Lancaster Venues 20 to 22

This week, I am continuing the tale of my inaugural visit to the annual Lancaster Music Festival on a bruisingly cold day in October 2023. The next haunt on our list was Lancaster Cornerhouse located on the junction of New Street and Church Street; a stone’s throw away from the Sun Hotel. The Cornerhouse, formerly Paulo Gianni’s and Sphere Bar, went through a major transformation in 2018.

The driving force of the reformation was Gemma Rowlands from nearby Cockerham, who had previously worked at the site in Paulo Gianni’s days. She then converted it into a gin style palace with a restaurant with accompanying comprehensive menu, a plethora of craft beers and live music offerings from Thursday through to Sunday.  

Lancaster Cornerhouse. Image Credit lancastercornerhouse.co.uk

When we arrived, the place was extremely busy, and we navigated the queues to obtain an aperitif from the bar. We grabbed a seat before being politely moved on as we were inadvertently squatting in the restaurant area! On a small stage in the corner of the main room we encountered a local three-piece band called the Beets. They had ensured they would have maximum exposure across the day by volunteering to play a remarkable seven venues across the city in an overall time span of eleven hours!       

A five-minute walk away brought us to our next port of call which was the Lancaster Royal Kings Arms Hotel.  The place has considerable history in that the Grade II listed building was originally constructed in 1625 and revamped in 1879 after a habitual great fire (arsonists abounded everywhere in that era!). Many royals stayed there and in its early days it was owned by King Louis XIV.

The local archives contain a letter that was sent from Carlisle to the hotel on 11th September 1857 requesting that a room be booked there for a certain Mr Charles Dickens who would be accompanied by his friend Wilkie Collins. They also requested a comfortable dinner (tea in the North!) for two persons at half past 5.    

Lancaster Royal Kings Arms Hotel. Image Credit blog.conferences-uk.org.uk

They were in a midst of a walking tour of Cumberland at that stage which was chronicled the following month in Dickens ‘Household Words’ under the title of ‘The Lazy Tour of Two Idle Apprentices’. The hotel is also cited as the location that Dickens scribed ‘The Tale of the Bridal Chamber’ and there remains to this day a ‘Dickens Suite’.

We had been in splinter groups for a couple of hours, but we all reconvened here. There was an excellent band on stage called Native Cult who were also playing several shows on the day. The duo hailed from Barrow and had a pot pourri of influences in their sound. Following there we grabbed some much needed tea and a sit down at the Golden Dragon Chinese restaurant next door.   

Our next destination was Lancaster Atticus on King Street which initially came into being in 1974 as a bookshop coffee bar above Probe Records in Liverpool. Probe Records is an interesting tale with its initial commencement as an independent underground/hippy establishment and it then morphed into a punk site when it moved to a new location, as a result of their new address being in close proximity to the legendary Eric’s venue.

Many future musicians were employed there including Frankie Goes to Hollywood’s Paul Rutherford, Pete Wylie from the Mighty Wah! and Pete Burns from Dead or Alive. The final named was renowned as faithfully adopting the house ethos of issuing ‘constructive criticism’ when parlaying with customers and thus influencing their selections! Julian Cope references the shop in his ‘Head On’ autobiography and the band meetings that took place there with Ian McCulloch when they were in The Crucial Three together.

They set up a record label Probe Plus whose most famous signing was undoubtedly Birkenhead’s Half Man Half Biscuit, a band who refreshingly took a break from the music business between 1987 and 1990 as they didn’t want to become ‘too successful’! They also famously turned down a slot on The Tube Channel 4 TV show as it clashed with a Friday night Tranmere Rovers match.

Half Man Half Biscuit. Image Credit pinterest.co.uk

The shop struggled for a spell through the initial downloading era, but the vinyl renaissance has boosted their turnover, and the record store remains to this day in its current location in the Bluecoat Arts Centre.

The Atticus name was chosen as it has literary connotations but is also useful alphabetically, from a commercial viewpoint, on any book shop listings. They opened a second shop in Lancaster in the 1990’s which subsequently closed in 2001.

The original owner Tom Flemons then returned to the area in 2014 to reopen the store as a not for profit enterprise supporting the Tasikoki Animal Rescue Centre in Indonesia where he had previously volunteered. At this stage it also expanded to incorporate a coffee bar. When we wandered past there was a band called Bay Big playing who are a large host of musicians who play a repertoire of Swing, Jazz and Latin.    

Manchester Venues 18 to 22

Following on from the Festival blog last week I am going to concentrate on some Dot to Dot festival venues on and around Oldham Street in the Northern Quarter that I visited at the event which took place on 28/05/16.  

COW is a two-floor vintage clothes shop on the same block of Piccadilly Records and is an archetypal shop for this area of town. From a very unusual vantage point of standing behind a clothes rack we witnessed a young Manchester acoustic artist called Miranda Amess who had a decent voice with a smidgeon of a KT Tunstall vibe about her.  It was also my 250th different venue.

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Cow clothes shop. Image Credit WordPress.com

The Black Dog Ballroom is a downstairs New York style bar situated underneath Affleck’s Palace on the corner of Tib and Church Street. I had only previously been in for a drink and a burger once before prior to another gig. The venue was behind a further door off the main room and had a little bar and stage within. We saw Love for Zero, an electro synth band from Manchester who were in the Editors mould.  

Traversing from the basement to the top floor of Affleck’s you find the Black Milk Dessert Café. The local band on stage were Bright Young People and they had a nice scuzzy Stooges crunch about them. Their debut single was produced by Ian McCulloch of Echo and the Bunnymen.  

Their performance exemplified the uniqueness of the chosen venue as the American style diner on the third floor with windows overlooking Oldham Street was in great contrast to the sturdy guitar led sound on stage.

The unassuming orange signed Koffee Pot is located at the Swan Street end of Oldham Street. It is very near the Crown and Kettle pub which unfortunately ever appeared only on a festival roster for one day when I couldn’t attend as I was ensconced at Uncle George’s 60th hootenanny, and as a result my friends Jez Catlow and Moggy have beaten me to the punch there.

We saw a three-piece garage rock band called the Slovaks and they were good value.

The Koffee Pot. Image Credit northernnoise.co.uk

I recently read that the Koffee Pot was collaborating with the reborn Deaf Institute by providing the food for the ground floor restaurant space.    

Just off Oldham St lies the 57 Thomas Street Beer House. It is one of several pubs linked to the local Marble Brewery who also have their original flagship Marble Arch pub nearby. They had some devilishly strong ales on display in the ground floor bar and the venue was situated upstairs.

The band Psyblings were a terrific five-piece psych rock combo from Warrington who had met at Manchester University. Unfortunately, we only had time for a couple of tracks, but I made a mental note of their capability and as a result ensured we caught their full set at another event the following year.  

I caught another local band called Easter at the venue later that year.  

The bar has very recently been taken over by Fierce Beer, an award-winning craft beer brewery based in Aberdeen, enabling them to open their first bar North of the border.