Liverpool Venues 5 to 7

Before I outline the remaining events I have thus far attended in Liverpool, I wanted to provide some detail of all the missed gig opportunities on the other side of the River Mersey from the city centre. The first occurred when I attended my auntie’s wedding somewhere deep in Wallasey territory and there was a pub opposite the wedding reception building, but the name of the establishment evades me now. We visited briefly during the day but only Uncle George grasped the mantle to attend at one point in the evening where there was a band playing.

Following on from that quarter information tale, in July 21, Gill and I were scheduled to attend the Lets Rock 80’s festival at Wavertree Playing Fields (aka the Mystery). The derivation of the mystery moniker is down to the fact that the 104-acre park was donated to the Liverpool corporation by an anonymous well-wisher who subsequently transpired to be a shipping magnet. We were planning to commute in from the local nattily named Wavertree Technology Park train station but in the end, circumstances dictated we could not attend resulting in missing out of the dubious privilege of watching Sister Sledge, Odyssey, Wet Wet Wet and Adam Ant!  

Adam Ant. Image Credit thecurrent.org

I have previously attended gigs at library venues in Lancaster and Wigan and was hoping to tick Birkenhead off this list when we obtained tickets to see the French band Juniore for a chilled Sunday afternoon set, but it was subsequently cancelled and not rearranged due to issues with post-Brexit visa issues and Covid.

Another interesting sounding venue in that area is the Future Yard in Birkenhead. One of my favourite ever bands Sennen were undertaking a very rare tour and had added a date at that very venue. Unfortunately, I had a fixture clash and could not attend, and despite my exhortations to the band they didn’t add a Manchester date, so I have not yet added to my sole sighting of them at Manchester Night and Day in 2010.

Thus, I shall now move away from the hard luck stories onto actual gigs attended. One day in December 2019 I was working out of the Liverpool office and gravitating back down Liverpool Church Street to Lime Street station for my train home. I heard the unmistakable sound of a full band playing a street gig, the combo in question was Keywest.

Keywest band. Image Credit wordpress.com

Keywest are a four-piece folk band from Ireland and their route to success is an unusual one as they learnt and honed their craft by years of busking in the hot bed area of Grafton Street in Dublin. They had obviously decided to take a trip down memory lane by performing on a busy shopping street, I don’t whether that proceeded a gig in a more standard venue that evening.

On Matthew Street, you will find Liverpool Sgt Pepper’s Bar, like many in the area a Beatles themed establishment and the website informs that improbably and in fact impossibly they have music on ‘8 days a week’! In 2017 I caught a chap called John McDonna playing a set there.

In December 2021, I was over in Liverpool for an overnight work event and therefore naturally had to have a gander at the Ents 24 website to see if there were any musical events of note that coincided with my stay, thus discovering there was an interesting act on that very night at Liverpool EBGBS.

After work, we grabbed some tea in the Silk Road tapas and after a couple of drinks persuaded my colleague David Taylor to also attend the gig. David had previously pleasantly surprised me when he stated unexpectedly that he had not only heard of Mogwai but had actually seen them live which was good enough for me!

Heebies Jeebies (known locally as Heebies) has been a popular venue on Seel Street since it first incarnation as a jazz bar in the mid 90’s. In 2016 they opened the 250-year-old basement room as a live and club night venue and named it EBGBS.  Upon entering the establishment, I noted they had nailed the intended vibe as a dingy downstairs biker bar, in a good way! It reminded me of the Merchants pub near Lancaster train station.

EBGB’s dungeon setting! Image Credit architectural-emporium.co.uk

The venue has a capacity of 300 but there cannot have been more than fifty people in attendance that night, I can imagine when the place is full the view of the stage may be impaired due to the numerous pillars in place.

The support band was a post punk band from Oslo in Norway called Mayflower Madame, the main act was New Candys from Venice in Italy. Since their formation in 2008, their singer Fernando Nuti remains their ever-present member. In their early days they had support slots with the likes of Jon Spencer Blues Explosion and Crystal Stilts.

