Phoenix Festival

The third and final time I have witnessed Neil Young was at the Phoenix Festival on Friday 19th July 1996. It made history as the first ever 4-day festival in the UK. The festival site was located at the cavernous disused Long Marston airfield near Stratford Upon Avon. Gill and I obtained a day ticket and we grabbed some lodgings in Stratford.

It was a staggeringly hot day, one of those exceptionally sultry days that only occur in Britain every couple of years. Before we left the digs and due to the weather, I observed the most gigantic spider I have ever seen, resulting in the door being summarily shut on it and by our return it had thankfully departed….

There wasn’t much forward planning involved as Gill and I were wearing varying degrees of inappropriate footwear and for some inexplicable reason we decided to walk to the site.

Out of the town led onto a winding country road and you could hear the throb and the thrum of the music but after a sustained period of walking the sound didn’t appear to be getting any nearer. We passed a farm with an entrepreneurial punter selling freezing bottles of water from an outdoor fridge. Not long after that we managed to cadge a lift to the site from a kind punter in a passing motor.

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Phoenix Festival 1996 Flyer. Image Credit theprodigyontour.com

We landed late afternoon and first caught Nylon Bombers, an unspectacular Britpop band from Cheltenham who subsequently broke up later that year.

We caught some of the sets of Manic Street Preachers and Super Furry Animals on the main stage. We saw Dodgy whose upbeat track ‘Staying Out for the Summer’ could not have been more apposite!

I enjoyed a Foo Fighters set which was an early career performance from them, the highlight being ‘Monkey Wrench’.

The main support act was one of those artists who was a passing fad at that point in time. Alanis Morrisette went down well with a fair proportion of the audience, but I find it all a tad bland.

Neil Young was backed up by the ever-dependable Crazy Horse. It was by a long way my favourite performance as he was in crackling form and fabulously loud. He opened with a fine trifecta ‘Hey Hey My My (into the Black)’, ‘Down by the River’ and ‘Powderfinger’.

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Neil Young and Crazy Horse onstage at the Phoenix Festival. Image Credit JamBase.

He softened in the middle with a couple of ‘Harvest’ tracks, but it was mainly a guitar fest. The first encore included ‘Cortez the Killer’ and ‘Like a Hurricane’ and the second encore peaked with an outro of ‘Rocking in the Free World’. A superb set overall as he played a lot of my fave tracks. He came off stage after midnight.

John Peel tells the tale that he was the first person to bring Neil over to Britain in the early 70’s and they had kept in touch since. He was there that day and endeavouring to bypass the security staff to obtain permission from Mr Young to play live his set on Radio 1. He finally got the green light with 4 tracks remaining. Later I obtained a bootleg tape of the gig and the recording suddenly morphs from a raggedy sound accompanied by audience voices and footsteps crunching plastic beer glasses to a crystal-clear sound as it moved into the radio level recording.

We made our way to the 100-strength queue where the shuttle buses were due to depart from. After 30 minutes of complete inactivity it quickly become evident that no buses were on the horizon and there was no sign of any taxis either.

The only remaining option was to walk back. There were many stragglers tumbling down a dark windy country lane, all jumping out of the way as cars approached. At certain points, there was a small brook by the side of the road which a giggling drunken lad tumbled into.

After what felt like an age, we turned a bend and saw the water fridge from earlier and I was in full ‘Mr Motivator’ mode despite tears in corner of my eyes as I knew how far we still had to travel. Gill was literally hobbling behind me by this stage. We refer to it now as ‘The March’ and can laugh about it (just!).

The lights of the town finally appeared, and it was about 3.30am when we stumbled into an all-night garage for some much needed water and snacks!  

Birmingham Gigs

Since first hearing the Everybody Knows this is Nowhere album at a young age, I have always been a huge Neil Young fan. However, his visits to the shores to have always been somewhat sporadic so when it was announced in 1987 that he was touring I grabbed the opportunity with both hands. The double bonus was that it coincided with my 19th birthday.

The gig was at Birmingham NEC which was by far my largest venue thus far. Uncle George was the designated driver with me and my brother in tow. We set off at 3pm on a Tuesday and we located the NEC about 6.30pm. We decided remarkably to go for a beer so located a couple of slightly rum pubs nearby the venue and arrived back about 8pm.

It was a long walk around a lake from the car park to the venue. The venue itself was cavernous and as a result rather soulless. It could be argued loosely that the venue had their own brewery serving Arena bitter, Arena lager and Arena wine indicating quality, but in reality, it was warm overpriced woeful ale!

It was all seated and we were about 70 yards from the front. Neil and Crazy Horse came on about 9.30pm and his opening salvo was ‘Mr Soul’ and ‘Cinnamon Girl’. It was an unresponsive audience initially, but they warmed up when he played ‘Sugar Mountain’.

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Neil Young bootleg of Birmingham gig. Image Credit manassas31retrocd.com

The opening chords of ‘Powderfinger’ sparked a group of 20 people to move to the front, swiftly followed by us thus creating a mini moshpit about 10 yards from the stage. He encored with ‘Like A Hurricane’ and ‘Tonight’s the Night’. It was a decent performance overall.

We discovered on arrival back at our seats that mine and George’s coats had been pilfered, which necessitated a visit to the reception to report said incident. Unsurprisingly, we are still to this day waiting for the prodigal return of our jackets!

We detoured to a poor-quality Chinese in West Bromwich for a snack and landed home about 2am.

My only other gig visit to Birmingham was on Friday 23/11/18 to see Mogwai supported by Twilight Sad at Birmingham Digbeth Mill. George, John Dewhurst and I met at a very busy New Street station and dropped our bags at a local Premier Inn.

We jumped in a cab over to a very cold Digbeth suburb and located the venue. Further down the road was the Digbeth Dining Club, which was an interesting multi roomed venue. We had a quick look at the nearby Ghetto Golf before heading to the Old Crown for a pie and a pint.

We encountered a local chap called Simon who we tagged along with to the gig. Prior to the gig we visited the Birmingham Spotted Dog which was an interesting old Irish boozer with fiddly dee bands playing in two separate rooms and they had some fine Guinness on tap.

The Spotted Dog pub at Digbeth. Image Credit RobertCJones

The Mill was a recently opened venue and was located under a railway bridge. The capacity was probably around 400. Mogwai were as good as ever, but the venue lacked something for me as it was a tad cold and a little industrial for my tastes. We headed back to the Spotted Dog for ‘one for the ditch’ before heading back to the lodgings.