Manchester Venue 129 – Cathedral

In 1215, Manchester Cathedral was built in the centre of the city with additions to the original design being built at periodic intervals over the next three centuries. It survived damage in the Civil War, the IRA bombing in 1996 and the Second World War, the latter causing extensive destruction that required a further 20 years to restore. Following the Arena bombing in May 2017 the Glade of Light memorial was built outside to commemorate the victims. The church is currently one of the fifteen Grade I listed buildings in Manchester and is situated behind the famous Sinclair’s Oyster Bar.

Manchester Cathedral. Image Credit hoteles.com

In the last 15 years the Cathedral has branched out and begun to showcase live music. My first attendance there was in 2012 where I encountered my pal Rick Clegg and his daughter Charlotte on the train over as they were heading on to an alternate Vaccines gig at Manchester Ritz. We parlayed in the pub over a couple of scoops and then headed separate ways.

A couple of years earlier I had attended my debut ecclesiastical event at St Phillips Church in Salford when watching Wooden Shjips. This was a similar set up with slightly more challenges in regard to viewing the stage due to the proliferation of pillars.

The band performing was Dirty Three, an Australian instrumental rock band I had seen once previously 12 years earlier. Their first ever gig took place on ANZAC Day on 25th April 1992 where Warren Ellis utilised a guitar pick up to his violin which created their trademark feedback driven sound which is a sight to behold when they are in their full flow of 10 minute opuses.

Dirty Three. Image Credit fromthearchives.com

Warren was born in Ballarat, Victoria, coincidentally a town Gill and I stayed in when we visited Australia, and he has also been a dual member of Nick Cave and the Bad Seeds since 1994.  They are a terrific and thunderous live act, and on the night, the journalist/musician John Robb was also in attendance, with whom I had a decent chat.  

The second and currently latest visit was as part of the Manchester Dot to Dot festival in 2016. As ever, my gig ‘addiction’ resulted in a co-ordinated effort to attend all of the twenty geographically disparate city centre venues during the day, which was a logistical challenge.

Never one who has been able to embrace Gordon Gekko’s ethos of ‘lunch is for wimps’; a food stop was taken at the excellent chippy that used to be located at the city end of Oldham Street. This was immediately prior to heading over to the Cathedral, which for the record was number eleven on the venue hit list. The fish and chips were still being munched as I stood outside, and I could hear the band ending their set.

My instant thoughts were that I had made a major tactical error, and this would forever be classed as a ‘missed gig’, but I wandered in any way to pray for a miracle! Due to the nature of the event, there was very strict time periods allocated to each set, but remarkably in this case the gig gods were smiled benignly on me as the band returned to the stage for an unprecedented encore of one additional song.

The act on stage was Sundara Karma, who are an indie band from Reading. I had caught them very early in their career as they had only formed the previous year and were just at that stage leaving secondary school and it was five years prior to releasing their debut album ‘Youth is Only Ever Fun in Retrospect’. They were obviously acquiring some hype as they incited a very enthusiastic crowd reaction. With the near miss thus averted I progressed on to achieve the full twenty venues, ending the gig quest in Manchester Texture in the Northern Quarter.  

Sundara Karma. Image Credit schonmagazine.com

Gill and I had tickets for one other event there which was to see Low in April 2022 however we ended up being double booked so therefore could not attend. This was seven months before Mimi Parker’s tragic untimely death leaving me with memories of previous great Low shows I had been fortunate to witness, particularly at Manchester Hop and Grape and Lancaster Library.

Manchester Venue 123 to 125

Manchester St Ann’s Square near Deansgate in the city centre has a long history dating back to 1708. When the Act of Parliament that granted the initial build of St Ann’s Church was approved there was an additional stipulation that a 30-yard space should be retained for the fair which had toll entry gates and was a primary place to hire servants. The fair area then became the square and was named after the monarch of the time.

The adjoining conservation space was home to the Cotton Exchange which morphed into the current Royal Exchange in 1874, at that stage containing the largest trading floor in the country. The building is now utilised as a thriving theatre.  

St Ann’s Square with Royal Exchange Theatre. Image Credit Manchester Evening News.

On one corner of the square is the back entrance to one of Manchester grandest pubs Mr Thomas’s Chop House which was opened in 1867 by its founder Thomas Stubbs. It is a Grade II listed building and has many of the original features. The main entrance is on Cross Street directly opposite one of my favourite Chinese restaurants in town, the Rice Bowl.

Nearby is the legendary basement bar Corbieres initially opened by ex-Manchester City footballer Mike Doyle in 1978. It has always had the reputation of having a fine content on the jukebox and I always liked the tale of punters in there backing the winner of the 1983 Grand National on a horse called Corbiere and spending the winnings on ale in the bar for the rest of the day!

St Ann’s Square is one of the many sites utilised for the Christmas markets but is also the hub for other festivals. One such event was the annual Jazz festival which was based there in May 2019.  Coinciding with the day of this event, John Dewhurst and I were burning shoe leather across the length and breadth of the city in attendance at the sorely missed Dot to Dot festival.

Corbieres Bar. Image Credit manchestersfinest.com

As we passed through the square a band called Heavy Leno were on stage and as there was link up that year with the Manchester Food and Drink festival, we took the opportunity to grab a seat for a beer and a pizza stop. This was in addition to other 20 venues we visited that day! Earlier this year in March the Irish festival tent run by the O’Sheas bar was located there and I witnessed a band called The Cullodens play.

The aforementioned Manchester St Anns Church was only the third church to be consecrated in the city. The church narrowly escaped damage from a Luftwaffe raid during World War 2 and apparently still has a burnt-out incendiary bomb which landed on the roof.

It contains within an organ that dates to 1730 which has expanded over the years and now contains 54 speaking stops. The church has for a long time been linked up with the Royal Northern College of Music (RNCM), and students perform recitals there. I happened to be passing one afternoon in June last year and I could hear tuneage so snuck in and I caught a portion of one such RNCM Organ recital.   

St Ann’s Church. Image Credit Geograph Britain and Ireland.

The adjacent street to the church is Manchester King Street which for many years has been one of the main shopping streets in the city and was the first city centre street to be fully given over to pedestrian use in 1976. On my birthday in 2019 we have been for a meal and discovered there was a pop-up stage in place on King St, the reason for which I cannot recall. Performing on the said stage was a local singer songwriter called Dee Olares.