Nottingham Venues 24 to 25

The Rescue Rooms are located on Goldsmith St nearby Nottingham Trent University. The venue opened in 2003 and consists of two separate rooms, to the left is the bar area and the long thin gig room is on the right with a current capacity of 450. I have witnessed three gigs in total there.

On 05/07/08 we headed there for a local band showcase night. First on stage were Love Ends Disaster! who formed at Loughborough University who were followed by My Accident Captain. O Lovely Lie featuring siblings Gemma and Rich Upton were on next and created a fine wall of sound. The main band were Lo Ego who subsequently broke up later that year.

On 06/04/12 we went to see the legendary Flipper who shamefully prior to the gig had never appeared on my radar. They formed in the Californian punk scene in 1979 and like many bands they been through various break ups and different incarnations. They were unpopular in those early days as they played a version of slowed down punk in direct contrast to the speedier hardcore brand which was more prevalent at that time. They were touted as a major influence on Nirvana resulting in their former bassist Chris Novoselic playing with them in the 2000’s.

They were terrific live and the sludgiest band I have ever seen (in a good way!) and it reminded me of early Stooges material, I am just glad I got the chance to see them once in my lifetime. They were supported by local band Grey Hairs.

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Flipper. Image Credit Discogs

My first visit there on 24/08/06 was to see the Vines from Sydney, Australia. They formed in 1994 and I first picked up on them via their excellent debut album Highly Evolved. I have always quantified them in the garage rock category.

A couple of years earlier it had looked somewhat unlikely that the band would ever tour again because the lead singer Craig Nicholls had been diagnosed with Asperger’s syndrome. Unexpectedly then this tour was announced so we grabbed a ticket for the sold-out gig.

They produced a superb set and they had five or six standout tracks with my favourite being ‘Outtatheway!’ with its crackling intro and gradually building crescendo, it is an archetypal sweaty mosh pit song and I naturally answered the call to arms in that regard!

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The Vines. Image Credit Fanpop

The touted support band was the View who the organisers rather cheekily moved to the next-door venue Stealth to play their set after the Vines had completed theirs. To continue on the cheek angle, they tried to additionally charge us but we blagged our way into the venue.  

Stealth was a rather soulless metallic nightclub with a tiny stage for the band, though in their defence they did play Billy Bragg’s ‘New England’ at immense volume, which sounded fresh as a daisy that night!

It was a very early tour for the Dundee boys and the first time I had witnessed them, and their chaotic stagecraft and indecipherable Scottish brogue was an interesting sight. They attracted a boisterous enthusiastic audience. It had been a long evening so we bailed about halfway through their set but vowed I would endeavour to catch them again at a yet unspecified later date, and I was true to that pledge!

Preston Venue 12 – Polytechnic Part 2

Attached to the venue was a bar/nightclub called 42nd Street which we smuggled into a few times despite being non-students.

On 31/05/92 I went to see the Cornish band the Family Cat. It was a hot summer which at that point of my life was nosebleed season for me. It was a late decision to go with a couple of friends. We met in the Continental and then got distracted walking into town by Jools Holland playing a set on Avenham Park.

In the pub before the gig, some punters were watching a Nigel Benn title fight on a little TV in a corner. We went in about 11pm and caught an unnamed support act who had one song titled ‘Kenneth Clarke is a Sad Man’.

The place was about half full and I saw a pal of mine called Warren Beasley in the audience. A couple of years after Warren tragically died from cancer at the age of 26.    

Family Cat came on about 12.15. It never ceases to astound me looking back how late the sets were in those days, it would never or very rarely happen now. It was a nondescript gig and they played for about an hour.

In 1997 John Dewhurst, Uncle George, Gill and I went to see Billy Bragg.  It was 6 days before the General Election, and it was patently obvious that after 18 years of Tory rule we were finally going to see a Labour government. As a result, he was on fire that night literally preaching to the converted   and that enthusiasm created an anticipatory buzz in the crowd.  

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Billy Bragg. Image Credit The Salt Lake Tribune

The charged atmosphere added to the lustre of ‘Ideaology’ and ‘New England’. A thoroughly enjoyable set.

The following week the expected landslide came to pass. I recall on the Friday morning Dominik Diamond opened his show on 5 Live by stating ‘he was proud of the British public’ earning him a reprimand for breaching the legendary BBC impartiality rules.

That evening George and I headed into town where I could partake in my first legal drink under Labour power at the sprightly age of 29 and we took full advantage ending the night in the legendary Raiders nightclub!

It was an enervating time and on a personal level it coincided with major life events of buying our first house and getting married before the 90’s were out. The time period was the Yin to the current Yang of the post Brexit Covid Britain we currently reside in.

My final gig there was to see Electric Six on 29/11/03.  It was on a Friday night and the place was almost full. They were a six-piece band from Michigan and had just released their fine debut album ‘Fire’. They had shot to fame on the back of their two hit singles ‘Danger! High Voltage’ and especially ‘Gay Bar’ accompanied by a startlingly original video which resulted in me never looking at Abraham Lincoln in the same way!

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Electric Six. Image Credit brightonandhovenews.org

I think they remain the band that I was most surprised by in relation to how unexpectedly good they were, they were as tight as a drum live. Dick Valentine was an utterly engaging lead singer complete with a French stick as a prop.

Little did I know when I started attending gigs that in my mid 30’s I would be joyously bopping round a moshpit with a hundred others bellowing ‘I have got something to put in you’!