Lancaster Venues 20 to 22

This week, I am continuing the tale of my inaugural visit to the annual Lancaster Music Festival on a bruisingly cold day in October 2023. The next haunt on our list was Lancaster Cornerhouse located on the junction of New Street and Church Street; a stone’s throw away from the Sun Hotel. The Cornerhouse, formerly Paulo Gianni’s and Sphere Bar, went through a major transformation in 2018.

The driving force of the reformation was Gemma Rowlands from nearby Cockerham, who had previously worked at the site in Paulo Gianni’s days. She then converted it into a gin style palace with a restaurant with accompanying comprehensive menu, a plethora of craft beers and live music offerings from Thursday through to Sunday.  

Lancaster Cornerhouse. Image Credit lancastercornerhouse.co.uk

When we arrived, the place was extremely busy, and we navigated the queues to obtain an aperitif from the bar. We grabbed a seat before being politely moved on as we were inadvertently squatting in the restaurant area! On a small stage in the corner of the main room we encountered a local three-piece band called the Beets. They had ensured they would have maximum exposure across the day by volunteering to play a remarkable seven venues across the city in an overall time span of eleven hours!       

A five-minute walk away brought us to our next port of call which was the Lancaster Royal Kings Arms Hotel.  The place has considerable history in that the Grade II listed building was originally constructed in 1625 and revamped in 1879 after a habitual great fire (arsonists abounded everywhere in that era!). Many royals stayed there and in its early days it was owned by King Louis XIV.

The local archives contain a letter that was sent from Carlisle to the hotel on 11th September 1857 requesting that a room be booked there for a certain Mr Charles Dickens who would be accompanied by his friend Wilkie Collins. They also requested a comfortable dinner (tea in the North!) for two persons at half past 5.    

Lancaster Royal Kings Arms Hotel. Image Credit blog.conferences-uk.org.uk

They were in a midst of a walking tour of Cumberland at that stage which was chronicled the following month in Dickens ‘Household Words’ under the title of ‘The Lazy Tour of Two Idle Apprentices’. The hotel is also cited as the location that Dickens scribed ‘The Tale of the Bridal Chamber’ and there remains to this day a ‘Dickens Suite’.

We had been in splinter groups for a couple of hours, but we all reconvened here. There was an excellent band on stage called Native Cult who were also playing several shows on the day. The duo hailed from Barrow and had a pot pourri of influences in their sound. Following there we grabbed some much needed tea and a sit down at the Golden Dragon Chinese restaurant next door.   

Our next destination was Lancaster Atticus on King Street which initially came into being in 1974 as a bookshop coffee bar above Probe Records in Liverpool. Probe Records is an interesting tale with its initial commencement as an independent underground/hippy establishment and it then morphed into a punk site when it moved to a new location, as a result of their new address being in close proximity to the legendary Eric’s venue.

Many future musicians were employed there including Frankie Goes to Hollywood’s Paul Rutherford, Pete Wylie from the Mighty Wah! and Pete Burns from Dead or Alive. The final named was renowned as faithfully adopting the house ethos of issuing ‘constructive criticism’ when parlaying with customers and thus influencing their selections! Julian Cope references the shop in his ‘Head On’ autobiography and the band meetings that took place there with Ian McCulloch when they were in The Crucial Three together.

They set up a record label Probe Plus whose most famous signing was undoubtedly Birkenhead’s Half Man Half Biscuit, a band who refreshingly took a break from the music business between 1987 and 1990 as they didn’t want to become ‘too successful’! They also famously turned down a slot on The Tube Channel 4 TV show as it clashed with a Friday night Tranmere Rovers match.

Half Man Half Biscuit. Image Credit pinterest.co.uk

The shop struggled for a spell through the initial downloading era, but the vinyl renaissance has boosted their turnover, and the record store remains to this day in its current location in the Bluecoat Arts Centre.

The Atticus name was chosen as it has literary connotations but is also useful alphabetically, from a commercial viewpoint, on any book shop listings. They opened a second shop in Lancaster in the 1990’s which subsequently closed in 2001.

