Manchester Venues 170 to 171

Manchester Jimmys was founded in 2016 by the One Night Only bandmates and brothers George and Jimmy Craig. The band were an Indie rock outfit that were formed in 2003 and hailed from Helmsley in Yorkshire and released three albums in total with their biggest commercial success being the single ‘Just for Tonight’ which peaked at No 9 in the UK singles chart.

The venue was located on Newton Street in the Northern Quarter, a veritable stone’s throw from the legendary Roadhouse venue. It sadly closed in 2019 to create room for office space, but a new version sprung up a year later in Cutting Room Square in Ancoats and was a sister venue to their Liverpool branch.

Manchester Jimmys. Image Credit ilovemanchester.com

The residential location of the latter site has resulted in no musical licence being obtained and the requirement for earlier closing times than the former which had a later licence until 2am. I have never yet visited the Ancoats site but attended the Newton Street space a few times. The venue was very colourful and glitzy and resided over two floors. The ground floor containing the main room and bar with the music stage and a further bar situated downstairs, it was a compact but inviting space to watch a band.

They had their own beer supplied in conjunction with the local Holts brewery and even named a Jimmy lager after me, though unfortunately it was an acquired taste that I never acquired! I do seem to recall they only had one lavatory in total in the building, which was a far from ideal scenario.

They had regular gigs taking place there and I recall hearing about an early gig from local band the Blinders and even a DJ set from our very own mayor Andy Burnham! I attended five times in total, and all were part of multi-event wrist band events such as the Dot-to-Dot festival.

Jimmy’s Ancoats venue. Image Credit jimmys.group

My first appearance was in 2017 to see a London based artist called JW Ridley who had just released his self-titled debut EP. He provided some dreamy post-punk sounds and has been gathering some airplay on 6 Music and I noticed was listed on the recent Liverpool Sound City event roster.

My next visit was the following year was to see an artist/producer named Devon. He hails from the Forest of Dean in Gloucestershire and is obviously proud of his heritage as he displays a F.O.D moniker across his clothing when playing live. He also cites the remote location as inspiration for his music and bedroom DIY approach.   

My third visit was to see a four-piece indie act from Glasgow called Rascalton who had just released their debut single ‘This Is It’, I don’t know whether that was intended as a respectful nod to the Strokes whose debut album was titled ‘Is This It’. I next saw a band called Callow Youth from North Manchester who were formed the year before at high school and I would badge their sound as in the ‘lad rock’ mould.  

My final attendance in 2019 was the best of the lot as I witnessed a band called Secluded Sea. They were initially a collaboration between Halifax born multi-instrumentalist Blair Murray who has worked with Laura Cantrell, and ex-Foxtales singer Angela Hazeldine.  They expanded in a live setting to a six piece and created a very pleasing dream pop sound, though unfortunately they now appear to be no longer in existence.

The Manchester Crown & Anchor is situated on the corner of Port Street and Hilton Street within the Northern Quarter and has occupied that very spot since 1791. In its former life it expanded by incorporating the house next door and used to have a 150 capacity meeting room upstairs. Like many older boozers it was split into different areas, namely a wine and spirit vault, two parlours and a tap room.

Manchester Crown and Anchor with old signage. Image Credit alamy.com

It used to be under the auspices of the Chester Ales brewery in the 1960’s and 1970’s and this was reflected in the vintage signage before being extensively refurbished back in 2011 with the addition of a pool table and a roof top smoking area. It was also once featured in the Sky TV drama ‘Wolfe’. Members of the Stone Roses were reputedly visitors to the hostelry back in the late 1990’s.

It displayed an innovative streak during Covid by partnering up with the nearby Bread & Bowl to sell takeaway food and beer and enabled this pursuit by creating a new outdoor space because at the time the restrictions specified only beer gardens. It shut briefly at the end of 2021 but swiftly reopened under new owners. Due to its location, it can become busy on Manchester City match days, and they occasionally have live music. About a year ago after attending another gig, I saw a solo artist called Stefan perform there.   

