Lancaster Venue 3 – Lancaster Library

One fantastic initiative that has appeared in the last 17 years (since 2005) is the award winning Get it Loud in Libraries and Lancaster Library was at the forefront, if not the first to undertake this commendable pursuit. The concept being rather simple to see high quality artists in the unusual intimate surroundings of the local library.

Many heavyweight performers have embraced this ethos as an antidote to playing soulless stadium venues. Many libraries have joined the roster including Coventry, Birkenhead, Barrow and Blackpool. Some of the names who have appeared are Florence and the Machine, Idles and Ellie Goulding. I also recall at Lancaster specifically that Frank Turner and Adele have graced the venue. I had attended one library gig before at Finsbury in February 89 to see Peggy Seeger and Ewan McColl and one after in 2017 to see Honeyblood at Wigan Museum of Life (which was actually a library). 

Lancaster Library resides in the northwest corner of Market Square, where in 1745 Bonnie Prince Charlie was proclaimed regent by the Jacobite Army. This library enterprise first caught my attention 263 years later in 2008 when Robert Forster was booked for a Lancaster slot.

Lancaster Library. Image Credit creativetourist.com

Robert being one half of the co-writing team alongside Grant McLennan in the enigmatic 1980’s Australian band the Go-Betweens. The gig took place in the front portion of the building and once you got used to the quirky setting, he was very enjoyable. There was an intermission allowing us to scamper over to the nearby John O Gaunt pub, and I recall Algarve Ray had also headed over from the gig and we discussed my recent holiday in the Algarve!

The next visit in 2011 was a double header with a difference as there were two gigs scheduled, one on the Saturday night and the other on Sunday afternoon. Due to the highly opportune synchronicity Gill and I decided to grab a cheap room for the night at the Best Western Hotel near the station.

I met Gill after the PNE match, and we caught a train over, and I recall watching Crawley losing narrowly to Man Utd in the FA Cup 5th round when we were getting changed at the hotel. We grabbed some tea at the 1725 Tapas restaurant on the opposite end of Market Square.

In the intervening three years they had created a stage in the larger room of the library to aid an increased capacity. The act that evening was a band from Ohio called Mona, whose driving force was Nick Brown, the band being named after his grandmother. I had seen them on Jools Holland, and I thought they had the look of a young Glasvegas about them.

Mona. Image Credit NME.

They had just won the BBC Sound of 2011 poll though not yet released their debut album. They garnered some stadium support slots later that year with Kings of Leon and the sound was arguably in the same bracket. On the night the lead singer had a decent set of pipes, and I enjoyed their set. 

The following day, we decided to grab some Sunday lunch and a couple of aperitifs at the Borough gastropub before the 3pm gig. Yuck were a London band that were releasing their self-titled debut album the very next day. They were firmly in the grunge bracket and created a fine racket though I think a night-time gig in a more unkempt venue would have been a better fit for them. They subsequently split in 2015 and were supported that afternoon by emo band Pegasus Bridge.            

My final visit there was on Monday 09/07/12 to see Low and a group of us pottered over to watch them. They were still most certainly in their usual soft hushed vein prior to the shift to their more recent guitar led material. One of the crew left halfway through as he found it all too maudlin, but I thought they were in fine form and the venue played to their strengths.

On arrival back in Preston we had a flier at the Vic and Station before someone foolishly suggested we take advantage of the Old Dog down in Church Street which during the week stayed open until 4am. I finally toppled out of said establishment at 2.50am, my one and only visit to the late bar. Thankfully I had booked Tuesday as leave, but it took me quite a while to beginning functioning the next day!   

Manchester Venue 16 Academy 3 – Part 1

Within the Manchester University complex on the second floor lies Manchester Academy 3. For those with longer memories it was previously known as the Hop and Grape and the venue opened in the 60’s.

The original layout was very cosy with an entrance to the left of the bar, in later years they expanded the venue marginally with an entrance round the back of the bar. The capacity is 470 and it is my favourite of all the four Academy venues as it remains an intimate size and there is a good view from all vantage points.

My first visit in October 99 was to see Guided by Voices. They are a legendary band from Dayton, Ohio and formed in 1983 with the ever-present lead singer Robert Pollard. They are highly prolific recording artists and despite a couple of hiatuses they have just produced their 30th album and they have been known to play 4 hour shows mirroring the length of some Bruce Springsteen and E-Street band gigs.   

They received regular airplay on college radio which was the route REM traversed when progressing into the limelight. They flirted with fame when appearing in the Strokes ‘Someday’ video. Nobody sounds quite like them and ‘Under the Bushes Under the Stars’ is a fabulous album and comes recommended.  

Unfortunately, the sound system in the venue didn’t assist on the night and despite moments of brilliance they struggled to convert their recorded output to the live setting, and it remains the only time I got to see them on stage.

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Guided by Voices ‘Under the Bushes Under the Stars album cover. Image Credit colouredvinylrecords.com

They were ably supported by Beulah from San Francisco who created a sunny West Coast vibe and were excellent. Again, I only saw them once and they disbanded in 2004.

My next appearance was in May 2000 to see Grandaddy. They had first appeared on my radar when I was converted to them by their ‘AM180’ track featured on a Q magazine mixtape.

They had their own unique sound resultant in part by the incorporation of some homemade instruments and their wonky Neil Young beauty was superb live. A good time was had by all to the extent that I was somewhat hungover when performing my ‘Jimmy the Cat’ goalkeeper duties the following afternoon for the works football team.

Four months after that I saw the Melbourne instrumental trio Dirty Three. They were fronted by a charismatic Warren Ellis who had an interesting back story as a classically trained violinist, school teacher and a busker around Europe.

He proceeded to do a rambling but engaging monologue prior to each track and then turned his back at the commencement of each song and the band then created a cacophonous racket in an odd rock/jazz fusion. They were great fun and the nearest loose comparison could be Arcade Fire without any lyrics!  

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Dirty Three in full flow. Image Credit Clash

On 24/03/01 I went to see the Minnesota based Low for the first time. In my opinion, they have produced one of the three best festive songs. Their ‘Just Like Christmas’ sits alongside that lesser heard Pogues track and ‘Christmas Song’ by Joy Zipper.

They are quantified in the ‘slowcore’ genre and can be a tad too maudlin for some, but I loved their hushed plaintive harmonies and the exceedingly quiet respectful audience added to my considerable enjoyment of the gig.  

On 09/06/01 we witnessed Rocket from the Crypt who weren’t as sharp as previous stellar performances. We had some significant train trauma on the return journey and didn’t land home until 4.07am.

In March 2002 we saw a woeful band called Vex Red from Aldershot. I just checked their website and am suitably astonished they are still on the circuit. Paul Bruzzese was at a gig downstairs so we left before the end of the set and endeavoured to shoehorn our way into the Tomahawk gig in the venue downstairs without success!