Preston Venues 24 and 25

When I left school in 1984, I undertook a one-year course to purloin some more further O’Levels at Newman College based in Winckley Square. I had somewhat to my detriment but to endless fun discovered pubs by this stage and regularly visited Lou’s Longbar in town on a Thursday night as they were somewhat lax in applying the normal age 18 criteria. A further essential part of the social calendar was to attend the legendary college do’s which took place 3 times that year. The very boozy events took place at Clouds nightclub on a Monday night.

At that time, there was a sister establishment in Preston called Tuson College based on St Vincent’s Road in Fulwood. They also held a college do in the same week on a Wednesday and these took place at Brooks Nightclub on Church Street. Rick Clegg and I managed to complete a 100% attendance record at all 6 functions in our college year but on those double do weeks we were extremely jaded come Thursday morning!

Brooks nightclub was based in the former Ritz cinema and was originally Scamps Discotheque and has since gone through various incarnations namely Arabellas, the Place and Aqualenium. Under that latter guise I attended one gig there on 16/05/02.

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Brooks Nightclub. Image Credit Flickr.

I discovered the existence of this hometown gig in a slightly unusual way. Thus, 19 days before I was leaving a And They Shall Know Us By the Trail of Dead gig in Manchester and local luminary John Robb was holding court by the exit door and outlining an upcoming Goldblade gig in Preston.

Calls were made in the morning to gather interest resulting in a group of us, including the enigmatic Matty Allen, gathering in the Black Horse on the gig night prior to heading onto the venue.

As it was a nightclub gig it turned into a very late one and many drinks were imbibed. Goldblade were supported by local band Onset. On a very small stage the main act commenced their performance close to 1am with Action Record’s Gordon Gibson in attendance. I do not think John Robb was enamoured with the sound system resulting in a fit of pique and the microphone being hurled down after a chaotic and very noisy truncated set!   

Action Records located on Church Street is one of those rare but utterly essential independent record stores. It started out as a stall on Blackpool Market before moving to its current location in 1979 and is still run by the indefatigable and Stranraer’s finest Gordon Gibson. I have been going in there since the early 80’s and remember Saturday afternoons delving into the vinyl boxes on the shop floor and unearthing and buying obscure gems such as Dumptruck and Squirrel Bait from my YTS money.  

They have developed their own record label recording output from acts such as the Boo Radleys. They have been a fierce advocate of record store day and have had many in store gigs including performances from Dirty Pretty Things, Bastille, Billy Bragg and a show from a young Muse in 1999.   

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Muse pictured with Gordon Gibson in Action Records 1999. Image Credit blogpreston.co.uk

On the night of 23/10/05 I was out watching Nine Black Alps in Manchester, coincidentally my 200th gig, and Magic Numbers were playing at the venue next door, and I heard on the grapevine they were undertaking an in store set the next day. So, the following lunchtime I gathered in a busy shop with Algarve Ray in attendance to watch a short set from a jaded looking Magic Numbers who hail from West London but model themselves on the 60’s Californian sound. They provided a soothing soundtrack within the confines of a somewhat unusual setting!

Nottingham Venues 24 to 25

The Rescue Rooms are located on Goldsmith St nearby Nottingham Trent University. The venue opened in 2003 and consists of two separate rooms, to the left is the bar area and the long thin gig room is on the right with a current capacity of 450. I have witnessed three gigs in total there.

On 05/07/08 we headed there for a local band showcase night. First on stage were Love Ends Disaster! who formed at Loughborough University who were followed by My Accident Captain. O Lovely Lie featuring siblings Gemma and Rich Upton were on next and created a fine wall of sound. The main band were Lo Ego who subsequently broke up later that year.

On 06/04/12 we went to see the legendary Flipper who shamefully prior to the gig had never appeared on my radar. They formed in the Californian punk scene in 1979 and like many bands they been through various break ups and different incarnations. They were unpopular in those early days as they played a version of slowed down punk in direct contrast to the speedier hardcore brand which was more prevalent at that time. They were touted as a major influence on Nirvana resulting in their former bassist Chris Novoselic playing with them in the 2000’s.

They were terrific live and the sludgiest band I have ever seen (in a good way!) and it reminded me of early Stooges material, I am just glad I got the chance to see them once in my lifetime. They were supported by local band Grey Hairs.

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Flipper. Image Credit Discogs

My first visit there on 24/08/06 was to see the Vines from Sydney, Australia. They formed in 1994 and I first picked up on them via their excellent debut album Highly Evolved. I have always quantified them in the garage rock category.

A couple of years earlier it had looked somewhat unlikely that the band would ever tour again because the lead singer Craig Nicholls had been diagnosed with Asperger’s syndrome. Unexpectedly then this tour was announced so we grabbed a ticket for the sold-out gig.

They produced a superb set and they had five or six standout tracks with my favourite being ‘Outtatheway!’ with its crackling intro and gradually building crescendo, it is an archetypal sweaty mosh pit song and I naturally answered the call to arms in that regard!

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The Vines. Image Credit Fanpop

The touted support band was the View who the organisers rather cheekily moved to the next-door venue Stealth to play their set after the Vines had completed theirs. To continue on the cheek angle, they tried to additionally charge us but we blagged our way into the venue.  

Stealth was a rather soulless metallic nightclub with a tiny stage for the band, though in their defence they did play Billy Bragg’s ‘New England’ at immense volume, which sounded fresh as a daisy that night!

It was a very early tour for the Dundee boys and the first time I had witnessed them, and their chaotic stagecraft and indecipherable Scottish brogue was an interesting sight. They attracted a boisterous enthusiastic audience. It had been a long evening so we bailed about halfway through their set but vowed I would endeavour to catch them again at a yet unspecified later date, and I was true to that pledge!