Tag: David Byrne

Manchester Venues 147 to 148 – Royal Northern College of Music

As you progress down Oxford Road towards the Academy venues you reach the traffic light junction with Booth Street West and on that very corner is the Manchester Royal Northern College of Music (RNCM). Just beyond there is a recently developed retail area containing a Brewdog outpost and a branch of the omnipresent fast food chain Five Guys.

Across the road from the RNCM for many years resided the Phoenix public house, previously Barney McGrews, situated under the precinct. I can find records of the Phoenix being around since the 1970’s and in those days, it was a punky biker venue where upstairs they held sweaty club nights under the Tangled or Acid Rock monikers.

Phoenix pub. Image Credit manchestersfinest.com

Live music was staged there from 1977 onwards on the Bass Charrington pub rock circuit roster. There are scant details of bands but can find evidence of Aqua, a Burnage High school band, (does that scenario sound familiar?) who played there the following year with Graham Massey of 808 State in their ranks. They are absolutely not to be confused with the other band with the same name who release ‘Barbie Girl’ a couple of decades later!  

It was a renowned student haunt due to its proximity to the universities. It became more of a drum and bass venue in the 1990’s and Clint Boon, Mani and Piccadilly Records used to undertake DJ nights there.  Around the time I visited, it had morphed into an ‘It’s a Scream’ chain pub with bright yellow frontage and was in a very tired state by then. It subsequently closed its doors for the final time in 2011.

The RNCM was officially opened in its current location on 28 June 1973 and was a fusion of the Royal Manchester College of Music (RMCM), which opened in 1893 with original principal being Sir Charles Halle and the Northern School of Music, founded in 1920.

Its remit encompasses musical education and contains two thriving public performance venues alongside a smaller recital room and theatre, the latter two spaces are utilised in the main for educational and conference events. The college was subject to a £7.1m refurbishment in November 2014 across all areas including a new lighting rig and sound equipment. Previous alumni naturally contains many illustrious conductors and composers and also Howard Jones!  

RNCM. Image Credit Royal Northern College of Music.

The first venue I will cover is the Royal Northern College of Music Concert Hall which has a fixed seating of either 443 or 598 with an additional balcony setting raising the maximum capacity to 710. The layout ensures that all of the seating encircles the stage in the middle of the room and ensures a good view from all vantage points. They have a constant diverse roster of performances and previous acts to play there include Adele, David Byrne, Hugh Laurie, Halle Orchestra and Jarvis Cocker. Filming has also taken place there for television shows Waterloo Road and Question Time.

My first attendance was in November 2013, and I had an unusual journey there. On the day I needed to attend a workshop in the glamorous location of Telford, thus caught a train from there direct to Manchester and met up with the rest of the crew in the Joshua Brooks public house. I recall we also visited the Sand Bar and naturally gravitated to our usual nearby noodle bar for some tea.

As you enter the RNCM building there is initially a bar and café area before you reach the venue hall at the end of the corridor. They adopt a similar policy to the Royal Albert Hall where you could not take drinks into the venue and if returning from a comfort break you had to wait until the current track finished before you can grab your seat again.

The act that day was the incomparable Mark Lanegan, personally one of my Top 5 favourite vocalists with his gravelly ‘lived in’ unique delivery. He was touring his recent album ‘Imitations’ which featured cover versions of tracks by Nick Cave and the Bad Seeds, Nancy Sinatra and John Cale.

On the night he undertook an excellent version of Bobby Darin’s ‘Mack the Knife’ and Lou Reed’s ‘Satellite of Love’, the latter especially poignant as Lou had recently passed away. I have just read this week of a hugely emotional concert held with guest artists to celebrate what would have been Mark’s 60th birthday, he is sorely missed.

Mark Lanegan. Image Credit mubi.com

I had one other attendance there a couple of years later to see Mercury Rev and I spotted John Robb in the audience. The band were in a particularly noisy mode that evening with some guitar heavy tracks in the set, which suited me down to the ground!

The other venue is the Royal Northern College of Music Theatre which has fixed seating capacity of 600 plus the option to have additional removable pit seats. This is a more traditional ‘cinema style’ setting and I have visited there just the once in October 2023. We went to see a play called New Dawn Fades which chronicles the story of Joy Division which contain live songs with a full band. It is written and directed by Brian Gorman who also takes an acting role as Factory boss Tony Wilson.  It was pretty well made but the second half of it leading to Ian Curtis’s suicide was understandably very bleak viewing.

