Tag: Jesus and Mary Chain

Gigs from Abroad Part 20 – Alicante

Alicante has always been viewed as a strategic military location and a singular key defence mechanism underpinning this is the existence of the impressive Santa Barbara Castle which was built in the 9th century and to this day still towers over the city. I can personally confirm it is a physically exacting trek up the hill to the castle, especially in baking sunshine! The city has an interesting lineage in that they have chronologically been inhabited by Iberian tribes, Phoenicians, Greeks, Romans, Goths (thought they were peaceful!), Moors and latterly the Spaniards.

Santa Barbara Castle. Image Credit tripkay.com

In the 1960’s it began to generate the first inklings of a future tourist destination, and the city was transformed accordingly. Other nearby resorts followed suit, including Benidorm and the success of this new venture was assisted by the closure of the old Rabasa airfield and the corresponding building of the new modern El Altet Airport. Famous people from the city include the tennis players David Ferrer and Alex de Minaur and the black metal band Nahemah.

In 2018, to commemorate our fifty years on this earth, Gill and I decided to undertake two trips around our individual birthdays and on my milestone we decided on a jaunt to Alicante. I took a liking to the city as similar to Malaga it was a bustling modern city with a beach, promenades, marina area and the aforementioned castle.

We found some decent restaurants and a plethora of bars. On my actual birthday we had a leisurely lunch, and wouldn’t you just know it I had lined up a gig for the evening! We headed into what resembled the ‘Northern Quarter’ in the Southern area of the city and our ultimate destination was Alicante Sala Stereo.

On our first pass we thought the venue was closed but Gill reassured me that they would be operating on chilled European hours, and she was absolutely correct as it didn’t open its doors until around 10pm. When there is no live music on, it runs solely as a nightclub and is open between the quite frankly insane hours of 2.30am to 8.30am!   

Sala Stereo. Image Credit youtube.com

I cannot find much history of the venue, but it appears to be still thriving today and on music nights they generally concentrate on homespun acts. It was a homely brightly lit venue with a friendly local crowd. The capacity was 500 and they had the excellent novel touch of beer bottle holders on the side walls to safely house your ice-cold beverage. 

The initial act was a decent singer from Valencia called Sienna followed by a local musician called Olivia. The clock kept ticking and moved into the day after my birthday and still we waited for the main band. They finally pottered on stage around 1am which places it squarely in my latest ever gigs lists alongside Goldblade at Preston Aqualenium and Jesus and Mary Chain at Preston Clouds in 1985, the latter now feels like it was in an earlier lifetime!

The headliners El Mato a Un Policia Motorizado, also known as EMAUPM or El Mato who were created in La Plata in Argentina. Their unusual name derives from a line in a 1987 Spanish movie R.O.T.O.R and translates literally as ‘that boy just killed a motorcycle cop’.  They formed in 2003, and the driving force of the five-piece band is the vocalist Santiago ‘Motorizado’ and they have released five albums with their latest being ‘Super Terror’ in 2023.

El Mato a Un Policia Motorizado. Image Credit diariohoy.net

They were also chosen to contribute a cover of ‘Slippery People’ for a fortieth anniversary tribute album of Talking Heads ‘Stop Making Sense’ alongside artists such as Miley Cyrus, Lorde and Paramore. The record then debuted at the top of the Billboard Compilation Albums chart in August 2024.

The band cite their musical influences as Pixies, Sonic Youth and Velvet Underground amongst others, unfortunately they did not live up to that envisaged sound and to be honest they were a tad limp. Given the late hour I wasn’t too disappointed at this development as after a couple of tracks it allowed us to shuffle out and head back to our digs. On the walk back the town was just beginning to boot up into the busier hours of its nightlife. The following evening, we attended a tapas restaurant called Alicante El Rincon de Alma and saw a local singer called Juan.

