Tag: Johnny Marr

Manchester Venue 191 Gorilla – Part 1

On Whitworth St, directly opposite Manchester Ritz and within a literal stumbling distance from Manchester Oxford Road rail station you will find Manchester Gorilla. The venue is uniquely situated under a railway arch and was previously the arts, theatre and comedy site The Green Room back in the 1980’s. On the comedic front Alan Carr, Steve Coogan and Caroline Aherne graced that stage and James and Doves played early gigs there.

When that business closed the Trof Group took over the running and Gorilla initially opened its doors in 2012. Its future looked extremely perilous during the pandemic, but thankfully a new owner was sourced and that saved the day, and it is now linked to its sister site of Deaf Institute nearby on Oxford Road.

Gorilla. Image Credit discover.ticketmaster.co.uk

There is a tidy little bar at the front of the venue but there is no access from there to the gig space, apart from sometimes being directed by ‘Rock Steady’ to exit gigs through this bar area. The actual entrance is around the corner under the tunnel, and a few stairs brings you into the main room with a 550 capacity. 

It is a well laid out space with a merchandise stall to the left and the extendable/removable stage at the bottom of the room. However, like many other locations it can be arguably too busy when at full capacity, presenting logistical challenges when trying to access the two bars and even move around!  It also has a raised platform at the back of the hall with a smattering of elevated seats.

It generally provides good sound and local lad Johnny Marr talks very warmly about the venue and has actively encouraged his peers to include a touring date there. They have regular club nights with promoters such as Guilty Pleasures and Now Wave.

I have attended eighteen gigs there over the years with my first show being British Sea Power in April 2013. I have now seen them six times in total, and this was my second sighting 11 years after I discovered their unique stagecraft at the Leeds Festival in 2002. I recall them being introduced on stage by 6 music DJ Marc Riley.

Near to the culmination of the set, I nipped to the loos which are positioned behind the stage and encountered a chap dressing up into an eight-foot polar bear outfit. Before you ask, nobody had put anything suspicious in my beer, it was actually a tradition the band had at the stage of their career where a couple of bears would parade around the mosh pit during the encore!   

The bears and the band in action. Image Credit NME.

A month later, I returned as the venue was part of the roster for the sorely missed multi venue Dot to Dot festival. On that particular day I saw the aforementioned Marc Riley faves Teleman. The original germination of the band was the three members Pete Cateermoul and the Sanders brothers, Johnny and Thomas who were part of Pete and the Pirates. After they disbanded, they were joined by drummer Hiro Ama and became Teleman in 2011. I have always thought they have an intriguing sound, and they lived up to that in a live setting.

Also performing were the Wildflowers who were formed in 2012 and based in Brighton and Bristol. The driving force is main songwriter Siddy Bennett and her sister Kit who had an interesting bohemian upbringing via living on boats, caravans or in protest camps. They have a country punk sound and were coined in the early days as ‘Punk Dolly Parton’s’. Their breaking moment was a set they played at South by Southwest festival in Austin Texas that inspired Detroit label Original 1265 Records to sign them up. I could hear diverse elements in their sound ranging from Mamas and Papas to White Stripes.  

Next up was the old troubadours Nada Surf where the gig was completely sold out and they were touring their latest album ‘You Know Who You Are’ and were in as fine form as ever as they have now amassed a quality back catalogue. 

In August 2014 Gill and I headed over to watch Joan As Policewoman, whose stage name was a homage to the 1970’s television cop show called Police Woman starring Angie Dickinson. Her actual name is Joan Wasser who was adopted at a young age and was musically precocious as she had piano lessons at the age of six and violin tutelage at the age of eight. She started her professional musical career in the Boston University Symphony Orchestra.

Joan as Policewoman. Image Credit blogspot.com

Then to paraphrase Neil Young around the time of his commercial peak of recording ‘Harvest’, who was quoted as saying ‘It put me in the middle of the road, travelling there soon became a bore so I headed for the ditch. A rougher ride but I saw more interesting people there’. Joan adopted this ethos literally as she was jaded by the classical structure so did a full U-turn and morphed into being a member of various punk bands.

She suffered personal heartache in May 1997 when her fiancé of three years Jeff Buckley accidentally drowned in Memphis. At the time we saw her, she had just released her fourth solo album ‘The Classic’ but surrounded herself with a touring band for the live dates.