Manchester Venue 135 – Bread Shed

On the opposite side of Grosvenor Street from the Deaf Institute venue you will find the Sand Bar. This is one of the many hostelries within the Oxford Road corridor, but it is a singular Manchester institution and one of my fave places to visit. It came into existence in the mid-90’s and I have been attending there for pre-gig drinks for many years. It is housed in an old industrial mill with an olde world feel and has an unprepossessing and almost hidden entrance. They have always served fine beers and was the first place that I was aware of that stocked continental lagers and was the location of my first sampling of the Bavarian Schneider Weisse wheat beer!  

Manchester Sand Bar. Image Credit flickr.com

On the next corner is another watering hole with the previously very simplistic name of ‘The Pub’. It is housed in a Grade II listed building, and they regularly have quiz nights and open mic nights, this one being more of a sporadically visited hostelry. A recent artistic addition to their side wall in May this year was a large mural of Kurt Cobain. At the back of this pub for many years there was a nightclub called the Zoo, now a singular music venue called Manchester Bread Shed.

I first visited the venue in its Zoo nightclub phase as part of the Dot to Dot festival event in 2013 and the act on stage was Beans on Toast which is the stage name of folk singer Jay McAllister who derives from Braintree in Essex. He is a prolific musician and has recorded fifteen albums since 2005 and has a liking for releasing them on his birthday of 1st December.

The Bread Shed. Image Credit designmynight.com

To be honest, he was not my cup of Yorkshire Tea though there were many punters in there who were lapping up his performance. On a personal front, my day improved dramatically immediately after as I caught a startlingly good Wolf Alice set across the road in the Deaf Institute.

In August 2017 the site rebooted as the Bread Shed and the owners Stonegate Pub Company spent £450k on upgrades. The unusual name derived from the history of the building as in the 1900’s it was the Duncan & Foster bakery site. This was also reflected in the attached pub revising its name to the Flour & Flagon. It was set up as an events space with a 480 capacity and beyond the live music they also reinstated the XS Malarkey comedy night that had for a short period been rehomed at the Comedy Store.   

Prior to attending a Fontaines DC gig at Gorilla in 2019 I cheekily blagged my way into the venue and caught a portion of a pretty woeful Iron Maiden tribute who were at the same low calibre level of the ‘legendary’ Damascus gig (my third ever gig) at Preston Clouds in 1984!   

My next visit was in October 23 where Marcus and Anita attended with Gill and I. Marcus had some ticket issues on the door but managed to negotiate his way in. The band we had come to see was the Boo Radleys who I was witnessing after a 29-year sabbatical as I had not seen them since two gigs in 1994. They were on a rotating joint headline tour and were the support on the night and were in excellent form with the fabulous ‘Lazarus’ being performed towards the end of their set.  

The headliners were Cud who are an electro indie band from Leeds who I had surprisingly never seen before. They formed in 1987, broke up in 1995, but reformed again in 2006. In their first incarnation they undertook a cover of Hot Chocolate’s ‘You Sexy Thing’ which garnered a number 20 position in John Peel’s festive fifty in 1988. Their lead singer is Carl Puttnam who can be marmite to some people, and I honestly didn’t approach them with high expectations. However, these chaps could play and were seriously good fun, reminding me of the vibrancy of Electric Six’s live performances.   

Cud band. Image Credit 3loopmusic.com

My latest visit was in April this year to see the ska/punk sounds of Snuff for the eighth time. Just when I was thinking the audience were very quiet on the first three tracks and not resembling an archetypal Snuff crowd they then played ‘Soul Limbo’ cricket theme, and the place went ballistic! So much so the instantly created moshpit had a kick back and Uncle George was knocked back onto the floor and temporarily flattened, but he is literally made of Teflon so bounced straight back up again! I had a rare foray into the pit myself for a few tracks and as ever thoroughly enjoyed their show!