Connect Festival 2007

Alongside my favourite ever festival, which were always the Wickerman events, I have always endeavoured to attend other festivals in Scotland so was intrigued to hear of a new one called Connect in 2007. We decided to attend the debut event as for us it had a dream bill of four of my favourite ever bands, (if Carlsberg did festivals!) and three of which appropriately were Scottish. Unfortunately, the festival only lasted one more year and was scrapped thereafter due to high running costs, which was a shame as it turned out to be a belting event. 

The setting was the idyllic Inverary Castle, located on the banks of Loch Fyne in Argyll and was badged as the first ever ‘boutique’ festival and was aimed at a more mature audience with the bonus of a real ale tent saving you from the ‘delights’ of Tennents Lager!  

Inverary Castle. Image credit johansens.com

The first conundrum was bagging accommodation and Uncle George played a blinder by finding us some digs above a pub on the main drag in Arrochar. We then decided to undertake the trip by train as we always like to avoid driving if there is a viable alternative. The Preston to Glasgow leg was easy but the second part needing planning as there were very sparse trains onwards to Arrochar.

So, on the Friday, we arrived in good time for the 12.22 from Queen Street to Oban, because the next train was not for another four hours. Once the train traversed through the industrial area north of Glasgow it turned into a very scenic route with a steep uphill section bringing us into our destination of Arrochar and Tarbet. 

The pub owners very graciously picked us from the station as it was a good mile walk into the town. We grabbed some hearty food and a couple of cold ones and then headed to the nearby bus stop for the ‘regular’ buses to the site…

An hour later we were still stood there and there was a small group of us now gathered but no sign of any transport. One of the brethren rang up to complain and astonishingly a taxi arrived which I think was free to take us to our destination.

As we walked up to the entrance, we encountered a young lass with the heaviest most overladen backpack I have ever seen replete with pots and pans (literally the kitchen sink!) who it transpired had travelled in from Manchester. Chivalry kicked in and we took in turns to carry the lead weight into the site, joking afterwards that we could have been inadvertent drug mules!

We watched Aerogramme’s last ever show on the Guitars and Other Machines stage, they were a very decent post-rock band from Glasgow. We also saw Vector Lovers, Baillie and the Fault, Numbers DJ’s and an enjoyable set from electro band Cansei de Ser Sexy (CSS). 

The first of the big hitters on the main stage was Jesus and Mary Chain, who I was seeing for the sixth time, but for first time for nine years since a chaotic Liverpool show on their final tour in 1998. Despite the inclement weather, they were excellent. We also witnessed a little of the headliners Beastie Boys before an infinitely smoother return journey to our digs where we were allowed to take a ‘one for the ditch’ Guinness upstairs at last orders.       

On the Saturday, we managed to pick up a standard bus that dropped us in the small town of Inverary with its two pubs, the George Hotel, and the Anchor Inn. The George particularly was a lovely establishment with lodgings that Gill and I utilised a few years later whilst travelling to Mull. On the way to catching the ferry at Oban, you pass Loch Awe which lives up to its moniker. Mull itself was a beautiful island and we had one of our best meals ever at Café Fish in Tobermory. The restaurant looked like a transport café from the outside, but the food was astoundingly good.

Back to the festival, we arrived early specially to see my new favourite band the Hold Steady who I only caught for the first time a month early in Manchester and they did not disappoint. This time, we only got a truncated thirty-five-minute set, but they were still compelling viewing. We also witnessed Rilo Kiley and a segment of Primal Scream’s headline set.

The two acts prior to the headliners were of infinitely more interest to us, the initial one being the hardy perennials Teenage Fanclub and the latter the ever-magnificent Mogwai. More chaos then ensued at the coach pick up point, but we made it back eventually.

Arrochar and Tarbet station. Image credit geography.org.uk

The Sunday consisted of a leisurely walk back to the station to await the opening train of the day back to Glasgow which landed at 14.09. In the interim we began to hear the distinct sound of a steam train hauling itself up the hill into the station which is always a sight to behold. It then sat on the platform for a spell, and we could see many contented punters being treated to a fine Sunday lunch and accompanying wine.   

Liverpool Venues 2 and 3

Liverpool has always been a challenge to access via the train network, so it has not been a regular haunt for gig attending. I must grudgingly concede that the many of the Northern trains are now being improved but the Liverpool routes appear to be at the bottom of the upgrading schedule.

I regularly commute to Liverpool with work thereby having to tolerate the inferior rolling stock. Recently I arrived at Lime Street for a return journey and was astonished to see a new Northern train waiting on the platform, with advanced accessories such as tables, though my joy was short-lived as I realised there were two trains on the platform and sighed when I saw my actual commute of Ivor the Engine was awaiting behind!

I have witnessed Jesus and Mary Chain nine times in total across the years ranging from that infamous show in Preston Clouds in 1985 through to a gig at Manchester Albert Hall a couple of months ago. Many of those shows have been chaotic but their gig at the Lomax takes the biscuit!

Gill, John Dewhurst, and I headed over on a Friday night in 1998, with Gill generously offering to be the designated driver. We scouted around a couple of boozers then headed over to the venue on Cumberland St, off Dale St in the city centre.

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An ultimately unsuccessful gathering to save the Lomax. Image Credit Liverpool Echo.

The club was a three floored iconic site for up-and-coming acts with a 300 capacity. Bands such as Radiohead and Muse had graced the stage there.  It was also known as Foxys and it looks like the venue was permanently closed in 2015 following a police investigation where the owner was jailed for six years for openly selling cocaine on the premises.

It was an intimate venue, but the band were literally falling apart on stage exemplified by continuous acerbic exchanges between Jamie and William Reid and many false starts, Gill was ready to jump on stage and bang their heads together! It was a raggedy set with a far proportion off their latest album ‘Munki’.

The only song that really stood out for me on the night was a rousing version of ‘Reverence’ with its haunting screaming refrain ‘I Wanna Die Just Like Jesus Christ’. Based on that performance it was absolutely no surprise it transpired to be their final tour, prior to their reformation around ten years later.

On five occasions, I have attended gigs on my birthday, Neil Young on my 19th birthday, Against Me on my 32nd, an Alicante gig on my 50th and a King St event on my 51st. They have also generously allocated me an extra bank holiday this year the day after my birthday to attend a Lovely Eggs gig. Rumours that it is due to a Queen Jubilee event are patently untrue!

The fifth occurrence was on 02/06/11, my 43rd birthday. Gill and I had booked a night in Liverpool and after visiting a restaurant in Liverpool One, we dived into a random pub called The Ship & Mitre on the way back to the hotel.

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The Ship & Mitre. Image Credit Liverpool Echo.

It was approaching last orders and we sat quietly in an alcove in the corner and were soon the last punters in the establishment. Then somewhat bizarrely and unprompted one of the bar staff grabbed an acoustic guitar and the other chap called Simon Cities provided the vocals. We watched three to four songs of their sea shanties to not appear impolite before taking our leave, requiring them to unlock the door for us, it was literally a bonus closed door gig!

A postscript is that the documenting of the JAMC gig completes all the gigs I attended in the 20th century, however do not be too perturbed as there are veritable shedloads of 21st century gigs yet to review!