Manchester Venues 147 to 148 – Royal Northern College of Music

As you progress down Oxford Road towards the Academy venues you reach the traffic light junction with Booth Street West and on that very corner is the Manchester Royal Northern College of Music (RNCM). Just beyond there is a recently developed retail area containing a Brewdog outpost and a branch of the omnipresent fast food chain Five Guys.

Across the road from the RNCM for many years resided the Phoenix public house, previously Barney McGrews, situated under the precinct. I can find records of the Phoenix being around since the 1970’s and in those days, it was a punky biker venue where upstairs they held sweaty club nights under the Tangled or Acid Rock monikers.

Phoenix pub. Image Credit manchestersfinest.com

Live music was staged there from 1977 onwards on the Bass Charrington pub rock circuit roster. There are scant details of bands but can find evidence of Aqua, a Burnage High school band, (does that scenario sound familiar?) who played there the following year with Graham Massey of 808 State in their ranks. They are absolutely not to be confused with the other band with the same name who release ‘Barbie Girl’ a couple of decades later!  

It was a renowned student haunt due to its proximity to the universities. It became more of a drum and bass venue in the 1990’s and Clint Boon, Mani and Piccadilly Records used to undertake DJ nights there.  Around the time I visited, it had morphed into an ‘It’s a Scream’ chain pub with bright yellow frontage and was in a very tired state by then. It subsequently closed its doors for the final time in 2011.

The RNCM was officially opened in its current location on 28 June 1973 and was a fusion of the Royal Manchester College of Music (RMCM), which opened in 1893 with original principal being Sir Charles Halle and the Northern School of Music, founded in 1920.

Its remit encompasses musical education and contains two thriving public performance venues alongside a smaller recital room and theatre, the latter two spaces are utilised in the main for educational and conference events. The college was subject to a £7.1m refurbishment in November 2014 across all areas including a new lighting rig and sound equipment. Previous alumni naturally contains many illustrious conductors and composers and also Howard Jones!  

RNCM. Image Credit Royal Northern College of Music.

The first venue I will cover is the Royal Northern College of Music Concert Hall which has a fixed seating of either 443 or 598 with an additional balcony setting raising the maximum capacity to 710. The layout ensures that all of the seating encircles the stage in the middle of the room and ensures a good view from all vantage points. They have a constant diverse roster of performances and previous acts to play there include Adele, David Byrne, Hugh Laurie, Halle Orchestra and Jarvis Cocker. Filming has also taken place there for television shows Waterloo Road and Question Time.

My first attendance was in November 2013, and I had an unusual journey there. On the day I needed to attend a workshop in the glamorous location of Telford, thus caught a train from there direct to Manchester and met up with the rest of the crew in the Joshua Brooks public house. I recall we also visited the Sand Bar and naturally gravitated to our usual nearby noodle bar for some tea.

As you enter the RNCM building there is initially a bar and café area before you reach the venue hall at the end of the corridor. They adopt a similar policy to the Royal Albert Hall where you could not take drinks into the venue and if returning from a comfort break you had to wait until the current track finished before you can grab your seat again.

The act that day was the incomparable Mark Lanegan, personally one of my Top 5 favourite vocalists with his gravelly ‘lived in’ unique delivery. He was touring his recent album ‘Imitations’ which featured cover versions of tracks by Nick Cave and the Bad Seeds, Nancy Sinatra and John Cale.

On the night he undertook an excellent version of Bobby Darin’s ‘Mack the Knife’ and Lou Reed’s ‘Satellite of Love’, the latter especially poignant as Lou had recently passed away. I have just read this week of a hugely emotional concert held with guest artists to celebrate what would have been Mark’s 60th birthday, he is sorely missed.

Mark Lanegan. Image Credit mubi.com

I had one other attendance there a couple of years later to see Mercury Rev and I spotted John Robb in the audience. The band were in a particularly noisy mode that evening with some guitar heavy tracks in the set, which suited me down to the ground!

