Manchester Venue 191 Gorilla – Part 1

On Whitworth St, directly opposite Manchester Ritz and within a literal stumbling distance from Manchester Oxford Road rail station you will find Manchester Gorilla. The venue is uniquely situated under a railway arch and was previously the arts, theatre and comedy site The Green Room back in the 1980’s. On the comedic front Alan Carr, Steve Coogan and Caroline Aherne graced that stage and James and Doves played early gigs there.

When that business closed the Trof Group took over the running and Gorilla initially opened its doors in 2012. Its future looked extremely perilous during the pandemic, but thankfully a new owner was sourced and that saved the day, and it is now linked to its sister site of Deaf Institute nearby on Oxford Road.

Gorilla. Image Credit discover.ticketmaster.co.uk

There is a tidy little bar at the front of the venue but there is no access from there to the gig space, apart from sometimes being directed by ‘Rock Steady’ to exit gigs through this bar area. The actual entrance is around the corner under the tunnel, and a few stairs brings you into the main room with a 550 capacity. 

It is a well laid out space with a merchandise stall to the left and the extendable/removable stage at the bottom of the room. However, like many other locations it can be arguably too busy when at full capacity, presenting logistical challenges when trying to access the two bars and even move around!  It also has a raised platform at the back of the hall with a smattering of elevated seats.

It generally provides good sound and local lad Johnny Marr talks very warmly about the venue and has actively encouraged his peers to include a touring date there. They have regular club nights with promoters such as Guilty Pleasures and Now Wave.

I have attended eighteen gigs there over the years with my first show being British Sea Power in April 2013. I have now seen them six times in total, and this was my second sighting 11 years after I discovered their unique stagecraft at the Leeds Festival in 2002. I recall them being introduced on stage by 6 music DJ Marc Riley.

Near to the culmination of the set, I nipped to the loos which are positioned behind the stage and encountered a chap dressing up into an eight-foot polar bear outfit. Before you ask, nobody had put anything suspicious in my beer, it was actually a tradition the band had at the stage of their career where a couple of bears would parade around the mosh pit during the encore!   

The bears and the band in action. Image Credit NME.

A month later, I returned as the venue was part of the roster for the sorely missed multi venue Dot to Dot festival. On that particular day I saw the aforementioned Marc Riley faves Teleman. The original germination of the band was the three members Pete Cateermoul and the Sanders brothers, Johnny and Thomas who were part of Pete and the Pirates. After they disbanded, they were joined by drummer Hiro Ama and became Teleman in 2011. I have always thought they have an intriguing sound, and they lived up to that in a live setting.

Also performing were the Wildflowers who were formed in 2012 and based in Brighton and Bristol. The driving force is main songwriter Siddy Bennett and her sister Kit who had an interesting bohemian upbringing via living on boats, caravans or in protest camps. They have a country punk sound and were coined in the early days as ‘Punk Dolly Parton’s’. Their breaking moment was a set they played at South by Southwest festival in Austin Texas that inspired Detroit label Original 1265 Records to sign them up. I could hear diverse elements in their sound ranging from Mamas and Papas to White Stripes.  

Next up was the old troubadours Nada Surf where the gig was completely sold out and they were touring their latest album ‘You Know Who You Are’ and were in as fine form as ever as they have now amassed a quality back catalogue. 

In August 2014 Gill and I headed over to watch Joan As Policewoman, whose stage name was a homage to the 1970’s television cop show called Police Woman starring Angie Dickinson. Her actual name is Joan Wasser who was adopted at a young age and was musically precocious as she had piano lessons at the age of six and violin tutelage at the age of eight. She started her professional musical career in the Boston University Symphony Orchestra.

Joan as Policewoman. Image Credit blogspot.com

Then to paraphrase Neil Young around the time of his commercial peak of recording ‘Harvest’, who was quoted as saying ‘It put me in the middle of the road, travelling there soon became a bore so I headed for the ditch. A rougher ride but I saw more interesting people there’. Joan adopted this ethos literally as she was jaded by the classical structure so did a full U-turn and morphed into being a member of various punk bands.

She suffered personal heartache in May 1997 when her fiancé of three years Jeff Buckley accidentally drowned in Memphis. At the time we saw her, she had just released her fourth solo album ‘The Classic’ but surrounded herself with a touring band for the live dates.

