Tag: Manchester Gorilla

Manchester Venue 191 Gorilla – Part 1

On Whitworth St, directly opposite Manchester Ritz and within a literal stumbling distance from Manchester Oxford Road rail station you will find Manchester Gorilla. The venue is uniquely situated under a railway arch and was previously the arts, theatre and comedy site The Green Room back in the 1980’s. On the comedic front Alan Carr, Steve Coogan and Caroline Aherne graced that stage and James and Doves played early gigs there.

When that business closed the Trof Group took over the running and Gorilla initially opened its doors in 2012. Its future looked extremely perilous during the pandemic, but thankfully a new owner was sourced and that saved the day, and it is now linked to its sister site of Deaf Institute nearby on Oxford Road.

Gorilla. Image Credit discover.ticketmaster.co.uk

There is a tidy little bar at the front of the venue but there is no access from there to the gig space, apart from sometimes being directed by ‘Rock Steady’ to exit gigs through this bar area. The actual entrance is around the corner under the tunnel, and a few stairs brings you into the main room with a 550 capacity. 

It is a well laid out space with a merchandise stall to the left and the extendable/removable stage at the bottom of the room. However, like many other locations it can be arguably too busy when at full capacity, presenting logistical challenges when trying to access the two bars and even move around!  It also has a raised platform at the back of the hall with a smattering of elevated seats.

It generally provides good sound and local lad Johnny Marr talks very warmly about the venue and has actively encouraged his peers to include a touring date there. They have regular club nights with promoters such as Guilty Pleasures and Now Wave.

I have attended eighteen gigs there over the years with my first show being British Sea Power in April 2013. I have now seen them six times in total, and this was my second sighting 11 years after I discovered their unique stagecraft at the Leeds Festival in 2002. I recall them being introduced on stage by 6 music DJ Marc Riley.

Near to the culmination of the set, I nipped to the loos which are positioned behind the stage and encountered a chap dressing up into an eight-foot polar bear outfit. Before you ask, nobody had put anything suspicious in my beer, it was actually a tradition the band had at the stage of their career where a couple of bears would parade around the mosh pit during the encore!   

The bears and the band in action. Image Credit NME.

A month later, I returned as the venue was part of the roster for the sorely missed multi venue Dot to Dot festival. On that particular day I saw the aforementioned Marc Riley faves Teleman. The original germination of the band was the three members Pete Cateermoul and the Sanders brothers, Johnny and Thomas who were part of Pete and the Pirates. After they disbanded, they were joined by drummer Hiro Ama and became Teleman in 2011. I have always thought they have an intriguing sound, and they lived up to that in a live setting.

Also performing were the Wildflowers who were formed in 2012 and based in Brighton and Bristol. The driving force is main songwriter Siddy Bennett and her sister Kit who had an interesting bohemian upbringing via living on boats, caravans or in protest camps. They have a country punk sound and were coined in the early days as ‘Punk Dolly Parton’s’. Their breaking moment was a set they played at South by Southwest festival in Austin Texas that inspired Detroit label Original 1265 Records to sign them up. I could hear diverse elements in their sound ranging from Mamas and Papas to White Stripes.  

Next up was the old troubadours Nada Surf where the gig was completely sold out and they were touring their latest album ‘You Know Who You Are’ and were in as fine form as ever as they have now amassed a quality back catalogue. 

In August 2014 Gill and I headed over to watch Joan As Policewoman, whose stage name was a homage to the 1970’s television cop show called Police Woman starring Angie Dickinson. Her actual name is Joan Wasser who was adopted at a young age and was musically precocious as she had piano lessons at the age of six and violin tutelage at the age of eight. She started her professional musical career in the Boston University Symphony Orchestra.

Joan as Policewoman. Image Credit blogspot.com

Then to paraphrase Neil Young around the time of his commercial peak of recording ‘Harvest’, who was quoted as saying ‘It put me in the middle of the road, travelling there soon became a bore so I headed for the ditch. A rougher ride but I saw more interesting people there’. Joan adopted this ethos literally as she was jaded by the classical structure so did a full U-turn and morphed into being a member of various punk bands.

She suffered personal heartache in May 1997 when her fiancé of three years Jeff Buckley accidentally drowned in Memphis. At the time we saw her, she had just released her fourth solo album ‘The Classic’ but surrounded herself with a touring band for the live dates.