Liverpool Venue 1 – The Royal Court

Mainly due to unreliable transport links I have been an irregular visitor to Liverpool for gigs though I have visited many times with work. I have always found Liverpool to be a vibrant and interesting place to frequent.

My first visit on a train was a mistake as for only the second time in my life I boarded the wrong train, not my fault honestly guv, and of course this error was compounded on arrival at Lime St Station by the fact that I missed the hourly train back to Preston by a wafer-thin margin of 2 minutes!

Coincidentally I was on Lime St station yesterday travelling back after a dramatic day at the cricket watching Lancashire at the quaint Aigburth ground. I have once caught the ferry across the Mersey and yes, they do play that track but thankfully only a 10 second excerpt! I have also attended the Grand National twice without finding the winner.

I never attended the infamous Eric’s venue thus my first two Liverpool gigs were at the Royal Court Theatre in Roe Street in the city centre which is very close to Lime St station. The current Royal Court was built in 1938 in an Art Deco style, and it was fortunate to survive the subsequent blitz. It is noteworthy for being the home of the stage debuts of Richard Burton and Judi Dench in the 1950’s.

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Liverpool Royal Court building. Image Credit Liverpool Echo

It gained Grade II status in 1990 and was taken over by Rawhide Comedy Club in 2005 and it is still operational today producing comedy skit performances with titles such as Little Scouse on the Prairie.

In the 1980’s it was utilised as a music venue and the likes of Rage Against the Machine and David Bowie graced the stage. The three levels of Stalls, Grand Circle and Balcony equated to a capacity of 1186, and it was a grand old venue. I unsurprisingly frequented the cheap ‘seats’ of standing in the mosh pit.

My first visit was on 2nd May 1989, and we commuted there in John Dewhurst’s work van. I recall it was a scrum at the bar prior to the Pixies hitting the stage at 9.15pm. the place was about half full and they had just released their third album ‘Doolittle’.

As ever with the Pixies, it was a vibrant tropically hot mosh pit and I recall them playing ‘River Euphrates’, ‘Mr Grieves, ‘Debaser’ and ‘Monkey Goes to Heaven’. My two highlights were the contrasting ‘Hey’ and the primal ‘Tame’ replete with Black Francis screaming like a banshee! They did an hour set and we had a debrief in a pub in Ormskirk on the way home.

My second and final visit was 19 days later to see REM, and it was on a very warm Sunday evening. The daytime was a combination of sunbathing and of Uncle George and I buying some tickets for an upcoming PNE v Port Vale play off which we unsurprisingly lost! 

We travelled over in George’s trusty yellow Cavalier. On arrival in Liverpool, we landed in an Irish pub near the station and were subject to some sustained cadging from a fellow punter. This cadging theme continued in the next pub, and we made a sensible decision to head into the venue.

REM took to the stage at 9pm. It was an early tour for them, and they were a country mile away from the polished article you saw a decade later, as Michael Stipe was a particularly shy performer at that juncture, but he still oozed charisma. He resembled an eccentric David Byrne and at times was muttering away into a loudspeaker about diverse subjects of CND and Greenpeace.

Michael Stipe in loudspeaker mode. Image Credit Pat Papertown 2

They opened with ‘Pop Song 89’ and I recall them playing ‘Disturbance at the Heron House’, ‘Orange Crush’ and ‘World Leader Pretend’. He then somewhat ironically introduced ‘It’s the End of the World as we Know It (And I Feel Fine)’ as the best song ever written. They performed two encores encompassing eight tracks including ‘Stand’ and ‘Finest Worksong’ and finished with a cover of Velvet Underground ‘After Hours’.

On the commute out of the city, we were very nearly side swiped by a speeding cop car! I recall 5 Live had commentary on a Nigel Benn v Michael Watson boxing match prior to stopping to refuel in Ormskirk with a Chinese takeaway. Just around New Longton, outside Preston, an REM track came on the radio to top of a fine night.

A postscript here is that for the first 77 gigs I attended I used to write a full review of the entire minutiae of the night and these two Liverpool gigs have finally exhausted this archive.