Manchester Venue 156-Peer Hat

In a previous blog I reviewed AATMA, a venue which is literally buried away on an upper floor in a building off Faraday Street behind Stevenson Square in the Northern Quarter. Situated to the ground level and the street side of that very same building is Manchester Peer Hat.  

The pub first appeared into the world in 2017 run by a couple of self-proclaimed unsuccessful musician brothers named Mike and Nick Kenyon. They were both originally in the band Politburo who were likened to Dead Kennedys and played many gigs at the now defunct Roadhouse and Hard Rock Café venues when they were in their pomp. Another co-owner is Dom who also runs the aforementioned AATMA.

Politburo. Image Credit Louder Than War

The hostelry is a bohemian haunt and is a proper throwback to a student style pub back in the day in that it is a welcome and hospitable place and has a fine varied jukebox. The house motto is ‘Omnio sub petasum’, and for those whose Latin is rusty or non-existent like moi, that translates as ‘Everything under the hat’.

Like many low budget places, they really struggled through Covid but thankfully survived that challenging period. They have hosted some unique events, including a HAUNT Manchester ‘Black Christmas’ event and the Manchester Folk Horror Festival in 2018 and 2019. They have also had art exhibitions and in 2018 one included a feature from the Manchester Gothic Arts Group (M:GAG), thankfully not MAGA!

In the middle of the ground floor space, some vertiginous steps take you down to the music venue with a cosy capacity of 120. I do have a fondness for cellar venues and this one is a belter and they also seem to always have good sonic sound down there, all of that resulting in it being worthy of inclusion in my Top 10 Manchester favourite venues.   

The Peer Hat. manchestersfinest.com

They have fairly regular gigs, and they achieved a coup with their first ever event being none other than Thurston Moore, but they had no functioning bar at that stage, so they served him beer out of a bucket of ice! I have attended there six times in total, the majority of these being part of multi venue wristband events such as Dot to Dot or Carefully Planned Festival. On my first visit there as part of the Off the Record Festival in November 2017 I saw a local artist called Billy Bee.

Six months later the band on stage was Jade Assembly, a rock band from Bolton who formed in 2008. They are proud Boltonians and are closely linked to the local football club with songs such as ‘Our Town’ and ‘Burnden Aces’. Their music is still played over the tannoy at Bolton Wanderers matches and they signed their first record deal on the pitch at half time during one of the matches.

The band had a fervent following nicknamed the ‘Jade Army’. After a slew of singles, they released their debut album ‘One Last Time’ in 2023 which coincided with them calling it a day after fifteen years and they appropriately played their last ever two gigs at the local venue, The Ramp in Horwich. 

My next appearance was in November 2018 where we caught an early set from Red Rum Club, who had only formed a couple of years earlier and was also a year before they released their debut album ‘Matador’. They have gradually risen in profile since with their fourth LP ‘Western Approaches’ in 2024 reaching number 8 in the UK charts.

They hail from Bootle in Merseyside and cite their hometown as an influence on their sound with the seafaring, industrial aspect of the area. On the night their El Mariachi style songs were excellent and thoroughly enjoyable, and the thunderous sound combining with a sweaty venue created a communal treat.

Red Rum Club (twice!). Image Credit liverpoolecho.co.uk   

I visited again in May 2019 where I saw Women You Stole, a Manchester band driven by lead singer Hayley Faye. I would class them in the garage rock vein, and they released a fine debut single ‘Shake’ around this time but sadly don’t appear to be still active. They were supported by post-punkers Document who named themselves after the stellar REM album of that name.  

A couple of months later was my only visit there to see a standalone gig. The band on show was my one time thus far watching the excellent Helicon. The band derive from Jesus and Mary Chain East Kilbride territory and were initially formed by brothers John-Paul and Gary Hughes. Their self-titled album was recorded in 2017 at Mogwai’s Castle of Doom Studio on Glasgow and their 2023 album ‘God Intentions’ won the prize of ‘Psych Lovers’ Album of the Year’.  They were superb and the intimate venue played to their strengths.

My most recent visit in April 2022 was to see Priceless Bodies who are now a Manchester based lo-fi duo made up of twin sisters Viv & Bianca Pencz. Their name was drawn from a line by 19th century French poet Rimbaud and their musical influences derived from being disgruntled teens in Vancouver, Canada which was known locally at the time as ‘No Fun City’!

Manchester Venue 107 – AATMA

One of the continuing delights of Manchester is the proliferation of different and unique venues that continue to spring up on the gig circuit. One such venue is Manchester AATMA, which when I first visited it was known under its previous moniker as Kraak Gallery. It is literally buried deep in the back streets of the Northern Quarter and was once a derelict former textile mill. It is arguably comparable to Islington Mill with its commendable DIY ethic and industrial vibe and is a multipurpose event space with a 150 capacity.  

I first became aware of its existence in 2012 and I have visited eleven times in total. The first challenge I faced was finding the venue, it is located at 14-16 Faraday Street off Stephenson Square and is accessed via an unmarked door in an alley off an alley! You then climb up to the first floor to find the venue and as you enter you find the stage to the right and a pop-up bar down to the left with a battered old sofa providing the sparse seating area.

AATMA entrance. Image Credit youtube.com

The act that night was the Jacuzzi Boys who are an excellent three-piece garage/surf rock band from Miami. Their debut album in 2009, ‘No Seasons’ caught the attention of none other than Iggy Pop who invited them to be opening slot on his tour. They have been quiet for a few years but have just released a new EP.

My next visit was in December of the same year when there was a punky bill taking place that we on the hoof decided to dive in to watch the noisy Canadian opening band called Sounds of the Swarm. Due to the warehouse setting the room was icy cold and the can of Boddingtons Bitter purchased nearly moulded itself into my hand!

The old sofa! Image Credit headbox.com

We then headed to our scheduled gig at Academy 3 to watch God is an Astronaut before returning to Kraak to see the headliners Victories at Sea who provided a sonic outro to complete an aural assault of an evening.  My only one regret with the venue is that I was unable to attend when the Nottingham noiseniks Cult of Dom Keller played as I had thoroughly enjoyed them when I had unexpectedly caught them in Brussels when visiting the Belgian city.

Many of my visits here have been part of the numerous Northern Quarter multi venue festivals.  On one such visit in 2014 I saw the Leeds post-hardcore trio Unwave. I then witnessed Tacetmusic there and the following year caught a singer songwriter called Sarah Walk from Chicago who was a former graduate of the Berklee College of Art.

Victories at Sea. Image Credit withguitars.com

In 2016 I saw some doomy hardcore from Berlin band Rope. A year later a caught a London three piece called False Heads, who had just released their debut EP. They were discovered and subsequently mentored by the former Ramones manager Danny Fields who has form in spotting a good un! Support slots followed with The Libertines and Queens of the Stone Age before releasing their debut album in 2020.  

In 2018 I witnessed the punky sounds of the Nectars who thoroughly embraced the sound from their home city of New York. Later that year I saw an enjoyable set from the all-female three-piece Peaness from Chester who had originally met at the University in the town. Next up was a lo-fi soul singer from Manchester called Darcie. My latest attendance last year resulted in seeing a band called Hup and a Latin tinged artist with the memorable moniker of Carlos Loverboy.