The original owner Tom Flemons then returned to the area in 2014 to reopen the store as a not for profit enterprise supporting the Tasikoki Animal Rescue Centre in Indonesia where he had previously volunteered. At this stage it also expanded to incorporate a coffee bar. When we wandered past there was a band called Bay Big playing who are a large host of musicians who play a repertoire of Swing, Jazz and Latin.    

Manchester Venues 122 Deaf Institute – Part 2

Nearby to the Deaf Institute Music Hall on the same side of Grosvenor St is the Footage pub (previously Flax and Firkin) which is a large vibrant pub with craft ales and many TV screens showing the latest sports. Just around the corner is the basement Umami Noodle Bar which has been a regular pre-gig eating stop for over 20 years.

The Footage with the Trof Deaf Institute sign in the background. Image Credit Zomato.com.

My first gig there was on 02/07/09 when I saw Nine Black Alps, a four-piece band from Manchester whose original moniker was The Chelsea Girls. The Alps name was selected from a line in a Sylvia Plath poem. I had picked up on them initially via their belting debut album ‘Everything Is’ which I still play periodically to this day.   

A couple of years later I had to cancel at short notice a trip to my brothers in Nottingham thus missing a Kyuss (forerunners to Queens of the Stone Age) gig. I was kicking my heels and a couple of lads were off to see Killing Joke, so I tagged along, but discovered on arrival at the Academy that their gig was sold out. A variant C approach then evolved by quickly checking that night’s gig listings and identifying an event at the Deaf that I could attend and then meet up after with the boys for the train home.

I struck lucky as the act on that particular night was the Dum Dum Girls whose name derived from a Vaselines album and an Iggy Pop song, thereby displaying their musical influences. Originally it was a solo project for Californian Kristin Gundred who then renamed herself as Dee Dee. After she signed up with legendary label Sub Pop three more girls were added into the band including the drummer Frankie Rose who has also been in Crystal Stilts, Vivian Girls and Frankie Rose and the Outs.

Dum Dum Girls. Image Credit Fanpop.

They disbanded in 2016 where Dee Dee then became Kristin Kontrol and her sound morphed more into the synth pop arena. She also around that time provided an excellent atmospheric cover of one of my favourite Jesus and Mary Chain tracks ‘Teenage Lust’. They were enjoyable live with many of the tracks coming off their debut album ‘I Will Be’ and reflecting the geographical location they were playing in, they decided to finish their set with a cover of ‘There is a Light That Never Goes Out’.  

Next up was one of those ‘right place right time’ moments that only occur very occasionally in one’s gig going journey. During my attendance at the Dot-to-Dot festival in May 2013 I had sighted on the roster an upcoming band I had just become aware of, and at that stage had only released two singles. The band in question who were performing in a teatime slot were Wolf Alice.

The venue filled up just before they landed on stage, and they were stunningly good, and rarely have I seen a young band who had such poise and justifiable confidence in their sound and ability.  At one quiet point between tracks a punter at the bar said in an awed voice ‘outstanding, absolutely outstanding’ which received a shy thankyou from lead singer Ellie Rowsell.  They finished with their superb first single ‘Fluffy’ and it was plainly obvious they were destined for great things including subsequently headlining Glastonbury stages and Mercury Music prizes.

As the set arrived at a tumultuous finale and the band left the high stage Ellie was struggling to step down so I proffered a hand to assist her which she gratefully accepted. Musical royalty was touched in that very instance and I am sure Ellie has not washed her hand since!   

Wolf Alice. Image Credit nylon.com

In October 2013 I went to see White Hills for the first time who are a stoner psychedelic rock band from New York and provided a pleasing slab of white noise. They have had a prolific output since their formation in 2003 and have recorded over fifty releases incorporating an impressive twelve studio albums. In their early days they were championed and supported by Julian Cope and were also cherry picked to appear as a live band in a scene of a 2012 Jim Jarmusch movie ‘Only Lovers Left Alive’.  

There then followed a gap of 4.5 years until my next visit in March 2018. Gill and I headed down with our pal Laura Buckley to see an Icelandic dream synth pop band called Vok, the name translating as a ‘hole in the ice’. They had formed in 2013 and gained some instant recognition by winning Musiktilraunir, an annual Iceland music contest and the year before we saw them, they released their debut album ‘Figure’.