The other venue is the Royal Northern College of Music Theatre which has fixed seating capacity of 600 plus the option to have additional removable pit seats. This is a more traditional ‘cinema style’ setting and I have visited there just the once in October 2023. We went to see a play called New Dawn Fades which chronicles the story of Joy Division which contain live songs with a full band. It is written and directed by Brian Gorman who also takes an acting role as Factory boss Tony Wilson.  It was pretty well made but the second half of it leading to Ian Curtis’s suicide was understandably very bleak viewing.

London Eighth and Ninth Trip

As you may have gleaned from my previous blogs, my favourite ever live band is Mogwai. I was fortunate to catch them at a very early stage in their career though I did miss them play at Preston Adelphi in 1997 as I had only just become aware of them. Around that time, I heard Ithica 27/9 off their debut album Ten Rapid and I knew I was smitten for life as I had been searching for that band who would not baulk at the edge of the sonic cliff but were deliriously happy to spring off into the noisy abyss!

My first viewing was at Manchester Roadhouse in 1998 and bar a promo event at Sankeys Soup the following year that I didn’t hear about I have seen every one of their subsequent Manchester dates, which sits currently on 11 in the fair city alone with two more scheduled this year. This will bring my overall attendances up to 36.   

Mogwai live on stage. Image Credit BBC.

They have had a very gradual rise in profile, which in some ways I have been eternally glad about as it has resulted in them never or very rarely progressing to play soulless arenas. Their soundtracks for Zidane and the Returned TV series in the 2010’s eventually led through to their remarkable achievement of a No 1 album in 2021.  

Prior to such infamy, the 15th time I saw them in September 2006 was their biggest gig thus far as they were playing the iconic London Royal Albert Hall. Thus, on that Friday I left work at lunchtime and walked over to Preston train station. En route I bought a student rag mag from a chap who I struck up conversation with when he commented on my band T-shirt.

On arrival in the smoke, we headed over to Holborn and had a leisurely afternoon in a boozer watching the Ryder Cup, we then caught the tube to High Street Kensington tube station. In a pub near the station, we saw the Mogwai boys themselves but left them to their own devices.

PNE were live on TV that night and I did a quick scouting mission to a nearby pub where I identified they weren’t showing the footy, but I did see comedian Helen Lederer enjoying a teatime drink. We subsequently walked down Kensington Road alongside Hyde Park to the venue.  I have always viewed the highly distinctive Royal Albert Hall as the musical Wembley, so I was very excited to attend.

The initial germination of the idea to build the hall was devised at the Great Exhibition of 1851 and it was officially opened in 1871. It is held in trust by the nation and managed by a registered charity which receives no government funding. It has staged the proms since 1941 and there are events held there all year round and it has a capacity of 5272.

Royal Albert Hall. Image Credit Classic FM.

I respected and thoroughly enjoyed the old-fashioned values of tannoy announcements providing a countdown to the performance. We were sat to the right of the stage on the front row of the balcony which provided an excellent vantage point, though it was a tad alarming nipping to the loo mid performance in the dark as it was only a low barrier preventing a significant fall.

It was self-evident that this was a huge event for the band as they had their families in attendance and at two hours remains the longest ever show I have seen them play. They finished their main set with ‘2 Rights Make 1 Wrong’ and ‘Glasgow Mega Snake’ and then on their second encore played their 20-minute opus ‘My Father, My King’. Subsequently they didn’t play this outro track for many years, but they have rebooted it on recent tours.

Three years later, Gill and I were in the same Kensington area and I became aware of a mini festival taking place. So, in the grounds of the nearby London Imperial College we sat in the sunshine and witnessed a set by the Fabulous Boogie Boys.  They were a seven-piece band led by Sarah Warren and the other six members donned in red zoot suits, they played an entertaining set of lively covers of relatively obscure tracks from the 1940s/1950’s.