Manchester Venues 122 Deaf Institute – Part 2

Nearby to the Deaf Institute Music Hall on the same side of Grosvenor St is the Footage pub (previously Flax and Firkin) which is a large vibrant pub with craft ales and many TV screens showing the latest sports. Just around the corner is the basement Umami Noodle Bar which has been a regular pre-gig eating stop for over 20 years.

The Footage with the Trof Deaf Institute sign in the background. Image Credit Zomato.com.

My first gig there was on 02/07/09 when I saw Nine Black Alps, a four-piece band from Manchester whose original moniker was The Chelsea Girls. The Alps name was selected from a line in a Sylvia Plath poem. I had picked up on them initially via their belting debut album ‘Everything Is’ which I still play periodically to this day.   

A couple of years later I had to cancel at short notice a trip to my brothers in Nottingham thus missing a Kyuss (forerunners to Queens of the Stone Age) gig. I was kicking my heels and a couple of lads were off to see Killing Joke, so I tagged along, but discovered on arrival at the Academy that their gig was sold out. A variant C approach then evolved by quickly checking that night’s gig listings and identifying an event at the Deaf that I could attend and then meet up after with the boys for the train home.

I struck lucky as the act on that particular night was the Dum Dum Girls whose name derived from a Vaselines album and an Iggy Pop song, thereby displaying their musical influences. Originally it was a solo project for Californian Kristin Gundred who then renamed herself as Dee Dee. After she signed up with legendary label Sub Pop three more girls were added into the band including the drummer Frankie Rose who has also been in Crystal Stilts, Vivian Girls and Frankie Rose and the Outs.

Dum Dum Girls. Image Credit Fanpop.

They disbanded in 2016 where Dee Dee then became Kristin Kontrol and her sound morphed more into the synth pop arena. She also around that time provided an excellent atmospheric cover of one of my favourite Jesus and Mary Chain tracks ‘Teenage Lust’. They were enjoyable live with many of the tracks coming off their debut album ‘I Will Be’ and reflecting the geographical location they were playing in, they decided to finish their set with a cover of ‘There is a Light That Never Goes Out’.  

Next up was one of those ‘right place right time’ moments that only occur very occasionally in one’s gig going journey. During my attendance at the Dot-to-Dot festival in May 2013 I had sighted on the roster an upcoming band I had just become aware of, and at that stage had only released two singles. The band in question who were performing in a teatime slot were Wolf Alice.

The venue filled up just before they landed on stage, and they were stunningly good, and rarely have I seen a young band who had such poise and justifiable confidence in their sound and ability.  At one quiet point between tracks a punter at the bar said in an awed voice ‘outstanding, absolutely outstanding’ which received a shy thankyou from lead singer Ellie Rowsell.  They finished with their superb first single ‘Fluffy’ and it was plainly obvious they were destined for great things including subsequently headlining Glastonbury stages and Mercury Music prizes.

As the set arrived at a tumultuous finale and the band left the high stage Ellie was struggling to step down so I proffered a hand to assist her which she gratefully accepted. Musical royalty was touched in that very instance and I am sure Ellie has not washed her hand since!   

Wolf Alice. Image Credit nylon.com

In October 2013 I went to see White Hills for the first time who are a stoner psychedelic rock band from New York and provided a pleasing slab of white noise. They have had a prolific output since their formation in 2003 and have recorded over fifty releases incorporating an impressive twelve studio albums. In their early days they were championed and supported by Julian Cope and were also cherry picked to appear as a live band in a scene of a 2012 Jim Jarmusch movie ‘Only Lovers Left Alive’.  

There then followed a gap of 4.5 years until my next visit in March 2018. Gill and I headed down with our pal Laura Buckley to see an Icelandic dream synth pop band called Vok, the name translating as a ‘hole in the ice’. They had formed in 2013 and gained some instant recognition by winning Musiktilraunir, an annual Iceland music contest and the year before we saw them, they released their debut album ‘Figure’.