A Northern invasion of London is always to be savoured when Mogwai decide to play in the capital city. Thus, when they announced they were to be incorporated in the bill for the Meltdown Festival in 2014 by playing Royal Festival Hall on the South Bank we jumped at the chance to attend.
Uncle George, John and Tony Dewhurst and I headed down on the Virgin express to and dropped our bags across the road at our digs at the handy Premier Inn opposite Euston Station. We met Nigel who had headed in from Brighton at a boozer in Borough Market where we discussed my gig list and the very early germination at that stage of the idea to create this very blog!
We progressed down the river and had a drink at the bar within the Globe Theatre. As we passed London Tate Modern, I witnessed a young singer called Jolie Fox on a makeshift stage. We continued down the river afterwards to then arrive at the London Royal Festival Hall.
Globe Theatre. Image Credit travellousworld.com
The Festival Hall was opened in 1951 after an expenditure of £2m and was built as part of the Festival of Britain which was instigated to provide a boost to the national morale after the Second World War. It sits alongside the Hayward Gallery, The Queen Elizabeth Hall, and the Purcell Room within an 11-acre site all under the auspices of the Southbank Centre, with the main venue having an all seated 2900 capacity.
It has been run as an independent concern since 1988 and the building has Grade 1 listed status. In 2014, their Festival of Love concluded with 70 couples, including 15 same-sex couples marrying on the main stage. On the musical front, Grace Jones and Patti Smith have played there and Brian Wilson premiered his sixth album Smile with a live performance.
Royal Festival Hall. Image Credit circular1.com
We mulched about briefly in the downstairs area and I purchased a new Mogwai t-shirt from the merch stand, Clinic had supported that night, but we had missed their set. We headed upstairs and grabbed our seats and admired the surroundings before Mogwai took the stage. I thought ‘Travel is Dangerous’, and a thunderous ‘Mogwai Fear Satan’ were excellent, with the latter track ending the initial set, before the aural assault continued into the encore with ‘New Paths to Helicon Part 1’ and We’re No Here’.
Afterwards we jumped on the nearby tube for the commute to the final gig of the evening, but annoyingly I left my newly purchased T-shirt in the carriage when disembarking! Our destination was Chalk Farm station which takes you instantly into another of those innumerable London suburbs with its own high street, bars and community.
The tube station is next to the Roundhouse venue where many fine bands have undertaken residencies there, our next venue was not as highbrow and was namely London Chalk Farm Fiddlers Elbow.
Chalk Farm Fiddlers Elbow. Image Credit londonsubscene.net
It was a filthy rainy night (not in Soho!) and we struggled to locate the pub, but we landed eventually much to our relief. The hostelry was built in the 1840’s and was previously known as The Old Mother Shipton before holding the Fiddler’s name since the 1970’s. It is a Grade II listed building and a homely venue with Chesterfield sofas and a music room with a 150 capacity.
It is an independently run concern and they host alternate event such as poetry readings and book signings, but their main pursuit is live music, with both the Vibrators and The Damned having played there back in the day.
On the night of our visit, the band on stage were the MOBBS, who billed themselves as ‘garage punk rock ‘n’ roll at one hundred miles per hour’ but unfortunately, they did not quite live up to that rather enticing preamble!
