tangled or Acid Rock monikers.

Phoenix pub. Image Credit manchestersfinest.com

Live music was staged there from 1977 onwards on the Bass Charrington pub rock circuit roster. There are scant details of bands but can find evidence of Aqua, a Burnage High school band, (does that scenario sound familiar?) who played there the following year with Graham Massey of 808 State in their ranks. They are absolutely not to be confused with the other band with the same name who release ‘Barbie Girl’ a couple of decades later!  

It was a renowned student haunt due to its proximity to the universities. It became more of a drum and bass venue in the 1990’s and Clint Boon, Mani and Piccadilly Records used to undertake DJ nights there.  Around the time I visited, it had morphed into an ‘It’s a Scream’ chain pub with bright yellow frontage and was in a very tired state by then. It subsequently closed its doors for the final time in 2011.

The RNCM was officially opened in its current location on 28 June 1973 and was a fusion of the Royal Manchester College of Music (RMCM), which opened in 1893 with original principal being Sir Charles Halle and the Northern School of Music, founded in 1920.

Its remit encompasses musical education and contains two thriving public performance venues alongside a smaller recital room and theatre, the latter two spaces are utilised in the main for educational and conference events. The college was subject to a £7.1m refurbishment in November 2014 across all areas including a new lighting rig and sound equipment. Previous alumni naturally contains many illustrious conductors and composers and also Howard Jones!  

RNCM. Image Credit Royal Northern College of Music.

The first venue I will cover is the Royal Northern College of Music Concert Hall which has a fixed seating of either 443 or 598 with an additional balcony setting raising the maximum capacity to 710. The layout ensures that all of the seating encircles the stage in the middle of the room and ensures a good view from all vantage points. They have a constant diverse roster of performances and previous acts to play there include Adele, David Byrne, Hugh Laurie, Halle Orchestra and Jarvis Cocker. Filming has also taken place there for television shows Waterloo Road and Question Time.

My first attendance was in November 2013, and I had an unusual journey there. On the day I needed to attend a workshop in the glamorous location of Telford, thus caught a train from there direct to Manchester and met up with the rest of the crew in the Joshua Brooks public house. I recall we also visited the Sand Bar and naturally gravitated to our usual nearby noodle bar for some tea.

As you enter the RNCM building there is initially a bar and café area before you reach the venue hall at the end of the corridor. They adopt a similar policy to the Royal Albert Hall where you could not take drinks into the venue and if returning from a comfort break you had to wait until the current track finished before you can grab your seat again.

The act that day was the incomparable Mark Lanegan, personally one of my Top 5 favourite vocalists with his gravelly ‘lived in’ unique delivery. He was touring his recent album ‘Imitations’ which featured cover versions of tracks by Nick Cave and the Bad Seeds, Nancy Sinatra and John Cale.

On the night he undertook an excellent version of Bobby Darin’s ‘Mack the Knife’ and Lou Reed’s ‘Satellite of Love’, the latter especially poignant as Lou had recently passed away. I have just read this week of a hugely emotional concert held with guest artists to celebrate what would have been Mark’s 60th birthday, he is sorely missed.

Mark Lanegan. Image Credit mubi.com

I had one other attendance there a couple of years later to see Mercury Rev and I spotted John Robb in the audience. The band were in a particularly noisy mode that evening with some guitar heavy tracks in the set, which suited me down to the ground!

The other venue is the Royal Northern College of Music Theatre which has fixed seating capacity of 600 plus the option to have additional removable pit seats. This is a more traditional ‘cinema style’ setting and I have visited there just the once in October 2023. We went to see a play called New Dawn Fades which chronicles the story of Joy Division which contain live songs with a full band. It is written and directed by Brian Gorman who also takes an acting role as Factory boss Tony Wilson.  It was pretty well made but the second half of it leading to Ian Curtis’s suicide was understandably very bleak viewing.

Wickerman Festivals 8 and 9

Wickerman 8 was held in 2009 and had a decent bill. The indefatigable Billy Bragg was in residence and was at that point going through his Woody Guthrie phase. There was some folk rock provided by Meersault from Edinburgh and Celtic folk from the Solus Tent headliners Pearl and the Puppets.

The Dickies belted out ‘Banana Splits’ for the umpteenth time, already thirty years old at that stage. Holding the punk flag were the perennial UK Subs, the Sharks and Penetration, Johnny Robb was in town with Goldblade and there were covers from the Counterfeit Clash.

Also playing were Root System, Mr Kil, Drums of Death, Luva, Anna, The Box, Marc Wilson, Kid British and there was glam rock and tartan attire from Glasgow’s Velcro Quartet. There were very retro performances from Candi Staton and Dreadzone. 

Idlewild, as ever, blasted out a solid set and I was impressed by Edinburgh’s We Were Promised Jetpacks as they were a refreshingly noisy bunch in the vein of Twilight Sad.  The Zutons covered the scouse angle and Magic Numbers are always soothing with their close harmonies and Californian vibe.  The headliners after the burning were the Human League who were very good value.  

The band of the weekend was an utterly joyous set in the scooter tent from Bad Manners. I think Buster Bloodvessel is the only remaining original and he is quite frankly nothing short of certifiable! He is now surrounded by younger band mates and the saxophonist was a revelation and the closing ‘Can-Can’ was riotous.

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The inimitable Buster Bloodvessel. Image Credit brightonsource.co.uk.

On the Saturday we always liked to have a communal bet on the horse racing prior to heading off to the festival. There was at one point in time a bookmaker in Kirkcudbright but now no more. In later years we also had enjoyable afternoons in Castle Douglas and Dalbeattie.

The absolute nadir was one year when it seemed we couldn’t even find the winner in a one-horse race and stacked our hopes on a horse called Tony Tie in the last. It didn’t even depart the stalls as it decided to eject its jockey! On the converse side one year we got the first three winners up in a Lucky 15, a fourth winner would have won us thousands, but the three timer was sufficient to cover the entire festival ticket costs for our five strong crew!

Wickerman 9 in 2010 had its share of slightly wonky legends as Tony Christie, Ed Ten Pole Tudor, The Saw Doctors, The Buzzcocks and The Undertones were in residence. Ocean Colour Scene ploughed their usual furrow; however Go Team provided their usual joyous jaunty set. Also on the bill were the nattily titled Earl Grey and the Loose Leaves, Mitchell Musuem, Midnight Lion, Fenech Soler, Lee Mottram, The Banana Sessions, The String Contingent, The Sex Pistols Experience, GoGoBot and Dr Huxtable.

There was a terrific set of post rock from Glasgow’s There Will Be Fireworks and Teenage Fanclub provided a soothing set with much of the material off their recent ‘Shadows’ release. Completing the Glasgow angle were the rock band Sons and Daughters. Tim Burgess and the Charlatans were in town alongside Sunderland’s Futureheads and 808 State played the main stage after the burning.

At one point we were ensconced in the Acoustic Tent, and I turned around and saw Alex Kapranos of Franz Ferdinand fame standing directly behind me. He later hit the stage to perform some acoustic FF tracks and he went down a storm with the audience.

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Alex Kapranos. Image Credit Zimbio.