Preston Venue 23 The Mill – Part 3

Located near to the Mill was a track leading to the current starting point of the Preston to Tewitfield canal. The original plan was to continue the canal south of Preston onto Wigan to link up with the Leeds to Liverpool canal but was only ever partially completed.

In July 2005 a group of us went down to see Idlewild on a Monday night and I recall seeing Matty Pope of the Accrington parish prior to the show. It was an odd day as the gig followed my Grandma’s funeral. It was well attended and Idlewild were in very good form, ‘You Held the World in Your Hands’ was the highlight and I recall them also playing a rousing cover of the Ramones ‘I Wanna be Sedated’.

Three months later the ska legends The Beat were in town and they were a good as ever with Rankin Roger and Junior Rankin sharing the vocal duties. There was a plethora of dodgy dad dancing and the highlights were ‘Stand Down Margaret’ and ‘Tears of a Clown’.

In December 2005 I saw Half Man Half Biscuit for the first time and the Birkenhead boys were a revelation. They were one of the tightest bands I have seen honed by constant touring for over 20 years. I recall fondly ‘Trumpton Riots’ being played regularly on the ground level dance floor in Raiders nightclub in the 80’s and they played a belting version of it on the night. Other highlight tracks were ‘F#@k me its Fred Titmus’ and ‘All I want for Christmas is a Dukla Prague Away Kit’.

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Half Man Half Biscuit on stage. Image Credit BBC.

I have saved the biggest one to the last and I cannot overstate the significance of this particular gig as in my view it was the biggest band, I have ever witnessed in the olde fair city of Proud Preston and certainly stands strong in my Top 5 gigs in Preston. Randomly scanning the Friday What’s On page in the Lancashire Evening Post I noticed to my astonishment that Black Rebel Motorcycle Club were going to play the Mill.

Tickets were purchased over the weekend and the date ringed on the calendar. Then disaster struck as due to one of guitarists in the band breaking his thumb the gig was cancelled. A combination of them rising in profile and the size of the venue made me cast serious doubts of it being rearranged. However, to their eternal credit they honoured the booking and a rescheduled date of 11/05/04 appeared on the horizon.

On the gig day I was slightly giddy at work and I sloped off early.  A group of us rendezvoused in the Hogshead and on arrival we caught the last two tracks of a then unknown support band which turned out to be Kasabian.

The venue was packed to the rafters with an exultant crowd. They opened the set with a couple of acoustic tracks, one of which was the delightful ‘Complicated Situation’ subsequently included in the tracklisting for the Howl album released a year later. ‘Whatever Happened to my Rock and Roll’ and ‘Spread Your Love’ from their self-titled debut album were outstanding and their noisy dirty old-fashioned rock and roll was a compelling spectacle and they certainly lived up to my pre-gig expectations.  There were fluffy clouds under my feet as I walked home up the hill afterwards!

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Black Rebel Motorcycle Club. Image Credit saltartists.com

Second T in the Park Festival

Having previously commuted from Edinburgh for the 1999 festival, we made a conscious decision to identify some accommodation nearer to the site for the 2000 version. As a result, we found a B&B in the little village of Glenfarg just off the A75, Gill attended this festival for the first time.

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Glenfarg Hotel. Image Credit Undiscovered Scotland

One element we had no control over was the weather and what we were confronted with was the most persistent monsoon rain I have ever encountered; it just never stopped the whole weekend. We were fortunate to be able to leave the site and I had unbounded sympathy with punters who were camping.

I recall seeing the reports of the weather at one particular Glastonbury being so inclement they encountered the first cases of Trenchfoot for around a century, they must have run close to that in 2000. When we see torrid weather nowadays, we acknowledge it is raining but can verify it is indisputably not T in The Park rain!    

On both days of the festival, we headed into Ayr for a couple of drinks before grabbing a taxi down to the site. In one of the boozers on the Saturday, I think it was called This Old Hoose, we encountered a couple of older ladies, christened the ‘Golden Girls’ who were happily imbibing Gin and were good company.  I kept looking out the window consistently echoing the refrain ‘it’s getting brighter’ even though it patently was not!   

There was a fine bill on Stage 2 on Saturday, and it had the humungous additional benefit of being in a marquee and therefore under cover.  The Wannadies produced a great guitar heavy set before some softer soothing tones with the excellent Morcheeba.  Following them was the erstwhile singer songwriter Beth Orton.  In the Dance tent we caught a portion of David Holmes.

In King Tuts Wah Wah tent we watched Lapsus Linguae and Looper. On the main stage we saw segments of both Ocean Colour Scene and a reprise from the previous year from Fun Lovin Criminals.  We watched the whole of Moby’s headline set where you could witness a sea of yellow temporary T in the Park macs providing sparse cover in the conditions. Moby was good but provided a carbon copy of the Glastonbury set from a couple of weeks earlier, knew I should have swerved that to keep a fresher outlook.

Me and Gill lost Uncle George and John at one stage due to a miscommunication and this was in the days before we all had mobile phones, we luckily found them a couple of hours later prior to the taxi back to the digs.  

On the Sunday morning, there was a brief one-hour respite in the weather, so we went for a local walk but were instantly surrounded by smidges on the motorway bridge, so that exercise was soon curtailed.  

In the Dance tent, we caught Darren Emerson and a part of a banging set from Leftfield. We also watched a terrific more dance-oriented set from Death in Vegas. Elsewhere we saw a very early performance in a side tent from Coldplay and also witnessed A, Dum Dums, Dark Star and Embrace.

There was a hit laden set from Supergrass who followed Idlewild on the main stage. There was a fun performance from the indefatigable and timeless Iggy Pop and we stayed for some of Travis’s headline act.

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The irrepressible Iggy Pop. Image Credit Gigwise.

We then squelched off to the taxi pick up point and got summarily ripped off by the taxi firm, but to be honest I didn’t care as I would have paid 10 gold bars to depart the site by that stage!

When we landed back, the lad on duty at the hotel ordered boots off and he graciously opened the back bar for us. He served us soothing brandies and whiskies and we could watch the festival highlights on a little portable in the corner of the bar. What lucky people we were, and it provided a warming end to the weekend’s activities!