Tag: Liverpool Smokie Mo’s

2025 Gigs – Part 3

I shall commence the final part of my 2025 review with the observation that I regularly head over to Liverpool for work and periodically catch a sliver of live music whilst traversing back to Liverpool Lime Street for my train home. One such bar is Liverpool Smokie Mo’s on Great Charlotte Street where I have seen local singers Paul Gillies and Chris Kinsella playing.

In March we gravitated over to Manchester New Century Hall where I saw Mercury Rev for the seventh time and the first time for a decade. They were premiering their new album ‘Born Horses’ but obviously including some highlights from their desert island disc ‘Deserter Songs’.  

Mercury Rev. Image Credit gigantic.com

On a work outing we visited New Century food hall one evening and we got ensnared into the nights quiz event. The second prize was two free tickets to any gig at the venue upstairs, and I have no idea why, but everyone turned round to me at that particular news!  Obviously we achieved a second place, and the tickets were donated generously to myself. Unfortunately, the first choice of Blondshell I couldn’t make due to illness and the revised choice of Dirty Three due to being notified of a close family bereavement just as I was setting off to that gig, so it was obviously not meant to be, but still a nice touch from my colleagues!

Whilst out on a sally down Burton Road in West Didsbury we caught a portion of the Beat Boys at Manchester Rustik, a bar that has since closed its doors for the final time. Over in Didsbury Village there are regular gigs over the weekends at Manchester Kennedys. I saw a chap called Paul Hunt playing and manufactured a visit there on Christmas Eve to ensure I reached my double century of gigs in the year. The act to mark that achievement was a geezer called Chris Addington from Rochdale who is a bit of an all-rounder as a music service tutor, musical director and alongside being a solo performer has been in a suite of bands, the latest being called Filthy Animals.

The final block of this year’s gigs will be covered under the auspices of the Lancaster Live Festival where over two days I saw 37 gigs and a grand total of 23 new venues.  I shall take you firstly to Lancaster Tap House where on the Saturday we witnessed a local band called Fuse. The following day we returned and caught the Sun Street Stompers who are a traditional jazz band whose driving force is Barry Marshall.

Sun Street Stompers. Image Credit jazznorthwest.co.uk

Barry has a long-standing pedigree as a clarinet player and played in various bands before in 1984 being approached by Steve Thorn, landlord of Ye Olde John O Gaunt pub, to set up a Sunday lunchtime band and the Stompers were born. They have retained that residency for over four decades with an ever-changing line up and provide valuable opportunities for local upcoming musicians. For the festival they made a rare foray to another hostelry, and they played in front of a hugely respectful audience where you could literally hear a pin drop.  

Continuing the theme of Lancaster Ye Olde John O Gaunt, a venue which was also subject to a double visit on the weekend. On the first day we saw Slackrr, who were a noisy pop punk trio who have been around since 2018 and had just released their third album ‘A Light on the Horizon’. On the Sunday we caught Helen and the Mellons who are a folky trio and are regular participants on the local circuit.

Directly opposite there is Lancaster Market Square where on Day 1 a jaunty band called Des Songsmith & the Flat Cap 3 graced the stage. On Day 2 we were presented with sets from Charlie Blugrass and from Daisy Smith. The latter named is a local singer/songwriter and is also the driving force behind the creation of a four-piece rock band called Do You Like Worms? The band’s moniker derives from a Beach Boys track recorded in 1960 which was subsequently released on a compilation album in 1963.

A stumbling distance away is Lancaster Library, one of the original venues for the hugely successfully ‘Get it Loud in the Library’ initiative and where I had previously seen Robert Forster, Yuck and Low amongst others. On this particular occasion Northern Frisk were performing who are badged as one of the finest ceilidh bands in the North of England and regularly appear at festivals, barn dances or they can even be hired for weddings.

Northern Frisk. Image Credit facebook.com

At the fine setting that is the Lancaster Pub Outdoor Stage we saw Circus Freak, a rock covers band from Bolton featuring Rokkin Roy on guitar. Later, we witnessed White Tyger who were in a similar vein to the previous band and were formed in 2015 in the West Midlands. Nearby at the Lancaster Cornerhouse a singer/songwriter called Brendan Cleary was on stage and then at Lancaster Crafty Scholar we caught sight of Mark McKenna, who we then found a second time whilst he was playing a later set at Lancaster Hogarths.

