Tag: Lovely Eggs

Lancaster Venues 11 to 13

When attending a gig at Lancaster Library earlier this year we made our first visit to the new Tite and Locke bar on the station platform and noted a poster outlining the upcoming 13th edition of the Lancaster Music festival which piqued our interest. Thus, it came to pass on 14/10/23 that a group of seven made our debut appearance at the event.

It is an excellent well attended free festival taking place over three days over the weekend (Friday through to Sunday). It is a very wide ranging encompassing over 50 venues across the city including events within schools, musuems, theatres, cinemas, busking stops and also in a novel addition, even gigs taking place on a floating mobile stage on a barge on Lancaster Canal! The local legends Lovely Eggs headlined the festival on the Sunday night.

After an initial meeting and whistle wetting in the Tite and Locke at 1pm, we left the station and headed down to the nearby historic Lancaster Castle which I had not visited for a very long time. There was a decent crowd already gathered at this early hour and there were a suite of merchandise and food and drink stalls scattered around and there were festival programmes on sale.

Lancaster Castle. Image Credit melodromestage.co.uk

They had also set up a small outdoor stage within the castle grounds embossed in medieval ‘Game of Thrones’ style and named it the Melodrome Stage and a band called 2nd Leg were performing. They were a vibrant seven-piece combo complete with fiddles, harps and mandolins performing Irish and Scottish jigs and they had evolved from the Irish dance group Absolutely Legless. 

Nearby and standing as a gateway to Castle Hill is the Lancaster Storey Gardens Craic Inn where a stage had been set up in the gardens adjoining the building. The Grade II listed Storey building was constructed in 1887 and funded by local philanthropist Thomas Storey. It was built to commemorate Queen Victoria’s Golden Jubilee and was designed as a creative hub and covers diverse events such as business conferences, films, music and theatrical recitals.

Lancaster Storey building. Image Credit Visit Lancashire

On the outdoor stage we saw the Dundee folk singer Rhuari Campbell play. After playing in many other bands for a few years he was now heading out as a solo artist. There were also bands playing in the grand indoor building setting, but we unfortunately landed between the scheduled sets, so it didn’t allow me to tick this off as visited venue, at least not yet!  

A further short walk away and you arrived at China Street and the established rock venue in town The Pub. The establishment has been around for many years, and I recall visiting as far back as the late 1990’s but had never yet encountered a live act there. On the day they were rotating bands across two stages with Space set up as the headliners.

We landed at Lancaster The Pub Outdoor Stage set up in the beer garden and we shuffled out to there after purchasing an aperitif from the indoor bar. It was extremely busy and reputedly the most well attended venue on the day. On stage were a noisy rock band from Manchester called Luna Market and these kids could play. They were covering 1970’s standards and had a powerful female lead singer and an excellent guitarist, though I think he had played one too many games of ‘Guitar Legend’.

The Pub. Image Credit flickr.com

Whilst I stood there, I had a moment of clarity as I was thinking what more can there be in the world than watching a commendable rock band in an outside space at 3pm on a Saturday afternoon with a cold beer in hand and in attendance with good friends and like-minded punters, sounds like my kind of heaven!   

2022 Gigs – Part 2

I am continuing the tale this week of the 2022 gigs I attended at venues already covered in previous blogs.

Every year, there will always be gigs that I go to in one of the Academy sites and I am rapidly closing in on 100 gigs in total across their four venues, all since I attended my first ever, namely Wedding Present at Academy 2 in February 1988. Thirty-four years later In February 2022 I attended Manchester Academy 2 again to see Dry Cleaning with Graham Jones in tow.

They are a post-punk band with a distinctive lead vocal from Florence Shaw interspersed with spoken word lyrics and they later in the year released their second album ‘Stumpwork’ containing the catchy single ‘Gary Ashby’. That night I also finally managed to make a visit to the Old Abbey Taphouse, a community pub located in Hulme near to Manchester science park where they undertake sporadic gigs and I hope to return at some point to attend an event.    

Old Abbey Taphouse. Image Credit Manchester Evening News.

