Tag: Manchester Albert Schloss

2023 Gigs – Part 2

This week I will complete the tale of gigs in 2023. In April I returned to the comforting environs of the Sounds from the Other City festival in Salford. In the Manchester Islington Mill Club I saw a local punky trio called Ether Mech. We then headed onto Manchester Pint Pot (downstairs) where I encountered Is33n (pronounced i-seen), an artist who has been supported by the Brighter Sound musical enterprise. Also, I saw Caitlin LM who doubles as an artist and music producer, and she had a chilled electronic vibe.

Up the steps I traversed into Manchester Pint Pot (upstairs) where I witnessed Spencer Cullum, a folk musician originally from Romford who relocated to Nashville to learn the ways of the ‘steel pedal’, to me one of the most distinctive sounding instruments in the world of music. Also playing up there was the Brown Brogues, a noisy two-piece garage rock band from Manchester, their sound somewhat reminiscent of the Kills.    

Brown Brogues. Image Credit heymanchester.com

We then pottered on to Manchester Five Four Studios 2 to see DEK (full name Dream English Kid) who had an electronic shoegaze sound with the shimmering vocals provided by Hannah Cobb, and they have had support slots with KVB and Whitelands. I also just discovered rather excitingly that they derive from my hometown of ‘Proud’ Preston. Next door in Manchester Five Four Studios 1 I saw the composer and producer plus44kaligula.

Now, one of the inherent requirements if you are playing one of these festivals is not to be tardy when your time slot is due as the gaps between bands are sharp and the set windows are short. As we entered Manchester St Phillips Church a band called Max Fulcrum and the Win were doing the exact opposite of this requirement with a staggering amount of ‘faffing about’! The driving force of the large ensemble is Dominic Rose, previously front man of Fake Turins.

St Phillips Church. Image Credit manchestereveningnews.co.uk

There was I thinking they may produce a sonic racket in the mould of Polyphonic Spree or Arcade Fire, though when they finally started up, I was crushingly disappointed as they were a very limp proposition resulting in me heading for the exit whilst muttering darkly under my breath about time wasters!  The final gig that day took place at the hub of Manchester Bexley Square where an acoustic guitarist called Kid Katharsis took to the stage.

There were a couple of low level gigs featuring local artists at Manchester Albert Schloss and we also caught a singer/songwriter called Will Doolan whilst on a night out in Manchester Head of Steam in Didsbury Village. Additionally, I had a couple of bonus gigs at Manchester Thirsty Scholar whilst waiting for the train after attending other shows in the city.

On a steaming hot July Sunday, we headed to Manchester Castle for a novel late afternoon gig. In advance, we grabbed some late lunch at the nearby Blue Eyed Panda Chinese restaurant in Ancoats. Whilst there I was checking on periodically on score flashes on Carlos Alcaraz’s dramatic win in the Wimbledon final taking place that day. The venue was busy and as a result it was ridiculously hot in there.

The support was a band called Supermilk who were originally in 2017 a solo project of Jake Popyura before moving into a full band formation from 2022. They were very enjoyable and engaging in a live setting. However, I have just picked up the very sad news that earliest this year Jake announced that he has a rare and terminal neurogenerative disorder.    

Supermilk. Image Credit cloutcloutclout.com

The headline act was Fortitude Valley who we had seen for the first time a year earlier, though I didn’t personally enjoy their performance as much on this occasion as I did at that thrilling first sighting.  

In September, Gill and I traversed over to the fair city of Lancaster with Marcus and Tris. Our destination was Lancaster Library for an afternoon show to witness Erland Cooper who was previously in The Magnetic North and Erland and the Carnival. He is a multi-instrumentalist producer from Orkney and incorporates a lot of nature aspects in his tunes. He gathered some publicity when he deleted all digital files and buried the only existing copy of his first album on the island and provided some treasure hunt clues which resulted in two chaps discovering them 18 months later.

