Tag: Jesus and Mary Chain

Manchester Venues 122 Deaf Institute – Part 2

Nearby to the Deaf Institute Music Hall on the same side of Grosvenor St is the Footage pub (previously Flax and Firkin) which is a large vibrant pub with craft ales and many TV screens showing the latest sports. Just around the corner is the basement Umami Noodle Bar which has been a regular pre-gig eating stop for over 20 years.

The Footage with the Trof Deaf Institute sign in the background. Image Credit Zomato.com.

My first gig there was on 02/07/09 when I saw Nine Black Alps, a four-piece band from Manchester whose original moniker was The Chelsea Girls. The Alps name was selected from a line in a Sylvia Plath poem. I had picked up on them initially via their belting debut album ‘Everything Is’ which I still play periodically to this day.   

A couple of years later I had to cancel at short notice a trip to my brothers in Nottingham thus missing a Kyuss (forerunners to Queens of the Stone Age) gig. I was kicking my heels and a couple of lads were off to see Killing Joke, so I tagged along, but discovered on arrival at the Academy that their gig was sold out. A variant C approach then evolved by quickly checking that night’s gig listings and identifying an event at the Deaf that I could attend and then meet up after with the boys for the train home.

I struck lucky as the act on that particular night was the Dum Dum Girls whose name derived from a Vaselines album and an Iggy Pop song, thereby displaying their musical influences. Originally it was a solo project for Californian Kristin Gundred who then renamed herself as Dee Dee. After she signed up with legendary label Sub Pop three more girls were added into the band including the drummer Frankie Rose who has also been in Crystal Stilts, Vivian Girls and Frankie Rose and the Outs.

Dum Dum Girls. Image Credit Fanpop.

They disbanded in 2016 where Dee Dee then became Kristin Kontrol and her sound morphed more into the synth pop arena. She also around that time provided an excellent atmospheric cover of one of my favourite Jesus and Mary Chain tracks ‘Teenage Lust’. They were enjoyable live with many of the tracks coming off their debut album ‘I Will Be’ and reflecting the geographical location they were playing in, they decided to finish their set with a cover of ‘There is a Light That Never Goes Out’.  

Next up was one of those ‘right place right time’ moments that only occur very occasionally in one’s gig going journey. During my attendance at the Dot-to-Dot festival in May 2013 I had sighted on the roster an upcoming band I had just become aware of, and at that stage had only released two singles. The band in question who were performing in a teatime slot were Wolf Alice.

The venue filled up just before they landed on stage, and they were stunningly good, and rarely have I seen a young band who had such poise and justifiable confidence in their sound and ability.  At one quiet point between tracks a punter at the bar said in an awed voice ‘outstanding, absolutely outstanding’ which received a shy thankyou from lead singer Ellie Rowsell.  They finished with their superb first single ‘Fluffy’ and it was plainly obvious they were destined for great things including subsequently headlining Glastonbury stages and Mercury Music prizes.

As the set arrived at a tumultuous finale and the band left the high stage Ellie was struggling to step down so I proffered a hand to assist her which she gratefully accepted. Musical royalty was touched in that very instance and I am sure Ellie has not washed her hand since!   

Wolf Alice. Image Credit nylon.com

In October 2013 I went to see White Hills for the first time who are a stoner psychedelic rock band from New York and provided a pleasing slab of white noise. They have had a prolific output since their formation in 2003 and have recorded over fifty releases incorporating an impressive twelve studio albums. In their early days they were championed and supported by Julian Cope and were also cherry picked to appear as a live band in a scene of a 2012 Jim Jarmusch movie ‘Only Lovers Left Alive’.  

There then followed a gap of 4.5 years until my next visit in March 2018. Gill and I headed down with our pal Laura Buckley to see an Icelandic dream synth pop band called Vok, the name translating as a ‘hole in the ice’. They had formed in 2013 and gained some instant recognition by winning Musiktilraunir, an annual Iceland music contest and the year before we saw them, they released their debut album ‘Figure’. 

Manchester Venues 110 to 112

When in attendance at the Sounds from the Other City festival (SFTOC) over the years we have found some interesting stops for food because as a Northern chap I view ‘tea breaks’ as hugely important! We have had pastel de nata from Porta Tapas, tasty offerings from Caribbean Flavas and the best ever Chicken Fried Rice and Curry Sauce from the infamous Chungs Chippy. On my first visit in 2012, Uncle George and I headed to a chippy nearby to the Salford Arms, sadly neither the pub nor the chippy are still operational.

As I perched on the windowsill waiting for my food, I started chatting to the lady sat next to me who was also wearing a festival wristband, I looked up and realised I was parlaying with the Salford resident and fine actress Maxine Peake. I have always a lot of respect for our Maxine as in my view she has a sound moral compass and is also a big muso.  She was at the point of time starring in the excellent TV drama Silk and the last I saw that day was her wandering off down the street to the next venue whilst hoovering up a bag of French fries!  

Maxine Peake in Silk. Image Credit BBC.

The venue next door was the Manchester Chapel Street and Hope United Reform Chapel which was built in 1819 and was Class II listed in 1980. I had read recently there are current plans to convert the site into a complex of flats and community centre.

I first visited there in 2012 and you accessed the building around the back before entering the main room. The band on stage was a Brighton duo called Peepholes who created synth led post-punk sounds.

My only other visit was at the 2017 festival where I recall Gill and I first encountered the colourful Cloudwater brewery cans that were on sale. Cult Party are a Manchester collective founded by multi-instrumentalist Leo Robinson and whilst we were watching they announced the next song would be an epic. They were true to the word as 15 minutes later we left the building, and the sprawling track was still meandering its way to its conclusion.

Cloudwater beer can. Image Credit shop.cloudwaterbrew.co.uk

Further down Chapel Street towards the city centre you will find Manchester Black Lion (downstairs venue) pub on the corner with Blackfriars Street, it is located across from the Sacred Trinity Church.  It is a grand old building dating back to 1776.

In 1889, the Van Dwellers Protection Association was formed there with the primary purpose of safeguarding and protecting fairground workers and barge dwellers who were at that stage being targeted by a local evangelist who carried a lot of political clout. This organisation evolved into the Showmans Guild in 1917, which still represents the business to this day. This commendable work was recognised on the centenary in 2017 with the introduction of a plaque on the pub wall.  

Black Lion pub. Image Credit itravelapi.com

In the downstairs area an act called Work Them were playing and in between a DJ set unexpectedly but gloriously played the little heard track ‘I Don’t Want to Be Friends With You’ by the Shop Assistants, containing the brutal line ‘but I don’t want to be civilised, you leave me, and I will scratch your eyes out’.

I went over to congratulate them on this song choice as I have always loved this short lived band, and they remain my favourite C86 combo and the best support act I have ever seen when they surpassed the headliners Jesus and Mary Chain with a stunning shoegazey set at Blackburn King Georges Hall in 1986.  

In that visit in 2012, we attended the other room, Manchester Black Lion (upstairs venue), where we saw a decent three piece shoegaze band from Manchester called The Shinies. They had at that stage only released one single prior to the issue of their one and only album ‘Nothing Like Something Happens Anywhere’ in 2015.