Liverpool Venues 5 to 7

Before I outline the remaining events I have thus far attended in Liverpool, I wanted to provide some detail of all the missed gig opportunities on the other side of the River Mersey from the city centre. The first occurred when I attended my auntie’s wedding somewhere deep in Wallasey territory and there was a pub opposite the wedding reception building, but the name of the establishment evades me now. We visited briefly during the day but only Uncle George grasped the mantle to attend at one point in the evening where there was a band playing.

Following on from that quarter information tale, in July 21, Gill and I were scheduled to attend the Lets Rock 80’s festival at Wavertree Playing Fields (aka the Mystery). The derivation of the mystery moniker is down to the fact that the 104-acre park was donated to the Liverpool corporation by an anonymous well-wisher who subsequently transpired to be a shipping magnet. We were planning to commute in from the local nattily named Wavertree Technology Park train station but in the end, circumstances dictated we could not attend resulting in missing out of the dubious privilege of watching Sister Sledge, Odyssey, Wet Wet Wet and Adam Ant!  

Adam Ant. Image Credit thecurrent.org

I have previously attended gigs at library venues in Lancaster and Wigan and was hoping to tick Birkenhead off this list when we obtained tickets to see the French band Juniore for a chilled Sunday afternoon set, but it was subsequently cancelled and not rearranged due to issues with post-Brexit visa issues and Covid.

Another interesting sounding venue in that area is the Future Yard in Birkenhead. One of my favourite ever bands Sennen were undertaking a very rare tour and had added a date at that very venue. Unfortunately, I had a fixture clash and could not attend, and despite my exhortations to the band they didn’t add a Manchester date, so I have not yet added to my sole sighting of them at Manchester Night and Day in 2010.

Thus, I shall now move away from the hard luck stories onto actual gigs attended. One day in December 2019 I was working out of the Liverpool office and gravitating back down Liverpool Church Street to Lime Street station for my train home. I heard the unmistakable sound of a full band playing a street gig, the combo in question was Keywest.

Keywest band. Image Credit wordpress.com

Keywest are a four-piece folk band from Ireland and their route to success is an unusual one as they learnt and honed their craft by years of busking in the hot bed area of Grafton Street in Dublin. They had obviously decided to take a trip down memory lane by performing on a busy shopping street, I don’t whether that proceeded a gig in a more standard venue that evening.

On Matthew Street, you will find Liverpool Sgt Pepper’s Bar, like many in the area a Beatles themed establishment and the website informs that improbably and in fact impossibly they have music on ‘8 days a week’! In 2017 I caught a chap called John McDonna playing a set there.

In December 2021, I was over in Liverpool for an overnight work event and therefore naturally had to have a gander at the Ents 24 website to see if there were any musical events of note that coincided with my stay, thus discovering there was an interesting act on that very night at Liverpool EBGBS.

After work, we grabbed some tea in the Silk Road tapas and after a couple of drinks persuaded my colleague David Taylor to also attend the gig. David had previously pleasantly surprised me when he stated unexpectedly that he had not only heard of Mogwai but had actually seen them live which was good enough for me!

Heebies Jeebies (known locally as Heebies) has been a popular venue on Seel Street since it first incarnation as a jazz bar in the mid 90’s. In 2016 they opened the 250-year-old basement room as a live and club night venue and named it EBGBS.  Upon entering the establishment, I noted they had nailed the intended vibe as a dingy downstairs biker bar, in a good way! It reminded me of the Merchants pub near Lancaster train station.

EBGB’s dungeon setting! Image Credit architectural-emporium.co.uk

The venue has a capacity of 300 but there cannot have been more than fifty people in attendance that night, I can imagine when the place is full the view of the stage may be impaired due to the numerous pillars in place.

The support band was a post punk band from Oslo in Norway called Mayflower Madame, the main act was New Candys from Venice in Italy. Since their formation in 2008, their singer Fernando Nuti remains their ever-present member. In their early days they had support slots with the likes of Jon Spencer Blues Explosion and Crystal Stilts.

Their second album was recorded by John Willis, producer, and drummer of legendary psych rock band Loop, who coincidentally I am off to see today (21/05/23) on their comeback tour, 33.33 years since I last saw them at Manchester International 1 in January 1990. New Candys provided an enjoyable slab of gentle shoegaze before we headed back down the vibrant Seel Street, which looked worthy of further investigation at some future stage.      

Preston Venue 31 – 53 Degrees Main Hall

I have previously covered the Club venue and in this week’s blog I am going to concentrate on the 53 Degrees Main Hall. The venue’s opening in 2005 spelt the death knell to Preston Mill as a gig going concern as there was patently not room in Preston for two such singular locations.

The main hall comprised of a capacity of 1500 and had a sizeable bar facing you on entrance. There was a large, raised area before steps dropping down into a sizeable pit in front of the stage. In their time, they attracted some decent acts here but overall, I always felt it was a golden opportunity missed where they could potentially have attracted better acts, maybe that slightly biased perception gleans from certain fave bands that I thought would have great to see in that setting!

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53 Degrees Venue. Image Credit 53degrees.net

My first visit there was on 20/05/05 when I went to see Supergrass. They were in good form as they had a commendable back catalogue and played my two cherished tracks of theirs, namely ‘Caught by the Fuzz’ and ‘Late in the Day’. Our group was stood off to the right-hand side of the stage where it felt very draughty, but reasons for that became evident as I had an unpleasant bout of man-flu for about 10 days after. The lurgy nearly denied me the opportunity to watch PNE playing West Ham in the Championship play off final (I wish it had!)

Now I have never warmed at all to Blur, talented musicians, and all that, but for whatever reason their music grates on me. Whilst up in Scotland for Hogmanay we were listening to John Peels festive 50 and they featured a couple of half decent tracks from the bands lead guitarist Graham Coxon. This led to an attendance at one of his gigs in October 2006. Most of his set was based on his Ramones influenced latest album ‘Love Travels at Illegal Speeds’. He had his moments and with the shortness of the tracks swiftly whipped through more than 20 songs.

A couple of years later I saw my standout gig there when the Subways were in town. They had so much energy with lead singer Billy Lunn a whirling dervish on stage and his then girlfriend Charlotte Cooper a perfect ally to his antics. It was arguably one of the most joyous moshpits I have ever encountered when they played ‘Oh Yeah’ off their terrific debut album ‘Young for Eternity’. You could never fault these kids for effort! They were supported by Enjoy Destroy.

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The Subways in full flight mode. Image Credit buzzbands.la

In October 2010 a group of us headed into town to watch Half Man Half Biscuit, only to discover the gig had been cancelled at the last minute. It was rearranged for six weeks later on a Friday evening clashing with a North End game. We left the match early resulting in missing the first couple of songs of their set. They were very enjoyable, and they have such a devoted following that it always results in a cracking atmosphere.

In 2011, we went to see John Lydon’s combo, Public Image Ltd. I was far from an expert knowledge on their output but appreciated their intelligent songcraft which stood up well in a live environment.

When I was young whippersnapper at the tender age of 14, I went through a short Adam Ant phase and 30 years hence I was persuaded to go and see him again and this was my final gig there.

The place was packed to the rafters and access to the front area was tricky. There was an eejit and bully from my youth in residence who was blocking the accessway who I navigated past but who then somewhat predictably nudged me down the steps, but I maintained my footing and more importantly didn’t spill a drop of my beer! He was and obviously remains someone just not worth bothering with in any format! The gig was also a bit of a limp affair capping off a forgettable night.