In March 2016 I saw Pelican for the second time after their staggeringly loud show a few years before at the Ruby Lounge venue across town. They are classed in the post-metal genre; there is literally a label for everything! They are entirely instrumental and produce long slabs of glorious brutal noise and three of their members are also part of the band Tusk. The show wasn’t as intense as the previous one, but still very good. 

Manchester Venues 182 to 183

Alongside the seemingly omnipresent Action Records in Preston, the other hugely important record shop in my gig going lifetime is Manchester Piccadilly Records. They originally opened in 1978, which was coincidentally also the conception year of Factory Records. They started as a record concession within another shop before morphing into a singular store themselves.

They were located initially in the Piccadilly area before moving to Brown Street near to Piccadilly Gardens. I remember distinctly visiting that particular site many times in the late 1980’s/early 1990’s and I was also in regular correspondence when sourcing many tickets, predominantly for gigs at that stage at the old Manchester International 1. Now one for the kids out there, I use to send a paper item called cheques through the post and then as if by magic valuable tickets were subsequently received on my doormat a couple of weeks later!     

Original site of Piccadilly Records in 1990. Image Credit mdmarchive.co.uk

They had a change of management in 1990 before being caught up in the IRA bombing of 1996. One of the staff at that time still owns a Fugees album which had its cover shredded when the windows blew through in the explosion. A year later they moved into their current location on Oldham Street in the yet to be developed Northern Quarter.

They have moved with the trends and times and exploited the post punk genre in their earlier days and continued to develop and adapt as the digital streaming age came into play. They have received regular newspaper awards and additionally have won the prize for the best independent record store at Music Week and also at the Gilles Peterson worldwide awards. It remains eternally popular and local musicians Tim Burgess and Johnny Marr are regular visitors.  

On an annual basis they used to produce a little book with their albums of the year and also recommendations of timeless lost albums. As a direct result I finally became acquainted with Neutral Milk Hotel’s remarkable 1998 album ‘In the Aeroplane Over the Sea’.

Like all good record shops, they began to showcase and undertake in-store sessions, and a particular one caught my beady eye which was taking place on 31/01/20. It was on a Friday, so I gravitated down there after work. The band in question was the Smoke Fairies who derive from Chichester and consist of Katherine Blamire and Jessica Davies.

Smoke Fairies. Image Credit nme.com

They first met at school in Sussex in the 1990’s and undertook a blues musical education by spending 2002 in New Orleans. Their fledgling music then took another direction when they discovered folk when working as car attendants at the Sidmouth Folk Week festival. They subsequently garnered valuable support slots with Bryan Ferry, Richard Hawley and Laura Marling and were the first UK act to release a single on Jack White’s Third Man Records, produced by the man himself.

They were chosen to provide a cover of ‘Alabama’ for a MOJO compilation to commemorate the 40th anniversary of Neil Young’s ‘Harvest’. On the very day of the gig, they had released their fifth album ‘Darkness Brings the Wonders Home’ which had a brooding melancholia to it, in the vein of PJ Harvey. The duo positioned themselves by the counter and undertook a short enjoyable set appreciated by a decent size audience. I was also then intending to attend a Lovely Eggs session in that location but that was later cancelled by the pandemic.

In 2021 a previously under-used area on the corner of Dale Street and Lever Street was recreated as the Manchester Mala Secret Garden Bar, the land being previously used as a drugs den with paraphernalia and tents being regularly spotted there. It is situated outside the Chapter One bookshop and café within the Northern Quarter and is also nearby to the Travelling Man shop which quite often catches my eye when I walk past, where they specialise in comics, graphic novels and board games.

Mala Secret Garden. Image Credit opentable.ca

As Mala means ‘garden’ in Hawaiian it has now been converted into a Victorian glass house with ‘Parisian-style gardens’ with cable cars resembling cabins with room for individual batches of six people. There are numerous trees and plants and with an additional children’s play area and within the horticultural space there are picnic benches and long tables placed undercover with capacity for eighty punters.

On a Sunday they stage chilled jazz-tinged events and last year I was in brief residence there and I saw a blues based singer called Stephanie performing a short set.