He provided some lovely music but at times it was veering rather closely to being pretentious and self-indulgent. The support was a cellist from London called Midori Jaeger. Prior to the show we caught something more primal across the road in Lancaster John O Gaunt with music from Grunge God and Sheena.

We returned that way a month later for the Lancaster festival and visited Lancaster Jailor’s Barrel which is near the train station. It was previously known as the Robert Gillow but changed its name during the pandemic when they discovered that he was linked to the slave trade. On stage was a local acoustic guitarist called Keith Mitchell. Later that day I visited Lancaster Tap House where I saw Keith Riddle.

Manchester Venues 86 to 87 Albert Hall – Part 1

One of the more recent additions to the venues in the city is Manchester Albert Hall, however it does have a significantly long back story. The site on Peter Street was originally the New Jerusalem Church during the 18th and 19th centuries before the Albert Hall we now recognise was designed as the Manchester and Salford Wesleyan Mission in 1910.

It is a huge building cut across four floors and one of its early functions was to stage ‘Peoples Concerts’ so was an early forerunner as a music venue! It was also a forum for people rallies and Winston Churchill famously delivered an oratory there in 1950.

The top two floors remained unused from 1969 before the Trof group, who own various pubs and venues in the area, bought the site in 2012. They commenced the restorative work of the highly ornate building and first began to stage concerts in 2013 with the official opening the following year.   

The music space on the upper floors has a Gormenghast Gothic vibe with coloured glass rooflights, and they thankfully decided to retain the original organ. The capacity is 2000 with a large standing area downstairs and a seated viewing area on the floor above.

The ground floor space was originally a car showroom before morphing into Brannigans nightclub in the 90’s replete with the uniquely coloured tile dancefloor. Following the Trof purchase it became a Bavarian style beerhaus called Manchester Albert Schloss with its own separate entrance from Peter Street.

Brannigans nightclub. Image Credit blogspot.com

The word schloss translates as ‘a castle, palace or manor house, built as a retreat for recreation, indulgence, pleasure and debauchery’ which sounds like an intriguing place to visit! The Albert element derives back to Queen Victoria who when grieving her husband named many buildings across the country in his honour. The Manchester branch opened in 2015 and has since been followed by the introduction of other sister venues in Birmingham and Liverpool.

It is a large vibrant pub with decent food and a plethora of continental lagers to wash it down with. The renowned food critic Jay Rayner has been a keen advocate of the venue, so much so he returned with his jazz band to play a set on the small stage. My one gig there was to see the Albert Schloss house band play in 2018.

Returning to the main Albert Hall, I have attended 18 gigs there which puts it in eighth place on my most visited venue list, which shows the metronomic regularity of my appearances as the venue has only just celebrated its tenth anniversary.  

Manchester Albert Hall. Image Credit blogspot.com

My first attendance was shortly after the hall opened in 2013 when somewhat unsurprisingly, I went to see Mogwai. However, it was not a standard Mogwai performance as they were undertaking a tour to premiere their soundtrack of the Zidane movie. The film utilised many camera angles to cover the whole 90-minute performance of the French footballer Zinedine Zidane and the band provided segments of background sound in between the quieter moments where the only noise that can be heard is emanating from the crowd in attendance at the match.

Even if you are not a football fan, it is an engrossing watch and more reminiscent of an art movie, after the film had finished, they played a few further tunes. For the one and only time I was in the upper seats, and it was an extremely hot day so were melting in the auditorium. I recall chatting to John Robb afterwards about the upcoming PNE v Blackpool match and Uncle George and I being interviewed by a student magazine about the event we had just witnessed.

Mogwai on Albert Hall stage on Zidane tour. Image Credit pinterest.com

Mogwai must have taken a liking to the venue as they returned for two shows (over three nights) in 2018 which I attended, the first one as a solo outing and only by virtue of obtaining a spare ticket the day before the event. They undertook another double header in February this year over consecutive nights, Gill finally managing to catch them on the first night. The second show on the Friday where they played ‘Mogwai Fear Satan’ for the first time on the tour, was sold out and extraordinarily busy.