At the Lancaster Royal a very enjoyable and accomplished four-piece blues band based in Liverpool named Reillo were on stage. Their name derives from the reverse spelling of the surname of the lead singer James Ollier, who is the driving force and main songwriter in the band and a guitarist since the age of 14. Nearer to the station is Lancaster Jailors Barrel (previously the Robert Willow) where a solo indie singer called Jamie Walker was playing.

Liverpool Venues 25 to 27

Firstly, this week I will look at the latest hostelry visited within the cornucopia of establishments within the Matthew Street enclave. The lineage of the very traditional Liverpool White Star can be traced back to the 1880’s and this is proved by a reference to the White Star Carvery and Bar within an 1887 Empire Theatre programme. It is named after the Titanic shipping owners White Star Line.  

Apparently, the pub in those days remains relevantly unchanged from today, apart from the fact there used to be a back yard and there was living accommodation upstairs. Astoundingly there were no ladies lavatories in the building until 1987, the wafer thin justification for this was due to the premise of endeavouring to discourage visits from the large number of prostitutes working in the city post Second World War up to the late 1980’s.    

After the war, a punter called Mr Quinn purchased five pubs in the city, including this one and on all that quintet he inscribed the word Quinns on the front windows. To a degree that name stuck to the level that the good beer guide named the pub as the White Star (Quinns 2).

The Beatles ‘back wall’. Image Credit pinterest.com

In the 1960’s, two promoters named Bob Wooler (the original DJ in the Cavern Club) and Alan Williams arranged for bands to play in the back room, and that is where the Beatles played their first ever gig. That room is also where the bands were paid after they had performed at the Cavern and naturally contains Beatles memorabilia, known locally as the ‘Beatles back wall’.

Apparently, Brian Epstein also discussed with Mr Wooler there in 1963 about their upcoming appearances on the Ed Sullivan Show which provided their first exposure to American audiences. On my one foray there I saw a local singer called Siobhan performing.   

Across town on Renshaw Street within the Grand Central building, you will find the Liverpool Liffey Bar, and as I am sure you can glean from its moniker it is yet another Irish themed hostelry, this time named after the river which permeates straight through Dublin city centre.  The plethora of such bars is no surprise when you factor in that 75% of Liverpudlians have Irish descent, the highest heritage of any British city apart from Glasgow.

The pub was subject to a long running rental dispute with a former tenant which resulted in the pub suddenly closing in March 2022, the disagreement also impacting on the Smokie Mo’s and Nelly Foley bars, which were reviewed in a previous blog. The Liffey was closed for around a year and grabbed that fallow period as an opportunity to undergo a £200,000 refurbishment.

The Liffey Bar. Image Credit liverpoolecho.co.uk

From a business profit viewpoint, they ensured that they managed to reopen in time for St Patricks Day on Friday 17 March 2023 and must have expected a busy one by stocking fifteen barrels of Guinness which equates to 1500 pints, you would be a tad merry after that! They have live music every night and on my visit, there was a singer called Paddy performing.

The Liverpool Sound City festival is an annual multi venue music shindig similar in structure to the Dot to Dot events. It was founded in 2008 and acts such as White Lies, White Denim, Gil Scott Heron, Swans and Hold Steady played in some of those earlier years.

It also runs in conjunction with the John Peel World Cup which is a British Heart Foundation led event where teams derived from band members and music industry bods play in a five a side tournament. It is a gala that I have always yearned to attend and in May 2025 that came to fruition.

Now, my football team Preston North End had proceeded to make an absolute dogs’ dinner of the end of the season, and this allied with some unfeasibly spectacular results from their rivals meant that the spectre of relegation had gone to the last game. Thus, I was nervously checking the scores on the train commute over but results thankfully went in our favour and we achieved safety. I could now relax, and as a result the first cold one did not touch the sides!

The hub points for picking up our wristbands and then our first venue was Liverpool Spanish Caravan. The bar and tapas restaurant is located on Slater Street, and the side wall of the building contains a large mural of ex Liverpool manager Jurgen Klopp. There was a spacious indoor bar and beer garden and a decent choice of beverages.   

Spanish Caravan complete with mural. Image Credit liverpoolecho.co.uk

At our visiting time the singer on the small stage at the end of the bar was a chap called Oscar Blue who maintained our Irish theme by hailing from County Clare. He had a busker vibe about him and has apparently been a hit on social media where his initial debut singles have been streamed over 10 million times globally.