Nottingham Venues 46 to 48

Nearby the Lace Market tram stop at Unit 6 on Warser Street you will found the Lofthouse. The arts space venue is located on the third floor of an industrial unit and they sporadically had gigs and I visited there just the once on 24/10/15.

It was a late gig, so we decided to future proof our entrance by visiting earlier and purchasing tickets but unfortunately the chap did not have a hand stamp available at that point. This nearly burned us later after we returned to the venue after watching the Hooton Tennis Club at the Chameleon, as we had to persuade a different chap on duty that we were honourable gig goers with a valid right of entrance and not a couple of blaggards!

The band in question was a local band called Sunset Nebula. They hit the stage about 11pm and I would place them in the ethereal spacy post-rock bracket (if such a genre exists!), they were excellent and greatly assisted by a terrific sound system which created a crisp as a bell acoustics.

On 14/05/16, the night before my brothers 50th birthday party we somewhat unsurprisingly decided to head out and watch a couple of bands. There was a venue I had been targeting for a while called JT Soar out near Sneinton marketplace. It was previously an ex-fruit and veg warehouse that has been converted into a DIY music and arts space containing a recording studio and rehearsal space frequented in the main by local bands.

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Nottingham JT Soar venue. Image Credit leftlion.co.uk

After visiting a couple of grubby, not grungey nearby hostelries we sallied over to the venue. On first impression it resembled a squat with a battered doorway and settee to the right and a very small stage but in truth it had an undeniable charm. It looked like it had regular punters who frequented each week and you probably couldn’t exceed 100 people in the venue. It was a friendly vibrant place and a perfect example of one of those grassroots venues that absolutely need to survive.

We were notified at the door that it was BYOB, so we skelped off to a local off licence and purchased some Tyskie Polish lager before re-entering. The support band was Throwing Stuff, a hardcore group originally from Manchester in the mould of Black Flag and Minor Threat. They were somewhat erratic but frenetically enjoyable.

The headliners were the Bennies, a lively ska punk band from Melbourne, Australia. They formed in 2009 under the original name of Madonna before predictably encountering legal issues and changing to their current name a couple of years later.

In 2001, we heard about a small, short-lived event called the Treefest Festival which was held at Newstead Common on the outskirts of Nottingham. So, on a sunny Saturday afternoon in July, we decided to drive out take a gander. It was a very low budget affair and we saw two artists, Naomi Hillman and Ana Gracey, a singer/songwriter from London.

The most interesting amusing moment occurred when we were sat on the grass in the sunshine surrounded by young families. The background DJ music was of a decent level, and I think it was a Faith No More track playing, when suddenly the lead singer screamed out ‘MuthaF%#*@r’, the look on some of the kids’ faces was a picture!

That scenario recalled to me an incident at the local Asda in the Sherwood area in Preston when a freshly sacked employee decided to depart in style. He commandeered the tannoy system and proceeded to turn up the volume and play at high volume the non-radio potty mouthed version of Rage Against the Machine’s ‘Killing in the Name Of’. I wish I had been undertaking my weekly shop at that point as I would have flown around with Zack de La Rocha’s strident vocals ringing in my ears!  

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Rage Against the Machine. Image Credit getwallpapers.com

So, this completes my Nottingham story incorporating a grand total of 71 gigs across 48 different venues!     

Preston Venue 23 – The Mill Part 1

There used to be a plethora of pubs in the Plungington/Brook Street area of the city, many such as the Royal Oak, the Tanners, Plungington Tavern, General Havelock, The Cottage and the Brookhouse have all now bitten the dust.

Around the corner from there is Aqueduct Street where there used to be a couple of further boozers, Prince Consort a Whitbread house run by an ex-wrestler which closed in the 90’s. The other being the Lime Kiln, a small, homely pub that subsequently turned into a slightly chaotic Chinese restaurant. Located between those two hostelries was a landmark Preston venue called the Mill.  

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The Lime Kiln pub. Image Credit Flickr.

For about three years around 2003-2005 this venue burned very brightly and attracted some big indie names to an unprepossessing back street venue. It is located near a West Coastline railway bridge and opposite a dance club I cannot recall the name of but subsequently become a LGBTQ venue called the Boiler House in 2019.

It was originally a venue between 1993 and 1996 called the Mill where Oasis and Pulp played early gigs, annoyingly I have also just discovered Buffalo Tom played there in 1993, which I was wholly unaware of at the time. It then had different signage under Club Sugar and the Marquee before closing in 2002. A year later the owners of Leeds Cockpit were looking to open a gig site in the North West and chose this location under its original name. The opening of a bigger rival venue called 53 Degrees precipitated its subsequent downfall in about 2007 as Preston was not big enough to justify two main venues, I believe it is still operational as a recording studio.

There were steps leading up to the entrance which brought you into the centre of the venue with a large dance floor, stage to the right and a long bar facing opposite. Somewhat bizarrely in about 2005 they launched a split room approach to try and create a separate bar and gig area which personally did not work for me. On non-gig nights they opened as a nightclub which I frequented a few times, and this was where Paddy Finch and I used to pogo around the dancefloor.  

This former cotton mill in Aqueduct Street has undergone a number of changes as a venue and has recent incarnations, featuring a Shisha bar and the newest addition the Escape Room Preston, where players take part in prison-break type experience. The Mill opened as a nightclub/music club focusing on alternative music in 1998
Preston Mill venue. Image Credit Lancashire Evening Post.

I saw 15 gigs there in totality which places it 8th on the all-time visited venue list and joint 2nd in the Preston venues list. I attended there twice in its original incarnation. The first in 1995 to see Cement, which was a band formed by lead vocalist Chuck Mosley who was previously in Faith No More and the legendary and influential Bad Brains. I recall them creating a rambunctious slab of noisy garage rock.  

My second appearance was the following year was to see a Battle of the Bands event and we witnessed Wunjo Station, Tripitaka, King Mambo and Fervid.

There was a seven-year hiatus before my next visit in 2003 at which point it was becoming increasingly evident that the venue was beginning to attract a decent calibre of bands to play there. I missed an early performance by Snow Patrol as I was attending an alternate gig that night, doubly regretful as I was a big fan of the material produced by their spin off band Reindeer Section, especially their terrific second album Son of Evil Reindeer.

On 23/09/03 the Swedish band Wannadies were in town and they produced an excellent set with their quirky lead singer Par Wiksten in full flow. It was a poignant gig for me as I was still recovering from a particularly unpleasant sustained bout of shingles and some noisy poppy guitars only served to aid my recovery!