Wickerman Festivals 6 and 7

Wickerman Festival 6 took place in July 2007 with the usual suspects in attendance. The bill that year obviously contained the ever-present Dangleberries. The ska influence was well represented with Scottish band Big Hand providing a rousing energetic set and legends The Beat were in attendance led admirably by Rankin Roger and Junior Rankin.

Cider Spiders provided a New York inspired set in the vein of the Strokes and The Law were representing the fair city of Dundee. Neck was a Celtic punk band from the London suburb of Holloway and in the same ballpark were the Peatbog Fairies. John Langan from Glasgow played as a solo artist before he went onto to form the John Langan Band. Also, on the bill were Modus, The Targets and Xcerts from Aberdeen.    

The electronic element was covered with Somerset’s Eat Static and dance legends The Orb. Reggae collective Easy Star All Stars were on the bill who interestingly once recorded their interpretation of Pink Floyd’s ‘Dark Side of the Moon’ amusingly titled ‘Dub Side of the Moon’!  

Former Public Image Ltd bassist Jah Wobble and his English Roots Band also played alongside Hayseed Dixie from Nashville whose name is a linguistic tangent on AC/DC’s name and their first album was titled ‘A Hillbilly Tribute to AC/DC’ who unfortunately despite all that back story were pretty limp live. Huey Morgan and his Fun Lovin Criminals also provided an energetic set.

The Wickerman has over the years had a lot of old punk bands playing, many of them are very frayed and have seen better days, thus when a band who can still kill it on stage arrives, you take serious notice. One that met that criterion was Edinburgh’s the Rezillos who were absolutely superb with their prime single ‘Top of the Pops’ being the highlight.

I recall at this particular festival we all imbibed too much on the Friday and things became a tad hazy resulting in a tidy hangover the next day which slightly tarnished the Proclaimers headline set as they were in stellar form with ‘Cap in Hand’, ‘500 Miles’ and ‘Letter to America’ being rapturously received. The Proclaimer boys had digs at the Selkirk Arms, located 10 steps from Dewhurst Towers! 

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Wickerman Main Stage. Image Credit BBC.

The festival site was about 8 miles down a winding dark country road from the Towers located halfway between Kirkcudbright and Dalbeattie. There was shortage of local taxi firms which necessitated us having an uneasy alliance with Allens Taxis run by the larger-than-life character Mr Allen who we utilised for all the 14 Wickers we attended.  

He could at times be an obstinate chap. One time we were in a full minibus returning from the site and he received a call requesting a taxi and much to our chagrin he shamefully told the customer he was unavailable as he was in Lockerbie which was a mere 50 miles away!

Wickerman 7 saw KT Tunstall in town, there was some funk from the Cuban Brothers and the Kazoo Funk Orchestra and also Dodgy who were ‘Staying out for the summer’! Also, on the bill were Twisted Nerve, Colin Storrie, Rodan, Robin Cairns, Underground Heroes, AKA Ska, Parka, Underling and Beecake.

Annie Nightingale performed a DJ set and Lancashire Hotpots provided some light relief, and ‘Indie Disco’ was fun to hear. The Manc legends the Fall played on the main stage and rolled out my fave track ‘Mr Pharmacist’.   

Additionally, on the roster were Orphan Boy, De Salvo, Bass Syndicate, Peaking Goddess Collective and The Ads.

There was a decent set from Edinburgh’s Broken Records and some rousing punk from the old stalwarts Sham 69. The highlight of this particular weekend was the last act who played after the Wickerman burning on the Saturday night. This was namely Gary Numan who I though beforehand would be a tad one-dimensional, but he was terrific and created a real cacophony on the main stage post-midnight for all the ‘Numanoids’ in attendance!

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Gary Numan. Image Credit ukfestivalguides.com

Phoenix Festival

The third and final time I have witnessed Neil Young was at the Phoenix Festival on Friday 19th July 1996. It made history as the first ever 4-day festival in the UK. The festival site was located at the cavernous disused Long Marston airfield near Stratford Upon Avon. Gill and I obtained a day ticket and we grabbed some lodgings in Stratford.

It was a staggeringly hot day, one of those exceptionally sultry days that only occur in Britain every couple of years. Before we left the digs and due to the weather, I observed the most gigantic spider I have ever seen, resulting in the door being summarily shut on it and by our return it had thankfully departed….

There wasn’t much forward planning involved as Gill and I were wearing varying degrees of inappropriate footwear and for some inexplicable reason we decided to walk to the site.

Out of the town led onto a winding country road and you could hear the throb and the thrum of the music but after a sustained period of walking the sound didn’t appear to be getting any nearer. We passed a farm with an entrepreneurial punter selling freezing bottles of water from an outdoor fridge. Not long after that we managed to cadge a lift to the site from a kind punter in a passing motor.

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Phoenix Festival 1996 Flyer. Image Credit theprodigyontour.com

We landed late afternoon and first caught Nylon Bombers, an unspectacular Britpop band from Cheltenham who subsequently broke up later that year.

We caught some of the sets of Manic Street Preachers and Super Furry Animals on the main stage. We saw Dodgy whose upbeat track ‘Staying Out for the Summer’ could not have been more apposite!

I enjoyed a Foo Fighters set which was an early career performance from them, the highlight being ‘Monkey Wrench’.

The main support act was one of those artists who was a passing fad at that point in time. Alanis Morrisette went down well with a fair proportion of the audience, but I find it all a tad bland.

Neil Young was backed up by the ever-dependable Crazy Horse. It was by a long way my favourite performance as he was in crackling form and fabulously loud. He opened with a fine trifecta ‘Hey Hey My My (into the Black)’, ‘Down by the River’ and ‘Powderfinger’.

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Neil Young and Crazy Horse onstage at the Phoenix Festival. Image Credit JamBase.

He softened in the middle with a couple of ‘Harvest’ tracks, but it was mainly a guitar fest. The first encore included ‘Cortez the Killer’ and ‘Like a Hurricane’ and the second encore peaked with an outro of ‘Rocking in the Free World’. A superb set overall as he played a lot of my fave tracks. He came off stage after midnight.

John Peel tells the tale that he was the first person to bring Neil over to Britain in the early 70’s and they had kept in touch since. He was there that day and endeavouring to bypass the security staff to obtain permission from Mr Young to play live his set on Radio 1. He finally got the green light with 4 tracks remaining. Later I obtained a bootleg tape of the gig and the recording suddenly morphs from a raggedy sound accompanied by audience voices and footsteps crunching plastic beer glasses to a crystal-clear sound as it moved into the radio level recording.

We made our way to the 100-strength queue where the shuttle buses were due to depart from. After 30 minutes of complete inactivity it quickly become evident that no buses were on the horizon and there was no sign of any taxis either.

The only remaining option was to walk back. There were many stragglers tumbling down a dark windy country lane, all jumping out of the way as cars approached. At certain points, there was a small brook by the side of the road which a giggling drunken lad tumbled into.

After what felt like an age, we turned a bend and saw the water fridge from earlier and I was in full ‘Mr Motivator’ mode despite tears in corner of my eyes as I knew how far we still had to travel. Gill was literally hobbling behind me by this stage. We refer to it now as ‘The March’ and can laugh about it (just!).

The lights of the town finally appeared, and it was about 3.30am when we stumbled into an all-night garage for some much needed water and snacks!