In March 2016 I saw Pelican for the second time after their staggeringly loud show a few years before at the Ruby Lounge venue across town. They are classed in the post-metal genre; there is literally a label for everything! They are entirely instrumental and produce long slabs of glorious brutal noise and three of their members are also part of the band Tusk. The show wasn’t as intense as the previous one, but still very good. 

Gigs From Abroad Part 16 – Eindhoven and Den Bosch

On our lad’s trip in 2018 a decision was made to return to the Netherlands and to the city of Eindhoven. It is the fifth largest city in the country and its wealth was initially built on textiles and tobacco before two significant companies DAF Trucks and Philips were founded there. The latter firm’s name is referenced in their famous football club PSV (Philips Sport Vereniging) Eindhoven. It has a large student population and contains the Muziekcentrum Frits Philips, a classical and pop music venue which is renowned across Europe for its excellent acoustics.

On our traditional Day 2 jaunt we traversed over to nearby Hertogenbosch, which translates as ‘the forest of the duke’. It is known locally as Den Bosch and is the established location for an annual high profile grass court tennis tournament and it also staged the start of the Tour De France in 1996. It is a bonny city with a plethora of bars and hostelries and a protected townscape with ramparts which surround most of the boundaries. The ex-Man United footballer Ruud Van Nistlerooy started his career at FC Den Bosch and famous previous residents include the scholar Erasmus, artist Heironymus Bosch and one of the finest ever female cyclists, Marianne Vos.  

As we exited the train station, we were instantly approached by one of the locals with the leading question ‘are you here for the festival?’ for which my ears perked up. My ears reduced to semi-perk state when informed it was a jazz festival which is probably my least favourite genre, but my gig addiction was piqued by the possibility of unexpected bonus venues forthcoming!

Den Bosch Festival. Image Credit denboschtips.com

It is the ‘free jazz’ style that doesn’t personally move me and can in fact be a tad nurofen inducing but I am more conducive when it is incorporated in a more blues domain synonymous of what I would imagine would be played in a Bourbon Street bar in New Orleans.

However, we took advantage of the festival hitting the town and our first venue was Den Bosch Stadscafe Basiliek which is a cosy brown café located near St Jan’s Cathedral with a comprehensive choice of beers. They regularly have live music and we saw a band under the name of Paul Sproetska. We then headed over to Den Bosch Kerkplein where a combo called Groupo Des Cargos were playing. The next site was at a square at Den Bosch Minderbroedersplein where they had an outdoor stage and performing there was Zwerm Koeien.

At this point in time, we had an attack of the munchies so decided to obtain some food from one of the numerous stalls dotted around the large expanse of Den Bosch Market which is surrounded by many grand old buildings including the 14th century Town Hall. Located at the market was the festival’s main stage where you expect the red letter acts to be performing. However, whilst we were awaiting our tucker, we were comprehensively underwhelmed by the Stark Linnemann Quartet who are comprised of 75% Dutch and 25% Greek origin.  

Our final performance was at Den Bosch Uilenberg where we witnessed the Jurgen Burdorf Band. Jurgen has crossed over into many other genres in his career including indie pop, 1960’s musicals and has also played mandolin in a Dolly Parton tribute show. The entire festival had an inclusive relaxed vibe about it and was well attended. In the last pub next to the train station, I recall the FA Cup Final being on in the background with Chelsea defeating Man United in that year’s final.   

Cafe Altstadt. Image Credit thisiseindhoven.com

We returned to Eindhoven in the evening and visited Eindhoven Alstadt which was located next door to a terrific rough and ready rock bar which we frequented both evenings and where they had a fine noisy jukebox.

The Alstadt is a lively bar and was funded from January 2017 by the Performing Arts Netherlands to become a Core Stage live music venue and has acts on most nights of the week and is open until 4am at weekends.  On the night we visited a soul band called Herman Brood Academie were playing who are named after a music college in Utrecht.

On our return day on the Sunday, we had two-star spots, the first being when a couple of the chaps espied the actual Hollies in the hotel breakfast area in the morning. Following that at the airport there was a further double take when we saw the darts legend Phil ‘The Power’ Taylor who had been competing at an exhibition event in the area and subsequently got on our flight and was sat in the row adjacent to myself.

Phil Taylor. Image Credit Sky Sports.