Tag: Jesus and Mary Chain

Manchester Venues 87 to 88 Albert Hall – Part 3

Now I could be wrong here, but my impression is that the early shows immediately post- pandemic appeared to have less tickets on sale as for a spell there was more room to breathe, even at sold out shows. Then, the sold-out events seemed to become much busier and for me this is one of the flaws in Manchester Albert Hall’s arsenal as at some of their gigs there you literally cannot move. A case in point was a Mogwai date this year where I was pinned in a spot by the bar (though there are worse places to be!) which didn’t allow you to adjust your position or viewpoint even if you wanted to.   

My next gig at the venue was to see Car Seat Headrest in November 2018. I have always been a huge fan of this band ever since I first heard the track ‘Drunk Drivers/Killer Whales’, the song is derived from the 2016 ‘Teens of Denial’ album. That album ticks so many musical boxes from me and I would rate is as highly as being one of my Top 10 albums.  

Car Seat Headrest. Image Credit Billboard.

The driving force behind the band is Will Toledo who as a solo member self-released an astonishing 12 records between 2010 and 2014 before becoming a fully-fledged band the following year. In my view their music is so thoughtful and heartfelt but beautifully wrapped up in a crunchy garage rock sound which I have an inherent weakness for. The lo-fi lyrics talk specifically and empathise with the waifs and strays, lonely and dispossessed bedroom warriors of the world and the audience that night reflected that cross-section of the population, and I thoroughly enjoyed their show and the resulting exultant sing along!

As part of the Dot-to-Dot festival in 2018, I saw Dream Wife, a three-piece pop punk band from Brighton. I saw so many bands that day, and I cannot recall a note of whatever portion of their set I witnessed, but they do appear to have received a fair degree of critical acclaim since then.

July 19 resulted in seeing two reforming 90’s bands but neither hit the heights for me. The first being the Anglo-French combo Stereolab, who came across as a tad self-indulgent. The second was the Glaswegian lo-fi popsters Belle and Sebastian whose ongoing driving force has been Stuart Murdoch. They formed in 1996 and have produced twelve studio albums. Their previous members have included Isobel Campbell who collaborated on a couple of excellent albums with the late great Mark Lanegan.    

Their jaunty single ‘The Boy with the Arab Strap’ was featured on the soundtrack of the ‘Juno’ movie and the C4 series ‘Teachers’ featuring a young Andrew Lincoln. In my opinion though, Andrew’s defining role remains the character Egg in the fantastic ground-breaking BBC 2 series ‘This Life’. Despite a couple of decent moments, the band were too twee for me.

In February 2020 I saw the Texan post-rock band Explosions in the Sky where it was patently clear when we were out and about that the dark clouds of Covid where beginning to form. In November 21 the old troubadours Jesus and Mary Chain were back on tour, and I was seeing them for the eighth time in total and for the first time in seven years. They played their excellent second album ‘Darklands’ in full and following an intermission played some further tunes. They sounded in very fine form and Jamie looked well though William looked a little weather worn and was seated throughout the performance.      

Jesus and Mary Chain. Image Credit exclaim!

In April 2022, I saw Sea Power (now without the British in their name) for the sixth time and later that year witnessed Mountain Goats. The latter band being from California and their constant member is John Darnielle, and for many years he operated as the solo member. Their name was derived from a line in a Screamin’ Jay Hawkins song, and they were firmly in the folk-rock vein and there were some die-hard fans in attendance.

My most current gig there was a couple of months ago to watch Eels who provided a soothing performance led by the distinctive vocals and quirky presence of Mark Oliver Everett (stage name E). They were supported on the night by the French soul rock band Inspector Cluzo.    

One postscript before I go, when leaving the hall during Dot-to-Dot festival in 2018 there was a Manchester Albert Hall Beer Van situated right outside the venue. There was an impromptu gig taking place in the open van by some accomplished musicians called the Road Crew, it was an enjoyable interlude before walking on to the next venue!  

