Tag: Belle and Sebastian

Manchester Venues 161 to 162

The Sounds from the Other City festival I attended in 2024 sensibly decided to reincorporate the venues contained within Salford University grounds, and I believe they are also to be retained on the roster for the 20th anniversary edition taking place in 2025.

Manchester Peel Building is the University’s oldest structure that remains in live usage. It was originally designed by architect Henry Lord and was the site for the Salford Royal Technical Institute when first opened by the future George V and Queen Mary in 1896. The distinctive red Accrington brick Grade II listed building changed to its current moniker in 1967 and is currently home to the University’s School of Environment and Life Sciences.     

Salford Peel Building. Image Credit confidentials.com

On the lawn outside there is an elaborate brick gazebo also designed by Mr Lord, however it is visually misleading as it is in fact a disguised ventilation duct for the laboratories in the old Technical college.

Within the edifice itself, there are various lecture halls and in one of those seated auditoriums there were bands performing on the stage which was curated on the day by the Band on the Wall venue and Manchester based Reform Radio. The first act we saw was ISHA who is a producer and artist who gravitates between living in London and Amsterdam. She was a multi-instrumentalist one woman act who primarily concentrates on bass playing and released her debut EP ‘Bending Colours’ in 2023.

Later, we witnessed Muva of Earth who is a London based Nigerian singer who has morphed now into Divine Earth and is a solo act but is also one half of Divine Angel, hopefully you are still with me! She was also named by the Face Mag as ‘London’s new Alt-Jazz superstar’. Though I must report she certainly didn’t cause me to transcend when I watched her!    

Next door resides the Manchester Salford Museum and Art Gallery where I had visited once before in its daytime guise for coffee and cake prior to Gill’s graduation.  Back in 1849, Salford City Council allowed Lark Hill Mansion to be designated as an educational site and converted it into a public museum and library. A year after opening it had expanded to have the capability to house 12,000 volumes, a further year later the art gallery was added to the complex.  

Salford Museum and Art Gallery. Image Credit hotels.com

This site then turned into its current modus operandi and is located in Peel Park, so named after Robert Peel and commemorating his contribution to the subscription fund which the council used to originally purchase the Mansion. The gallery and museum are faithful to the history of Salford and Victorian art and architecture. The location for many decades held over 400 artefacts by local painter L.S Lowry, before they were transferred in 2002 to a purpose-built gallery within the Lowry in Salford Quays, next to where much of the BBC and 6 music radio is now located.    

When we attended in the afternoon it was close to capacity, so I grabbed a perch on a windowsill that then transpired to be a sweltering sunspot. On stage was an engaging singer songwriter called C Duncan who was being very well received by the audience. Christopher Duncan is a Glasgow boy and is signed to the renowned Bella Union label, he has recorded output going back to 2014 and his debut album ‘Architect’ was nominated for the 2015 Mercury Music Prize.

C Duncan. Image Credit bbc.co.uk

A single from his third album ‘Health’ was produced by Elbow’s Craig Potter at Salford’s very own Blueprint Studios. He has had support slots with Belle and Sebastian and his tunes have appeared on various TV programmes including Waterloo Road. The muse was obviously always in his bloodline as both his parents were classical musicians and though they are now retired they have ‘reformed the band’ to provide string sounds on his most recent recordings. He had a dreamy folky style and was a fine accompaniment to my window basking!  

Much later we headed back to the library to endeavour to catch the last artist on the day’s roster. It was still busy, so after queueing for a little spell, we finally gained access to catch the last song on Laura J Martin’s set.  She is a Liverpool lass and on her first album in 2016 she recruited members of Lambchop, Silver Jews and Jesus Lizard to assist her. Prior to her recently released fourth album ‘Prepared’ she undertook an apprenticeship with renowned local flute player and maker Willy Simmons.    

Manchester Venues 87 to 88 Albert Hall – Part 3

Now I could be wrong here, but my impression is that the early shows immediately post- pandemic appeared to have less tickets on sale as for a spell there was more room to breathe, even at sold out shows. Then, the sold-out events seemed to become much busier and for me this is one of the flaws in Manchester Albert Hall’s arsenal as at some of their gigs there you literally cannot move. A case in point was a Mogwai date this year where I was pinned in a spot by the bar (though there are worse places to be!) which didn’t allow you to adjust your position or viewpoint even if you wanted to.   

My next gig at the venue was to see Car Seat Headrest in November 2018. I have always been a huge fan of this band ever since I first heard the track ‘Drunk Drivers/Killer Whales’, the song is derived from the 2016 ‘Teens of Denial’ album. That album ticks so many musical boxes from me and I would rate is as highly as being one of my Top 10 albums.  

Car Seat Headrest. Image Credit Billboard.

The driving force behind the band is Will Toledo who as a solo member self-released an astonishing 12 records between 2010 and 2014 before becoming a fully-fledged band the following year. In my view their music is so thoughtful and heartfelt but beautifully wrapped up in a crunchy garage rock sound which I have an inherent weakness for. The lo-fi lyrics talk specifically and empathise with the waifs and strays, lonely and dispossessed bedroom warriors of the world and the audience that night reflected that cross-section of the population, and I thoroughly enjoyed their show and the resulting exultant sing along!

As part of the Dot-to-Dot festival in 2018, I saw Dream Wife, a three-piece pop punk band from Brighton. I saw so many bands that day, and I cannot recall a note of whatever portion of their set I witnessed, but they do appear to have received a fair degree of critical acclaim since then.

July 19 resulted in seeing two reforming 90’s bands but neither hit the heights for me. The first being the Anglo-French combo Stereolab, who came across as a tad self-indulgent. The second was the Glaswegian lo-fi popsters Belle and Sebastian whose ongoing driving force has been Stuart Murdoch. They formed in 1996 and have produced twelve studio albums. Their previous members have included Isobel Campbell who collaborated on a couple of excellent albums with the late great Mark Lanegan.    

Their jaunty single ‘The Boy with the Arab Strap’ was featured on the soundtrack of the ‘Juno’ movie and the C4 series ‘Teachers’ featuring a young Andrew Lincoln. In my opinion though, Andrew’s defining role remains the character Egg in the fantastic ground-breaking BBC 2 series ‘This Life’. Despite a couple of decent moments, the band were too twee for me.

In February 2020 I saw the Texan post-rock band Explosions in the Sky where it was patently clear when we were out and about that the dark clouds of Covid where beginning to form. In November 21 the old troubadours Jesus and Mary Chain were back on tour, and I was seeing them for the eighth time in total and for the first time in seven years. They played their excellent second album ‘Darklands’ in full and following an intermission played some further tunes. They sounded in very fine form and Jamie looked well though William looked a little weather worn and was seated throughout the performance.      

Jesus and Mary Chain. Image Credit exclaim!

In April 2022, I saw Sea Power (now without the British in their name) for the sixth time and later that year witnessed Mountain Goats. The latter band being from California and their constant member is John Darnielle, and for many years he operated as the solo member. Their name was derived from a line in a Screamin’ Jay Hawkins song, and they were firmly in the folk-rock vein and there were some die-hard fans in attendance.

My most current gig there was a couple of months ago to watch Eels who provided a soothing performance led by the distinctive vocals and quirky presence of Mark Oliver Everett (stage name E). They were supported on the night by the French soul rock band Inspector Cluzo.    

One postscript before I go, when leaving the hall during Dot-to-Dot festival in 2018 there was a Manchester Albert Hall Beer Van situated right outside the venue. There was an impromptu gig taking place in the open van by some accomplished musicians called the Road Crew, it was an enjoyable interlude before walking on to the next venue!