Their second album was recorded by John Willis, producer, and drummer of legendary psych rock band Loop, who coincidentally I am off to see today (21/05/23) on their comeback tour, 33.33 years since I last saw them at Manchester International 1 in January 1990. New Candys provided an enjoyable slab of gentle shoegaze before we headed back down the vibrant Seel Street, which looked worthy of further investigation at some future stage.      

2021 Gigs – Part 3

The third and final part of reviewing the 2021 gigs recommences with a couple of visits to Manchester Ritz. The venue is now firmly ensconced in my Top 3 venues visited list as I have been attending there consistently over the years since my first attendance in October 87 watching the astoundingly loud and intense Swans.

First up on 22/09 was the old stalwarts Ash, who I was watching for the sixth time, three of those being at festivals, and it was the first time I had seen them in eleven years. Prior to the gig we had a drink in Brew Dog near Albert Hall on Peter Street, coincidentally the most profitable Brew Dog bar in the world, and then feasted on a pizza that took an age to arrive in Rudy’s Neapolitan restaurant next door.

I thought they were decent but slightly one dimensional, and I always contend that their sound has never been quite as complete since Charlotte Hatherley left, though admittedly they do still have a bagful of recognisable tunes. I was at the bar mid-set when I found out that PNE had drawn Liverpool at home in the League Cup though that subsequently ended up with the usual golden chances missed and then inevitable defeat.  

Ash in Charlotte Hatherley days. Image Credit Steve Scalise.

The other attendance was to see Maximo Park on 10/10 which saw Rick Clegg toggle over for a rare appearance in Manchester and I think his first visit to the Ritz. After a trio of scoops in Yes, Lass O Gowrie and Temple Bar we headed into the venue. It was the second time I had seen them though overall not as enjoyable as my first sighting of them fourteen years earlier.   

I finally went full circle from my first ever blog and first Manchester venue by revisiting Manchester Apollo for the first time in thirteen years since being pummelled by the gentle My Bloody Valentine! There were four of us in attendance and we had a couple of pre-gig aperitifs in the Wine and Wallop in West Didsbury, the future of that chain being currently in doubt, prior to a cab to the venue.

Wine and Wallop. Image Credit DesignMyNight

When we reached the busy bar inside, we discovered they sold beer in two-pint pots which we decided to purchase though it wouldn’t accept my card asking me to input my pin details in. To my chagrin I realised the reason for this was the round cost £52, above the then limit of £50, this equated to an unacceptably brutal price of £6.50 per pint. Come on, Apollo, you can do much better than that!   

The band on stage was the ever-dependable Public Service Broadcasting who were in excellent form, and we had a cracking vantage point near the front.

My pal Marcus is a huge James fan and he persuaded me to attend their Manchester MEN Arena show in December. I had only just managed to purloin some tickets when they were released about a year earlier and was bizarrely sat waiting for an appointment in Stockport Specsavers at the time. I rather rudely had to ask for the lass to delay my appointment slightly as I had finally reached the booking page!

Our significant faux pas was to foolishly book our Covid booster appointments the day before the gig which resulted in Gill being unable to attend and myself feeling distinctly below average. We did consider watching the support act Happy Mondays only from a statistical angle viewpoint as it would have created a new personal record of 34 years between seeing a band as I first saw them in Camden in 1987, but in the end decided not to.

My record thus remains at a 28-year gap with Meat Puppets, however the Loop gig later this year will be just shy of a 32-year gap since witnessing them at my last ever gig at Manchester international 1 in 1990.

We were seated up in the gods with a side on view of the stage, the band were very good value over there 2hr 15-minute set and we watched the last track stood up by the barrier. Marcus headed off to a Christmas works do and I must have resembled a sulky teenage emo as I dragged my weary feet back from the tram stop!

We happened to be out and about of 21st December and sallied into the Manchester Parrs Wood, which will always have a special place in my heart as the first pub we ever visited on that mad day we relocated to Manchester, though there some people rather brazenly sat in ‘our seats’ from that first night! There was a band on stage called Irish Fiddle who performed the seemingly obligatory cover of ‘Dirty Old Town’.