A month later I returned to Academy 2 to see Warmduscher, a post punk band from London for whom Mark Reilly from 6 Music is a keen advocate. I personally didn’t warm to their sound, but their twitchy energetic lead singer Craig Louis Higgins Jr (Clams Baker) was an interesting presence. It was also a landmark gig numerically as it transpired to be my 500th gig in Manchester.  My final visit there was in June to see Dave Wakeling’s Beat, one of the two splinter groups out there touring who emanated from the original Beat.

In September I headed to Manchester Academy 1 to finally witness Godspeed You! Black Emperor who formed in Montreal, Canada in 1994. They are a Canadian instrumental post-rock combo who provide sweeping soaring soundscapes and apart from the slightly dizzying visual screens behind them they were a terrific live proposition.

I was in tow with Uncle George and John Dewhurst, the latter previously saw Godspeed in Planet K in 2000 on the same night that George and I saw Trail of the Dead at the Roadhouse a couple of streets away, that was one noisy night in Manchester!

Godspeed You! Black Emperor. Image Credit Chicago Tribune.

On my birthday weekend in June, Gill and I went for a meal at a local restaurant on the Thursday before the following night heading to Manchester Ritz to watch Lovely Eggs. It was their biggest ever gig and they were as vibrant as ever. Holly was in a particularly combative mood, exemplified by her justifiably and scathingly condemning the security staff when they aborted her plans to undertake the final of a stage diving contest. Her wrath was only increased by the fact that prior approval had been sought and obtained but then ignored. They were supported by Thick Richard on the night.  

On the Saturday we stayed over in Preston after attending a family barbecue before travelling back over to Manchester on the Sunday prior to another gig at Manchester Apollo. We were off to see Yeah Yeah Yeahs but at one point in the early evening Gill bandied about the phrase that our attendance looked more like a ‘No No No’, however our gig stamina kicked in and we shuffled off to the venue.  

I had never previously seen them and was anticipating a good one and my preconceptions were met fully as they were superb and lead singer Karen O had a hypnotic presence on stage, English Teacher were the support band.  

I attended there again in November to see Sigur Ros and visited the Aspley Cottage pub next door for the first time in 14 years and the hostelry was refreshingly unchanged. I met up with Barry Jury and a couple of his pals and Sigur provided an epic 2-hour set.   

The final venue to reference is the ever-reliable Manchester Night and Day. In June we attended to see The Courettes with our friends Jo and Paul. The band are jointly from Denmark and Brazil and perhaps best fit under the Spector Wall of Sound genre. They were good fun and had a very keen tendency to keep shouting out the phrase ‘Come on Manchester’! They also bravely asked the audience to crouch on the knees for a sustained period during one song, which was a challenge for the majority of the audience, including me!   

My final appearance to Night and Day was somewhat accidental in that I was scheduled to attend the White Hotel in Salford for the first time, but the gig was cancelled. Not wanting to totally kibosh the evening I found an alternate gig involving an artist I would not normally pay to watch but I was so glad we did.

The night started with meeting Uncle George in Piccadilly Central bar (previously Monroes) near Piccadilly train station and some tea in Ning on Oldham Street. When we arrived at the venue, it was all seated at the front and we managed to grab a pew at the side of the stage.

The support was Peter Bruntwell and the main act was a sprightly 74 year old called Bill Kirchen who has been quantified as the ‘Titan of the Telecaster’ for his terrific guitar work and has collaborated over the years with Nick Lowe, Gene Vincent, Link Wray and Elvis Costello. With the latter he penned a remarkable tune called ‘There is a Man at the Bottom of the Well’ with Elvis’s laconic delivery and the line ‘is he looking down from heaven or staring up at hell’ which he played on the night.

Bill Kirchen on stage. Image Credit gigharbourmarina.com

His outro was remarkable as he played a medley of around thirty high quality, seamless short segments of artists including Johnny Cash, Hank Williams, Nirvana and AC/DC. It resembled the best ‘Stars on 45’ you could ever wish to hear and something I have never seen in 38 years of watching gigs!