Manchester Venues 133 to 134

The Manchester Retro Bar is located on Sackville Street, at the other end of Charles St from the Joshua Brooks pub and Factory 251 venue. It is situated underneath the train line at the mid-point between Oxford Road and Piccadilly. It is actually listed under the auspices of Manchester University as it resides in their North Campus area which houses the school of Electrical and Electronic Engineering. It is close by Vimto Gardens where the unusually large Vimto bottle and associated fruit is housed, which can clearly be seen when scooting past on the train.   

Vimto Gardens. Image Credit mikkitiamo.com

It was originally called the Swinging Sporran, which was an archetypal biker’s rock bar. Due to its proximity, UMIST students also frequented, and it was the site of very early sets by the Chemical Brothers, who at the time were called the Dust Brothers. The Retro Bar has a modernist vibe and would not feasibly look out of place within a 1990’s housing estate as it is essentially a pub built into a car park!  Gill and I stayed once at the hotel next door, now called Pendulum, in the days of affordable hotels in Manchester before they skyrocketed to the London prices now in place. 

The Retro has a bar area at the ground level where they once filmed a concert scene in the Cold Feet TV series when John Thomson played drums for his son’s band. Downstairs is a 120 capacity club and live music venue which hosts regular shows. The Retro Bar closed for a spell in 2017 but was subsequently reopened later that year under the name of Hive. Perhaps living up to its original name I did discover that in the last couple of years Tiffany and Spear of Destiny’s 40th anniversary tour took place there with Kingmaker scheduled for September.  

Retro Bar. Image Credit trustinns.co.uk

I had walked past the venue many times and noticed there was a live band scheduled to play on 28/02/13 when I was in town. Thus, after a Joy Formidable show at the Ritz I dragged Uncle George along to grab the opportunity to pay a visit prior to heading up to Piccadilly for the last train. The act that night was a local combo called Paper Tigers.  

My second and only other visit was as the first venue of the Dot-to-Dot multi venue wristband event on 24/05/19. The act that afternoon was a 3-piece from Cheadle called Elephant and the Rider. They had an indie angular sound and had only issued a couple of EPs at that stage. They have just recently released a couple of further singles which are starting to garner some radio airplay and interest from BBC Introducing.

If you travel further down Sackville Street across Whitworth St West, you reach Manchester Tribeca located in the area of that name which skirts both Chinatown and the Gay Village much as it does in the original incarnation in New York. The literal translation of Tribeca is Triangle below Canal. This was our second location of the same Dot to Dot event referred above.

In a continuation of the attempted New York replication, the bar is multi-tiered with a mezzanine area by the entrance with comfy sofas then onto a raised area by the bar. Downstairs, in a bizarre twist you will find a lounge bar with real beds, appropriately named B.E.D! They also have additional spaces called Blue Lounge and Purple Lounge and there are regular DJ sets at the weekend running into the wee small hours.

Tribeca Bar. Image Credit licklist.co.uk

When we visited, we grabbed a stop in the upper bar with a view down to the makeshift stage which was located in front of the huge bay windows with the afternoon sun filtering through, it created a bonny vista.

There was a decent local singer/songwriter called James Holt playing. He had a challenging start to his life as he was diagnosed with bilateral moderate to severe hearing loss at the age of four. However, he didn’t let this define him by subsequently graduating with a first-class honour’s degree and MA in Music Composition at the University and Salford and then launching a musical career. He has recorded at Abbey Road Studios and has been cited as ‘fresh and exciting to listen to’ by the producer Brian Eno.   

Manchester Venues 122 Deaf Institute – Part 2

Nearby to the Deaf Institute Music Hall on the same side of Grosvenor St is the Footage pub (previously Flax and Firkin) which is a large vibrant pub with craft ales and many TV screens showing the latest sports. Just around the corner is the basement Umami Noodle Bar which has been a regular pre-gig eating stop for over 20 years.

The Footage with the Trof Deaf Institute sign in the background. Image Credit Zomato.com.

My first gig there was on 02/07/09 when I saw Nine Black Alps, a four-piece band from Manchester whose original moniker was The Chelsea Girls. The Alps name was selected from a line in a Sylvia Plath poem. I had picked up on them initially via their belting debut album ‘Everything Is’ which I still play periodically to this day.   

A couple of years later I had to cancel at short notice a trip to my brothers in Nottingham thus missing a Kyuss (forerunners to Queens of the Stone Age) gig. I was kicking my heels and a couple of lads were off to see Killing Joke, so I tagged along, but discovered on arrival at the Academy that their gig was sold out. A variant C approach then evolved by quickly checking that night’s gig listings and identifying an event at the Deaf that I could attend and then meet up after with the boys for the train home.

I struck lucky as the act on that particular night was the Dum Dum Girls whose name derived from a Vaselines album and an Iggy Pop song, thereby displaying their musical influences. Originally it was a solo project for Californian Kristin Gundred who then renamed herself as Dee Dee. After she signed up with legendary label Sub Pop three more girls were added into the band including the drummer Frankie Rose who has also been in Crystal Stilts, Vivian Girls and Frankie Rose and the Outs.

Dum Dum Girls. Image Credit Fanpop.

They disbanded in 2016 where Dee Dee then became Kristin Kontrol and her sound morphed more into the synth pop arena. She also around that time provided an excellent atmospheric cover of one of my favourite Jesus and Mary Chain tracks ‘Teenage Lust’. They were enjoyable live with many of the tracks coming off their debut album ‘I Will Be’ and reflecting the geographical location they were playing in, they decided to finish their set with a cover of ‘There is a Light That Never Goes Out’.  

Next up was one of those ‘right place right time’ moments that only occur very occasionally in one’s gig going journey. During my attendance at the Dot-to-Dot festival in May 2013 I had sighted on the roster an upcoming band I had just become aware of, and at that stage had only released two singles. The band in question who were performing in a teatime slot were Wolf Alice.

The venue filled up just before they landed on stage, and they were stunningly good, and rarely have I seen a young band who had such poise and justifiable confidence in their sound and ability.  At one quiet point between tracks a punter at the bar said in an awed voice ‘outstanding, absolutely outstanding’ which received a shy thankyou from lead singer Ellie Rowsell.  They finished with their superb first single ‘Fluffy’ and it was plainly obvious they were destined for great things including subsequently headlining Glastonbury stages and Mercury Music prizes.

As the set arrived at a tumultuous finale and the band left the high stage Ellie was struggling to step down so I proffered a hand to assist her which she gratefully accepted. Musical royalty was touched in that very instance and I am sure Ellie has not washed her hand since!   

Wolf Alice. Image Credit nylon.com

In October 2013 I went to see White Hills for the first time who are a stoner psychedelic rock band from New York and provided a pleasing slab of white noise. They have had a prolific output since their formation in 2003 and have recorded over fifty releases incorporating an impressive twelve studio albums. In their early days they were championed and supported by Julian Cope and were also cherry picked to appear as a live band in a scene of a 2012 Jim Jarmusch movie ‘Only Lovers Left Alive’.  

There then followed a gap of 4.5 years until my next visit in March 2018. Gill and I headed down with our pal Laura Buckley to see an Icelandic dream synth pop band called Vok, the name translating as a ‘hole in the ice’. They had formed in 2013 and gained some instant recognition by winning Musiktilraunir, an annual Iceland music contest and the year before we saw them, they released their debut album ‘Figure’.