Manchester Venues 108 to 109

In the 1990’s the regular pre-gig haunt when visiting the various branches of Manchester Academy was the Jabez Clegg public house. As that establishment gradually declined and subsequently closed, we then discovered the allure of Manchester Big Hands.

The pub is located at the top end of Oxford Road opposite the Red Chilli Chinese restaurant. It opened its doors in 2001 with the concept of creating a NYC dive bar, the kind of equivalent place where you would have expected the Strokes in their early days to have gathered and discussed the concept of their debut album, over a few cold beers!

It has battered low strung sofas where you can babble nonsense with like-minded punters and suits me down to a T. It does remind me somewhat of a bar version of the Raiders/Warehouse nightclub in Preston.  In more recent years it has the welcome addition of a heated outdoor rooftop space which you reach once you have navigated the cramped steps taking you upstairs.

Big Hands bar. Image Credit reddit.com

Some bands tend to attend there post -performance but in that regard, I have only personally seen Tad Kubler of Hold Steady and the 6 music DJ Marc Reilly. They possess a terrific noisy jukebox that at times has free credits available for communal use, though some younger punters are confused by the sheer concept of a jukebox! It became a tradition for a spell to ensure we had played ‘Hells Bell’s by AC/DC before we departed.   

One particular Sunday we were in residence prior to a Meat Puppets show and remarkably our group of three were the only punters in, the DJ had just finished playing a vinyl record and I asked whether they could switch the jukebox on. They willingly complied and the track I had selected ‘Black Math’ by White Stripes came on at ear shattering volume, which they then respectfully only turned it down by a smidge!

They occasionally have bands playing there, and I have been fortunate to randomly catch a few whilst imbibing a couple of pre-gig scoops. The musical acts squeeze into the slightly raised area at the back of the bar and in keeping with the ethos of the establishment they are normally thunderously loud.

Big Hands bar. Image Credit oxfordroadcorridor.com

The first in 2017 prior to a Helmet gig was a three-piece from Oldham called Hopper Propelled Electric and they produced a noisy sludgy sound reminiscent of early Stooges. In 2019 I saw a local band called Lurker and in 2021 saw an act called World without Frontiers. A few weeks ago, prior to a Therapy? gig I saw a couple of bands called Pray for Mojo and Swamp Kids.

In 2018 the original jukebox was stolen and unfortunately was never recovered. This coincided with the death of the bar owner Scott Alexander from cancer at the tragically young age of 43.  He was close friends with the members of Elbow and is thought to be referenced in their song Some Riot in the line of ‘Tall Gentle Boy’. Scott also owned the sister bar Temple of Convenience down near Oxford Road station.

Temple of Convenience Bar. Image Credit manchestersfinest.com

Now I have spoken previously about the merits of this establishment so will not duplicate that here. However, one tale relates to me and Uncle George being outside the Manchester Temple Of Convenience Bar Entrance and encountering a busker called William who asked us to name a tune and George challenged him with two obscure tunes, (so obscure neither of us to this day can recall the songs!). William without batting an eyelid instantly played vibrant versions of those songs to a rapt audience of two punters. For that very reason alone I have allowed him inclusion onto my gig list.   

Preston Venue 41 New Continental – Part 2

Within the New Continental Arts and Events space the owners purchased a new PA and created a small reception area with its own bar and it doubles as the ticket checking area before entry into the gig room which has a capacity of around 250. The driving force behind the booking of the music acts was a local chap called Rico, and they have held a broad spectrum of events including World and Jazz bands and cinema showings.  

My first visit was at an all-day event on a swelteringly hot day on the May Bank Holiday weekend in 2011. Between bands we gravitated outside into the sunshine before returning inside for more tunes. First up was Seamus McCloughlin, a local singer/songwriter who has subsequently become a member of an alternative rock band called The Capital. Next up was Preston band Dirty Swamp led by Mark Whiteside, who is also the driving force behind Evil Blizzard.

They were followed by Australian born Viv Albertine, who was a guitarist in the legendary Slits from 1977 to 1982. She dropped out for a live scene for a long time before reappearing and was promoting her sole studio album ‘The Vermillion Border’ released the following year prior to her penning two autobiographies of her life. She cut a very enigmatic presence.

Viv Albertine. Image Credit flickriver.com

The headliners were the prolific Wave Pictures from London. They have a quirky quintessential English sound complemented by David Tattersall’s wavering vocals and are a staple play on Marc Reilly’s 6 Music show. I recall them referencing the ongoing World Snooker final ongoing at that stage between John Higgins and Judd Trump.  I walked home through the park with a spring in my step after an entertaining afternoon and the realisation of the birth of thankfully another commendable venue in Preston. 

My next appearance was a bonus one as it was on the Sunday where we have just returned from Wickerman Festival 2011 and decided for some inexplicable reason to drag our tired bods out to a gig. We initially caught a Sheffield Steam Punk band in the Dog and Partridge before sallying down to the Conty.

The first act was Best Friends Forever, a wonky bedroom sounding lo-fi band but not without charm and they are coincidentally not unlike the recently mentioned Wave Pictures.

The headliners were Let’s Wrestle, a three-piece band from London. They were promoting their second album ‘Nursing Home’ which was produced by Steve Albini of Big Black fame. They subsequently took a hiatus and disbanded in 2015. They had a plethora of influences in their sound, however for the best descriptor I would have to defer to a BBC’s Collective quote which memorably coined them as ‘the accidental 4am lovechild of eight bottles of £2.99 merlot and a wheelbarrow full of Cutter’s Choice’. This is arguably the best quote I have read since early Idlewild were described as ‘the sound of a flight of stairs falling down a flight of stairs’!    

The band were an engaging presence, but we understandably flagged towards the end of the set as the weekend’s festivities caught up with us and a taxi was called to curtail the evening.

At the tail end of 2012 we went to see the old punk band Eddie and The Hot Rods whose constant member throughout their existence was Barrie Masters prior to his death in 2019. Their famous top ten hit ‘Do Anything You Wanna Do’ released in 1977 still stands up to this day, but their set was a tad limp. They were supported on the night by Dirty Swamp.

In November 2011 there was an unusual event which piqued my interest. They showed a screening of the ‘Anyone Can Play Guitar’, a Jon Spira documentary narrated by Stewart Lee about the Oxford music scene covering the period from 1978 to 2007. The film name was derived from a Radiohead track, and they were naturally a key reference point alongside Oxford counterparts Supergrass. 

Alongside the successes, it also concentrated on other bands who didn’t quite make it, one such band was the Candyskins, who were about at the inception of Britpop. They had limited success but must have driven over a black cat at some stage because they could not have encountered worse luck, including legal disputes over royalties and record companies going bankrupt at inopportune moments. I am just listening to some of their back catalogue as I type this and I am hearing strong shades of Boo Radleys in their sound, which is never a bad thing in my book!

The Candyskins. Image Credit alchetron.com

Another band referenced was one of the shoegaze forerunners Ride and their guitarist Mark Gardener was in residence and after a Q&A performed a short acoustic set. That was followed by a decent set by another Oxford band Rock of Travolta who sat in the instrumental post-rock genre.