2024 Gigs – Part 3

I always manage to catch some random performances in venues around Oxford Road train station prior to heading home. One such venue is Manchester Grand Central where in May I saw a band called Level Up, in September I witnessed Throwback, in October I caught Ben from the Block and a month later Warrington act Pray for Mojo. The latter combo provided a pleasing slab of psych rock in the vein of King Gizzard and the Lizard Wizard.  

The other venue in that vicinity is the old stalwart Manchester Thirsty Scholar. I visited the Scholar in August and October where I saw a couple of double acts called Alvin and Rob and Sid and Benny. Jenny Jazz followed at the tail end of October.

My final attendance in December was part of the Year’s End Festival on a monsoon style rainy day where first up on stage were a noisy garage rock band called Redchecks. They are a Welsh act who are now based in Manchester, but somewhat confusingly formed in Glastonbury in 2021.

Scatterchild. Image facebook.com

The other performers were locals Scatterchild who had recently released their debut album ‘An Everyday Landscape’. It was possibly the busiest I have seen the pub in all my visits, and we snuggled into a spot perched on the bar. It turned out be my last gig there prior to the recently rebadging of the hostelry into O’Connells Irish pub, still thankfully staging live music.

Another venue of the Year’s End festival roster was Manchester Retro Bar Downstairs Stage. It was only my third visit to the cellar and as it transpired my last as the venue is now closed for good after a thirty-five-year tenure. It is due to be demolished soon to make way for the Sister regeneration project which aims to generate 10,000 jobs and 1500 new homes.  

Retro however are still aiming to relocate and set up in a new site and are apparently exploring possible locations in this regard. The band on stage were called Wren and they cut a very heavy presence with their noisy sludge metal and it is the kind of music your Granny may love!  

The final festival venue to reference was further down Oxford Road at Manchester Deaf Institute Lodge. The first act I saw was Meelik who were most definitely the first ever band I have seen from Estonia. I then undertook some research on famous bands from the northernmost of the Baltic states and the intriguing name that caught my eye was the punk band called Bedwetters!

Meelik. Image Credit escbubble.com

Meelik fall more into the indie genre and are literally a high school band formed originally by their guitarist, Rain. Confidence in their musical ability was initially gained after winning one of their school song competitions. They had a break from 2011 to 2022 before reforming and entering their national Eurovision Song Contest qualifiers where they obtained a fourth place. On stage they wore school uniforms though they avoided Angus Young comparisons by the virtue of them wearing long pants! They were rather quirky, and I enjoyed the portion that I saw of their set.

The other act was Nadia Sheikh who is a Spanish/British singer and songwriter now based out of London. She self-released a slew of singles prior to obtaining a coveted 19 date support slot for Stereophonics on a sold out tour including dates at Manchester and Cardiff Arena. She had a heartfelt expressive voice which was overlaid over an indie backdrop sound.

There were also acts playing in the Manchester Deaf Institute Music Hall. First up was Kynsy who was probably my favourite performer of the whole day. Outside of her stage non de plume name she is known by her family as Dublin born, now London based lass Ciara Lindsey. She gained her musical stripes as a teen in an all-female rock band before branching out as a solo artist and received many favourable reviews. I liked her soulful voice and heartfelt tunes, and she reminded me of Hatchie.   

Kynsy. Image Credit NME.com

The other artist playing was Orphan Boy, a combo from Cleethorpes but now based in Manchester. Upon sighting them, I had a sense of déjà vu which turned out to be justified as my annals informed me that I had seen them twice before, once at the Wickerman Festival in 2008 and the other at the Mad Ferret in Preston.    

There was one additional visit to the Music Hall in August when I saw Southall, who are sometimes also known as Read Southall, reflecting the founding member who hails from Oklahoma. The sextet is strictly in the country rock mould and have released four albums in total since 2015 and the lead singer also has a likeness to the old crooner Mick Hucknall.

Although I can never reference the latter named without casting my mind back to Mark and Lard’s infantile but humorous Ancient Customs CD in 2010 where the singer, actor and comedian Bernard Wrigley (nicknamed the ‘Bolton Bullfrog’) undertook ‘Two Ronnies’ style readings on top of musical accompaniments with titles such as ‘Humping the Hucknall!

Manchester Venues 98 to 101

As I am sure regular readers of this blog can attest, I have always been a huge advocate of attending Manchester venues. This is even though for my first 49 years on this Earth I was living in Preston, which has involved an extraordinary number of train ride commutes, quite often in challenging circumstances due to Northern Train’s incompetence. Don’t even start me on their brazen temerity relating to a staggeringly unjust penalty notice I received from them recently for making the ‘catastrophic’ error of buying two singles instead of the intended purchase of an open return for virtually the same price!   

My first Manchester venue back in the mists of time in 1985 was the Apollo with the 10th being the short-lived Planet K in the Northern Quarter which I first visited in 1999. The 25th followed in 2011 with the Castle and the 50th was the Sound Control downstairs club venue in 2013.

The dramatic spike in numbers of venues visited on the numbers between 25 to 50 was in no small part to my attendance at several multi venue wristband events including Dot to Dot and Sounds from the Other city (SFTOC) festivals and it became a personal mission around then to see how high I could increase the overall number to.

When we relocated to Manchester in 2017, I had at that stage reached 76 venues and I knew the much sought after century was a question of when not if and I have since rolled on to run past over 150 and counting Manchester venues.   

At SFTOC they utilise a central gathering area of the Regent trading Estate located behind Islington Mill where they have drink and food outlets and have acts performing in the Manchester Regent Trading Estate Car Park. In 2017 I saw the local artist Dub Smugglers and the following year witnessed an act called Kiss Me Again.    

Manchester Regent Trading Estate Car Park. Image Credit soundsfromtheothercity.com

In a more recent year, they based the whole festival site around the Regent Estate, I didn’t attend that year, but I saw the feedback was unfavourable as punter’s preference was to have a suite of venues dotted all around, and they have not since repeated that experiment.

The other three venues in the vicinity are very novel as they based in the warehouse units which I am assuming are normally working areas at other times and can imagine they could have been fine sites for Acid House gatherings back in the day!

The first and largest one we visited was Manchester Unit 5 Regent Trading Estate. The first band I saw there was HMLTD, an art punk band from London town whose original moniker was Happy Meal Ltd. They were a vibrant bunch, and their garb embraced the 1980’s New Romantic era. The following year, I witnessed another London jazz infused artist called Laura Misch.        

HMLTD. Image Credit nme.com

When in attendance at the SFTOC 2018 event I reached my 100th Manchester venue which was a big deal for me as it had taken 33 years to achieve that aim, the venue itself was Manchester Unit 2 Regent Trading Estate. I was hoping and praying it would not be a limp act to celebrate this milestone and thankfully the music gods were smiling on me!

The band was an upcoming Australian artist called Hatchie and her backing band and they produced a terrific slab of dream pop which was perfect for the occasion. I attended the festival again this year and we saw an excellent set from the C-86 infused shoegazers The Early Mornings, who turned out to be the band of the day.  

Hatchie. Image Credit vrtxmag.com

The other area was the smallest one on the Reform Radio Stage within Manchester Unit 4 Regents Trading Estate where I have seen Bennett is Coming and a Spanish soul singer with African roots called Femme Fatene.