Manchester Venues 199 to 200

In the year 2000 (could be a song lyric there!) a bar opened on New Wakefield Street adjacent to Manchester Oxford Road train station. It was called the Font Bar, and the split-level site was a no frills establishment and became eternally popular with the University students due its cheap drinks. 

Font Bar. Image Credit manchesterbynight.com

For around a decade from 2004 the area was the location for an annual festival called Eurocultured where three local streets were closed and there were over two hundred artists playing over three stages, one being positioned under the arches near to the Gorilla venue, and the residual artwork from that festival remains on the walls today. The festival was initially founded because of that year’s enlargement of the European Union, though those events sound like they from another era considering what has happened since!  

They utilised other nearby bars and venues including Revolution, the Blackdog Ballroom and the much missed Sound Control and it was an event I had never heard of until researching it for this very article. The ethos of the gathering was to embrace and celebrate the European cultural heritage and created eclectic rosters and a sample of this from 2013 included three French electronic music composers who collaborated to form a gypsy jazz trio called Caravan Palace.  

There was also Swordfishtrombones from the Czech Republic, dub step from The Correspondents, Irish dance from the Japanese Popstars and some Ukranian folk dancing with the Orlyk Dance Ensemble to jig along to whilst becoming suitably merry if you imbibed the Swedish cider Rekordelig. Additionally, there was Datarock, labelled as the Norwegian version of ‘Happy Mondays’, who were known for wearing red jumpsuits, though for an unknown reason in 2018 their sartorial choice shifted to all-black versions!  The performers on the acoustic stage were covered live on the then local TV Channel M.

Datarock during their ‘Red’ phase. Image Credit lifeinnorway.net

The Font Bar survived the covid period and even added outdoor seating for the first time prior to the bar closing unexpectedly in January 2023. Their Fallowfield outlet had previously shut in 2018, but their Chorlton branch remains. It was not a bar I visited regularly but had sporadic forays with my last being in September 2022 when Paul, Marcus and I imbibed far too much after a Ducks Ltd show at the nearby Yes venue.  

After a fallow eighteen months, Mother Marys took over the reins and opened in June 2024 with the new venture headed up by nightlife gurus Joseph Finegan, Greg Dwyer and Chris Sharp. The first named had hosted many events at the nearby Gorilla and the Deaf Institute venues and the latter named brought with him the pedigree of also owning the renowned music venue The Fleece in Bristol. They devised a weekly event schedule of an open stage on a Monday, stand-up comedians and regular live bands and DJs across the two gig spaces on other nights.  

They invested in a bespoke KV2 sound system and a state of the art lighting system.  Food was also served with all-day breakfasts and in a homage to the previous history of the building a £2 cocktail called ‘The Font’ was also available. It then suddenly closed in November 2025 due to financial pressures, which was hugely unfortunate as they had at that stage been listed as a shortlisted nominee in the This Is Manchester Awards.

As you enter the bar, Manchester Mother Marys Upstairs Stage was directly facing you in an alcove above the stairwell. I first visited in August 2024 and saw a local singer called Damon playing there.  My next attendance was on 07/12/24 as part of the Year End Festival, where this was being utilised as the base and the ticket collection point.

Mother Marys. Image Credit secretmanchester.com

When I was collecting my wristband there was a local chap called Elijah Jenkins playing. Elijah is a soul singer who initially had a solo support slot with Reverend and the Makers before evolving into a four-piece band. I then headed out in the monsoon conditions to meet Paul in another venue before later returning to base camp. On the second pass we saw Patrick Saint James, a Derry born now Manchester based performer who has been on the support roster for Kate Nash.

When I first moved over to Manchester nine years ago, I was at that stage positioned on a total of 76 venues in the city, and I very quickly achieved my century. The new sites then kept being ticked off enabling me to record Manchester Mother Marys Downstairs Stage as my 200th different Manchester venue. The band to commemorate this milestone was a Rochdale female led combo called Foxglove who provided some soothing dream pop.     

Manchester Venues 18 to 22

Following on from the Festival blog last week I am going to concentrate on some Dot to Dot festival venues on and around Oldham Street in the Northern Quarter that I visited at the event which took place on 28/05/16.  

COW is a two-floor vintage clothes shop on the same block of Piccadilly Records and is an archetypal shop for this area of town. From a very unusual vantage point of standing behind a clothes rack we witnessed a young Manchester acoustic artist called Miranda Amess who had a decent voice with a smidgeon of a KT Tunstall vibe about her.  It was also my 250th different venue.

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Cow clothes shop. Image Credit WordPress.com

The Black Dog Ballroom is a downstairs New York style bar situated underneath Affleck’s Palace on the corner of Tib and Church Street. I had only previously been in for a drink and a burger once before prior to another gig. The venue was behind a further door off the main room and had a little bar and stage within. We saw Love for Zero, an electro synth band from Manchester who were in the Editors mould.  

Traversing from the basement to the top floor of Affleck’s you find the Black Milk Dessert Café. The local band on stage were Bright Young People and they had a nice scuzzy Stooges crunch about them. Their debut single was produced by Ian McCulloch of Echo and the Bunnymen.  

Their performance exemplified the uniqueness of the chosen venue as the American style diner on the third floor with windows overlooking Oldham Street was in great contrast to the sturdy guitar led sound on stage.

The unassuming orange signed Koffee Pot is located at the Swan Street end of Oldham Street. It is very near the Crown and Kettle pub which unfortunately ever appeared only on a festival roster for one day when I couldn’t attend as I was ensconced at Uncle George’s 60th hootenanny, and as a result my friends Jez Catlow and Moggy have beaten me to the punch there.

We saw a three-piece garage rock band called the Slovaks and they were good value.

The Koffee Pot. Image Credit northernnoise.co.uk

I recently read that the Koffee Pot was collaborating with the reborn Deaf Institute by providing the food for the ground floor restaurant space.    

Just off Oldham St lies the 57 Thomas Street Beer House. It is one of several pubs linked to the local Marble Brewery who also have their original flagship Marble Arch pub nearby. They had some devilishly strong ales on display in the ground floor bar and the venue was situated upstairs.

The band Psyblings were a terrific five-piece psych rock combo from Warrington who had met at Manchester University. Unfortunately, we only had time for a couple of tracks, but I made a mental note of their capability and as a result ensured we caught their full set at another event the following year.  

I caught another local band called Easter at the venue later that year.  

The bar has very recently been taken over by Fierce Beer, an award-winning craft beer brewery based in Aberdeen, enabling them to open their first bar North of the border.