In March 2016 I saw Pelican for the second time after their staggeringly loud show a few years before at the Ruby Lounge venue across town. They are classed in the post-metal genre; there is literally a label for everything! They are entirely instrumental and produce long slabs of glorious brutal noise and three of their members are also part of the band Tusk. The show wasn’t as intense as the previous one, but still very good. 

Manchester Venues 166 to 167

Directly outside the Manchester Oxford Road station in an old coffee shop and cycle hub they have now opened the Oxford Road Tap which completes the trilogy of tap bars at Manchester stations alongside the already existing Victoria and Piccadilly Tap. I have had one visit thus far to this small tidy craft beer spot where it has a large repurposed National Rail sign and also a live timetable, so you know exactly how much time you have to drain your pint!

Oxford Road Tap. Image Credit uk.news.yahoo.com

Opposite the train station access road and the Palace Theatre you will find the Grade II listed Principal Manchester building, though it is more widely known as the Refuge Assurance building. The Refuge company was founded in 1858 and moved to its Oxford Road location in 1890.

After purchasing the site, they worked with the renowned Victorian architect Alfred Waterhouse in designing their new head office, whose previous work included London’s Natural History Museum. The grand ornate high ceiling interior was built in 1895. There were further extensions in 1905 and 1912, the latter incorporating the impressive 220ft baroque clock tower which formed the new main entrance, with clock quarters stylised with a Manchester bee, which is now synonymous with many other contemporary artefacts in the city. The latest incarnation accommodated up to 1900 clerks.

During the Second World War they constructed two air raid shelters in the basement but thankfully avoided any direct hits. The Refuge company relocated to Wilmslow in 1987, the building then becoming Charterhouse Hotel and in 1996 it was renamed as the Palace Hotel. It changed hands again in 2016 with the Manchester Refuge Bar taking over one half of the building.

Refuge Bar. Image Credit we-heart.com

There are many separate spaces in this vast space, and these include the public bar that you encounter immediately upon entry. Behind there is the Dining Room where we have visited once for a very decent Sunday lunch, it is exceedingly popular, and we had to book a couple of months in advance. Next to there is the Winter Garden area and there is additionally the Den and a Private Dining Room which can both be booked with capacities of 80 and 10 respectively.  

I had walked past this building for many years on the way to the station, but it was around 2018, a couple of years after opening, before I finally made a visit to the bar. It is also handy as an alternate though tad expensive venue to contrast the nearby fine grungy pubs and has been utilised prior to late trains and for post Ritz and Gorilla gig drinks.

They have regular DJ’s on there but in April 2024, the day we sampled our Sunday fodder, I was delighted to find that my ‘bonus gig’ banner was flashing as there was a jazz band playing in the main bar.

The aforementioned attached Manchester Principal Hotel (now renamed post-covid as the Kimpton Clocktower Hotel) was subject to an extensive £25m refurbishment in 2016 which resulted in the creation of the largest hotel ballroom in the whole of the Northwest of England. The hotel is alleged to be haunted by a grieving war widow who committed suicide by throwing herself down the staircase from the top floor and this area was only accessible to the menfolk at that time! Room 261 is also to be avoided with reports of the sounds of children playing in the hours of darkness.  

The annual Manchester Literature festival has been in place since 2006 and was built on the legacy of its forerunner the Manchester Poetry festival. It is a two-week multi venue event that occurs every October and also provides a year-round Creative Learning programme which supports the next generation of readers and writers.

Principal Hotel. Image Credit Country and Town House Magazine

One of the selected venues for the 2018 event was the Principal Hotel. Marcus had a spare ticket for an audience with the Wedding Present lead singer Dave Gedge and this took place in one of the numerous function rooms on a Sunday afternoon.

As we exited the lift I ran into Jo Davies (nee Brewer) who was one of the large crew that I used to attend the Raiders/Warehouse indie nightclub with in the early 1990’s. I was a regular there between 1985 and my last attendance on John Dewhurst’s stag do in 2005. I know the next generation of sons and daughters now attend, though I did hear last week from one of those old timers on a recent attendance that one of the DJ’s was playing Taylor Swift, by heck that would never have happened in my day!

Dave was there to talk about a book he had recently penned with the interviewer Richard Houghton called ‘All The Songs Sound The Same’. The theme of the tome was to present 300 Wedding Present stories from fans, friends and band members including one from our current PM Sir Keir Starmer. He then followed the chat by playing acoustic versions of four of the band’s finest tunes.