Connect Festival 2007

Alongside my favourite ever festival, which were always the Wickerman events, I have always endeavoured to attend other festivals in Scotland so was intrigued to hear of a new one called Connect in 2007. We decided to attend the debut event as for us it had a dream bill of four of my favourite ever bands, (if Carlsberg did festivals!) and three of which appropriately were Scottish. Unfortunately, the festival only lasted one more year and was scrapped thereafter due to high running costs, which was a shame as it turned out to be a belting event. 

The setting was the idyllic Inverary Castle, located on the banks of Loch Fyne in Argyll and was badged as the first ever ‘boutique’ festival and was aimed at a more mature audience with the bonus of a real ale tent saving you from the ‘delights’ of Tennents Lager!  

Inverary Castle. Image credit johansens.com

The first conundrum was bagging accommodation and Uncle George played a blinder by finding us some digs above a pub on the main drag in Arrochar. We then decided to undertake the trip by train as we always like to avoid driving if there is a viable alternative. The Preston to Glasgow leg was easy but the second part needing planning as there were very sparse trains onwards to Arrochar.

So, on the Friday, we arrived in good time for the 12.22 from Queen Street to Oban, because the next train was not for another four hours. Once the train traversed through the industrial area north of Glasgow it turned into a very scenic route with a steep uphill section bringing us into our destination of Arrochar and Tarbet. 

The pub owners very graciously picked us from the station as it was a good mile walk into the town. We grabbed some hearty food and a couple of cold ones and then headed to the nearby bus stop for the ‘regular’ buses to the site…

An hour later we were still stood there and there was a small group of us now gathered but no sign of any transport. One of the brethren rang up to complain and astonishingly a taxi arrived which I think was free to take us to our destination.

As we walked up to the entrance, we encountered a young lass with the heaviest most overladen backpack I have ever seen replete with pots and pans (literally the kitchen sink!) who it transpired had travelled in from Manchester. Chivalry kicked in and we took in turns to carry the lead weight into the site, joking afterwards that we could have been inadvertent drug mules!

We watched Aerogramme’s last ever show on the Guitars and Other Machines stage, they were a very decent post-rock band from Glasgow. We also saw Vector Lovers, Baillie and the Fault, Numbers DJ’s and an enjoyable set from electro band Cansei de Ser Sexy (CSS). 

The first of the big hitters on the main stage was Jesus and Mary Chain, who I was seeing for the sixth time, but for first time for nine years since a chaotic Liverpool show on their final tour in 1998. Despite the inclement weather, they were excellent. We also witnessed a little of the headliners Beastie Boys before an infinitely smoother return journey to our digs where we were allowed to take a ‘one for the ditch’ Guinness upstairs at last orders.       

On the Saturday, we managed to pick up a standard bus that dropped us in the small town of Inverary with its two pubs, the George Hotel, and the Anchor Inn. The George particularly was a lovely establishment with lodgings that Gill and I utilised a few years later whilst travelling to Mull. On the way to catching the ferry at Oban, you pass Loch Awe which lives up to its moniker. Mull itself was a beautiful island and we had one of our best meals ever at Café Fish in Tobermory. The restaurant looked like a transport café from the outside, but the food was astoundingly good.

Back to the festival, we arrived early specially to see my new favourite band the Hold Steady who I only caught for the first time a month early in Manchester and they did not disappoint. This time, we only got a truncated thirty-five-minute set, but they were still compelling viewing. We also witnessed Rilo Kiley and a segment of Primal Scream’s headline set.

The two acts prior to the headliners were of infinitely more interest to us, the initial one being the hardy perennials Teenage Fanclub and the latter the ever-magnificent Mogwai. More chaos then ensued at the coach pick up point, but we made it back eventually.

Arrochar and Tarbet station. Image credit geography.org.uk

The Sunday consisted of a leisurely walk back to the station to await the opening train of the day back to Glasgow which landed at 14.09. In the interim we began to hear the distinct sound of a steam train hauling itself up the hill into the station which is always a sight to behold. It then sat on the platform for a spell, and we could see many contented punters being treated to a fine Sunday lunch and accompanying wine.