Wickerman Festivals 6 and 7

Wickerman Festival 6 took place in July 2007 with the usual suspects in attendance. The bill that year obviously contained the ever-present Dangleberries. The ska influence was well represented with Scottish band Big Hand providing a rousing energetic set and legends The Beat were in attendance led admirably by Rankin Roger and Junior Rankin.

Cider Spiders provided a New York inspired set in the vein of the Strokes and The Law were representing the fair city of Dundee. Neck was a Celtic punk band from the London suburb of Holloway and in the same ballpark were the Peatbog Fairies. John Langan from Glasgow played as a solo artist before he went onto to form the John Langan Band. Also, on the bill were Modus, The Targets and Xcerts from Aberdeen.    

The electronic element was covered with Somerset’s Eat Static and dance legends The Orb. Reggae collective Easy Star All Stars were on the bill who interestingly once recorded their interpretation of Pink Floyd’s ‘Dark Side of the Moon’ amusingly titled ‘Dub Side of the Moon’!  

Former Public Image Ltd bassist Jah Wobble and his English Roots Band also played alongside Hayseed Dixie from Nashville whose name is a linguistic tangent on AC/DC’s name and their first album was titled ‘A Hillbilly Tribute to AC/DC’ who unfortunately despite all that back story were pretty limp live. Huey Morgan and his Fun Lovin Criminals also provided an energetic set.

The Wickerman has over the years had a lot of old punk bands playing, many of them are very frayed and have seen better days, thus when a band who can still kill it on stage arrives, you take serious notice. One that met that criterion was Edinburgh’s the Rezillos who were absolutely superb with their prime single ‘Top of the Pops’ being the highlight.

I recall at this particular festival we all imbibed too much on the Friday and things became a tad hazy resulting in a tidy hangover the next day which slightly tarnished the Proclaimers headline set as they were in stellar form with ‘Cap in Hand’, ‘500 Miles’ and ‘Letter to America’ being rapturously received. The Proclaimer boys had digs at the Selkirk Arms, located 10 steps from Dewhurst Towers! 

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Wickerman Main Stage. Image Credit BBC.

The festival site was about 8 miles down a winding dark country road from the Towers located halfway between Kirkcudbright and Dalbeattie. There was shortage of local taxi firms which necessitated us having an uneasy alliance with Allens Taxis run by the larger-than-life character Mr Allen who we utilised for all the 14 Wickers we attended.  

He could at times be an obstinate chap. One time we were in a full minibus returning from the site and he received a call requesting a taxi and much to our chagrin he shamefully told the customer he was unavailable as he was in Lockerbie which was a mere 50 miles away!

Wickerman 7 saw KT Tunstall in town, there was some funk from the Cuban Brothers and the Kazoo Funk Orchestra and also Dodgy who were ‘Staying out for the summer’! Also, on the bill were Twisted Nerve, Colin Storrie, Rodan, Robin Cairns, Underground Heroes, AKA Ska, Parka, Underling and Beecake.

Annie Nightingale performed a DJ set and Lancashire Hotpots provided some light relief, and ‘Indie Disco’ was fun to hear. The Manc legends the Fall played on the main stage and rolled out my fave track ‘Mr Pharmacist’.   

Additionally, on the roster were Orphan Boy, De Salvo, Bass Syndicate, Peaking Goddess Collective and The Ads.

There was a decent set from Edinburgh’s Broken Records and some rousing punk from the old stalwarts Sham 69. The highlight of this particular weekend was the last act who played after the Wickerman burning on the Saturday night. This was namely Gary Numan who I though beforehand would be a tad one-dimensional, but he was terrific and created a real cacophony on the main stage post-midnight for all the ‘Numanoids’ in attendance!

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Gary Numan. Image Credit ukfestivalguides.com

Second T in the Park Festival

Having previously commuted from Edinburgh for the 1999 festival, we made a conscious decision to identify some accommodation nearer to the site for the 2000 version. As a result, we found a B&B in the little village of Glenfarg just off the A75, Gill attended this festival for the first time.

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Glenfarg Hotel. Image Credit Undiscovered Scotland

One element we had no control over was the weather and what we were confronted with was the most persistent monsoon rain I have ever encountered; it just never stopped the whole weekend. We were fortunate to be able to leave the site and I had unbounded sympathy with punters who were camping.

I recall seeing the reports of the weather at one particular Glastonbury being so inclement they encountered the first cases of Trenchfoot for around a century, they must have run close to that in 2000. When we see torrid weather nowadays, we acknowledge it is raining but can verify it is indisputably not T in The Park rain!    

On both days of the festival, we headed into Ayr for a couple of drinks before grabbing a taxi down to the site. In one of the boozers on the Saturday, I think it was called This Old Hoose, we encountered a couple of older ladies, christened the ‘Golden Girls’ who were happily imbibing Gin and were good company.  I kept looking out the window consistently echoing the refrain ‘it’s getting brighter’ even though it patently was not!   

There was a fine bill on Stage 2 on Saturday, and it had the humungous additional benefit of being in a marquee and therefore under cover.  The Wannadies produced a great guitar heavy set before some softer soothing tones with the excellent Morcheeba.  Following them was the erstwhile singer songwriter Beth Orton.  In the Dance tent we caught a portion of David Holmes.

In King Tuts Wah Wah tent we watched Lapsus Linguae and Looper. On the main stage we saw segments of both Ocean Colour Scene and a reprise from the previous year from Fun Lovin Criminals.  We watched the whole of Moby’s headline set where you could witness a sea of yellow temporary T in the Park macs providing sparse cover in the conditions. Moby was good but provided a carbon copy of the Glastonbury set from a couple of weeks earlier, knew I should have swerved that to keep a fresher outlook.

Me and Gill lost Uncle George and John at one stage due to a miscommunication and this was in the days before we all had mobile phones, we luckily found them a couple of hours later prior to the taxi back to the digs.  

On the Sunday morning, there was a brief one-hour respite in the weather, so we went for a local walk but were instantly surrounded by smidges on the motorway bridge, so that exercise was soon curtailed.  

In the Dance tent, we caught Darren Emerson and a part of a banging set from Leftfield. We also watched a terrific more dance-oriented set from Death in Vegas. Elsewhere we saw a very early performance in a side tent from Coldplay and also witnessed A, Dum Dums, Dark Star and Embrace.

There was a hit laden set from Supergrass who followed Idlewild on the main stage. There was a fun performance from the indefatigable and timeless Iggy Pop and we stayed for some of Travis’s headline act.

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The irrepressible Iggy Pop. Image Credit Gigwise.

We then squelched off to the taxi pick up point and got summarily ripped off by the taxi firm, but to be honest I didn’t care as I would have paid 10 gold bars to depart the site by that stage!

When we landed back, the lad on duty at the hotel ordered boots off and he graciously opened the back bar for us. He served us soothing brandies and whiskies and we could watch the festival highlights on a little portable in the corner of the bar. What lucky people we were, and it provided a warming end to the weekend’s activities!