Manchester Venues 140 to 141

If you head out the back exit of Piccadilly station you drop initially to the metro level and then the escalator gravitates down again to Fairfield Street at ground level and the accompanying taxi rank. Just beyond the cabs is a lift that takes you up to Platform 12 and then onto the next level and into the waiting area outside Platform 13 and 14. For more unscrupulous punters it could be used as a ticket barrier avoidance route!

Piccadilly Station with the lift in the right of picture. Image Credit showmethejourney.com

There are a plethora of breweries near the station ensconced in back streets and railway sidings. If you walk down Baring Street, you reach the hidden oasis of Mayfield Park, the 6.5 acre environmental green space encompassing the River Medlock which is the city’s first green space for over 100 years. To illustrate the industrial heritage of the area, thirteen Victorian wells were discovered in the construction and three were identified as still functional thus were then utilised to provide 20 cubic metres of water each to maintain the vegetation.  

Heading back from the park you would find yourself at Mayfield Depot which contains Escape to Freight Island with all their food and drink stalls and is also the location for conferences and fashion shows alongside the immensely popular Warehouse Project dance events. When waiting for later trains home on the overhead vantage point of Platform 14 I have regularly borne witness to the most extraordinary queues of customers awaiting access.  

Mayfield Park. Image Credit placenorthwest.co.uk

There was previously a venue alongside the Depot called the Fairfield Social Club on the wonderfully named Temperance Street where I once had tickets for a gig but unfortunately, they upgraded the show to another venue, and I never managed to attend there prior to its subsequent closure. It does now appear they have reopened Fairfield but in a different location over in Ancoats, near the Blackjack brewery, and they hold regular comedy nights there.   

Back on Fairfield St, you find one of Manchester’s most distinctive institutions, namely Manchester Star and Garter, the name of the establishment derives from the insignia pertaining to the Order of the Garter. It was originally built in 1803 outside the train station which had several monikers, including London Road prior to the current Piccadilly name. The build of the rail link to Oxford Road station in 1849 necessitated a brick by brick 100-yard movement of the venue, with its subsequent reopening in 1877.

Its initial incarnation was as a hotel containing an in house brewery. In 1986, the closure of the adjacent Mayfield station caused a chain reaction of the hotel also ceasing trading, and the area morphed into a brief ‘Dirty Old Town’ period. The building gained Grade II listed status in 1988 and reopened in 1991 as a live music site with its current pub and upstairs club lay out and has thrived despite its unusual location. It currently has a large Ian Curtis mural on one of its side walls.

It was threatened with closure again in the last couple of decades with the potential Northern hub expansion of the railway station. Their future however was solidified in 2020 with a ten year lease being purchased under the auspices of Mayfield Partnership.

It has been used as a location for many TV series including Band of Gold, Cracker, Prime Suspect and most extensively the recent Russell T Davies scripted landmark drama ‘It’s A Sin’. The venue is renowned for indie nights, Smile running for 20 years from 1993 to 2013 and the famous Smiths night which has been running for an even longer period than that.

The Star and Garter. Image Credit NME

It has hosted many diverse groups including Anti-Nazi league meetings, the 30-strong WBA supporters club of Manchester, Vampire Society and a comic night called Anti-Hoot which included the semi-legendary Bolton poet Hovis Presley!  It has mainly a rock/metal roster and was once coined as the ‘Temple of Doom’. Bands that have played there including Half Man Half Biscuit, Discharge, Frank Carter and the Rattlesnakes, Low and remarkably Status Quo in 1999.

For many years I intended to visit but without success, until finally a gig was located, and a sabbatical trip was arranged in March 2015. It does look a little like a haunted house from the outside, evoking comparisons to the Buffy the Vampire Slayer ‘Fear Itself’ episode, but that was instantly dispelled by the warm welcome in the downstairs bar!  We then sallied up to the 200 capacity venue room and the first act on stage was You Want Fox, a noisy female two-piece from Nottingham.

The headline act was the East Town Pirates who travelled in from Ipswich to air their stompy sea shanties and have been referenced as sounding like ‘Motorhead meets the Pogues’. I returned once more in 2022 to see a band called the Reverbs.

In December 2021, local legend Tim Burgess put on a record fair themed event which had a novel set taking place on a Sunday lunchtime at the Manchester Piccadilly Station Mezzanine. The first challenge was actually finding this location and it transpired to be in the aforementioned metro entry level. By the time we found the spot, we only caught the last three tracks of an acoustic set from Starsailor’s James Walsh, who had an appropriate fine busker’s voice which matched the setting!  

Manchester Venue 59 Sound Control – Part 2

An early blog posting for you this week.

The Sound Control venue is in the perfect classic mould of being located within bumbling distance of the nearest train station. Others to fit these criteria locally are the Star and Garter (Piccadilly), Rebellion Bar (Deansgate), MEN Arena (Victoria) and Kings Arms (Salford Central).

So, much like Esha Ness’s ‘win’ in the Grand National and therefore discounting the ‘gig that never was’ outlined in the blog last week, I have attended the Sound Control Music Room a grand total of seven times.  

My first attendance was on a warm sunny June evening in 2011. On the journey over the train was extremely busy with gig goers and the reason for this significant commuter increase was that the reformed Take That were on a run of comeback dates over at the Etihad Stadium.

Our band of choice that night was the shoegaze gurus Pains of Being Pure at Heart. Now I saw this band five times in total during their career and a couple of those gigs stood out, an initial gobsmackingly fine performance in Chorlton which sat alongside this appearance as an absolute belter.

The reason that this duo of gigs succeeded was that the guitars were ramped up to 10 capturing the intended beautiful sonic fuzz that their sound clearly deserved. The set was in a good way still leaning very heavily on their astonishingly good eponymous debut record, which in my view is all killer no filler. They were supported by a local band called Raffles.  Uncle George had to scoot off prior to the end of their set as he was unfortunately on an early shift the next day, but we stayed for the duration before trekking up and catching the last train from Piccadilly.

Four months later, I saw the Canadian hardcore punks F##&£d Up who with their effervescent lead singer Pink Eyes and surging guitars certainly pack a punch. They are somewhat of an anachronism as their sound could be quantified in the category of intelligent hardcore music and they even start one album with a cheeky flute before the track morphs into something infinitely noisier!

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Pink Eyes in full flow. Image Credit Dreamstime.

Their big energetic tsunami of sound sucked me into the moshpit but that was curtailed prematurely as I toppled over, and I was proper sore and battered in the morning. Some naysayers may say moshpits should be avoided at the age of 43, but I eschew that point of view and eleven years on I will still partake if the mood takes me! Train constraints again meant we missed the tail end of the performance; a pattern was beginning to develop here at this venue.

Mainly due to the ongoing issues around enforced early departures we decided at our next attendance on 01/12/12 to grab a room for the night at Old Trafford Cricket Club, this being in the days when hotels rooms in Manchester were just about affordable, before they morphed into London prices.

The band in question was the rather terrific Raveonettes, the Danish shoegazing duo who had recently released their excellent sixth album Observator and they played a selection of tracks from said record with ‘Young and Cold’ being the highlight. It was a glacially cold night and after the gig we encountered the busiest ever metro in the whole of Christendom when commuting back to the digs.

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The Raveonettes on stage. Image Credit mxdwn.com

At the 2013 Dot to Dot event, we saw a singer songwriter called Billy Lockett from Northampton, who is a classical pianist. He was in the faux familiarity bracket that I can never warm to, in the mould of Newton Faulkner and Beans on Toast and a certain Ed Sheeran who appears to have made a career out of this genre!