Tag: Nine Black Alps

Manchester Venues 145 to 146

The National Football Museum was conceived in the 1990’s and subsequently opened its doors in 2001. Its location was Preston North End’s Deepdale stadium and was home to many artefacts which evolved into the Football Heritage collection. I could not think of a more justifiable host as in my view Preston is the home of football as they were one of the twelve founding members of the league in 1888. In that initial season they won the FA Cup and the league without losing a game and as a result were then forever tagged as the ‘Invincibles’.   

The original ‘Invincibles’. Image Credit These Football Times.

In the women’s game the first and most famous team was the Dick Kerr Ladies who were a factory team in Preston formed in 1917. In 1920 they defeated an illustrious French team 2-0 in front of a 25,000 crowd, a historic first international women’s football game. On Boxing Day 1920 they played a charity match against St Helens Ladies who they beat 4-0 at Goodison Park with 53,000 spectators packed in, a world record for a women’s club match that lasted for a further 98 years.

The following year the FA disgracefully banned women from using fields and stadiums controlled by FA-affiliated clubs and the ban stayed in place for an astounding 50 years until 1971. Dick Kerr Ladies stayed in existence until 1965, and they had a remarkable record of winning 682 of the 755 games they played. If I was a filmmaker that sounds like a movie script I would be interested in!

Despite being popular the museum closed in Preston in 2010 and relocated to the Urbis building in Manchester. It was caused by a combination of local council ineptitude but also ‘big city’ pressure that caused the move, and for that second reason alone I begin to chunner when I walk past the museum and have never attended there since it was moved from its spiritual home!

As I unpack my imaginary soapbox and place it back in the metaphorical cupboard, I shall move away from the Urbis building to the Cathedral Gardens that lie adjacent to it. This area was a car park back in the day and the green open space now in place was only developed after the damage caused by the IRA bomb in 1996. It is situated nearby to the flagship Mark and Spencer’s store which at the stage of its opening was the largest in the world. 

Manchester Cathedral Gardens. Image Credit Pinterest.

During the spring and summer months they have sporadic food and music events and currently have a Christmas ice skating rink in place there. One such gathering took place within the auspices of the Manchester International Festival in July 2021 as we were just beginning to drag ourselves out of the Covid pandemic period. As a result of the increased checks still in place at that stage, we were in a long queue on entry and then were escorted to a table. The stewards perhaps unwittingly placed us with a fine viewpoint of Manchester Cathedral Gardens Stage 1, but there were no complaints from myself as my 16-month drought of witnessing a live band was about to reach a denouement.    

The weather thankfully was set fair and behaving itself. There was the obligatory app available to download and link up with the surrounding vendors, thus cold beers and pizzas were summarily ordered. The first band we saw were the Goa Express from Burnley who contain in their ranks the Clarke brothers. Last year they released their self-titled debut album, and I have heard them many times played on 6 music. They provided a pleasing slab of fuzzy garage rock, reminiscent somewhat of Nine Black Alps.  

The Goa Express. Image Credit brightonandhovenews.org

At that point we spotted Tris and her pals (unfortunately not a band!) who were ensconced on a nearby table and via text messaging we surreptitiously manipulated a ‘chance’ meeting to have a quick parlay and a catch up. The other act to play was a local DJ crossover act called Chips with Everything (not half rice, half chips!) who have been part of the leftfield circuit for over two decades.

If we then swivelled and faced in the opposite direction, we had a slightly more obstructed view of Manchester Cathedral Gardens Stage 2 where we saw Porij (a deliberate mispronunciation of Porridge) play. They are a four-piece art-pop Manchester act who met initially at the Royal Northern College of Music a couple of years earlier. They have since garnered Coldplay support slots and then released their debut album ‘Teething’ in April 2024.

Manchester Venues 122 Deaf Institute – Part 2

Nearby to the Deaf Institute Music Hall on the same side of Grosvenor St is the Footage pub (previously Flax and Firkin) which is a large vibrant pub with craft ales and many TV screens showing the latest sports. Just around the corner is the basement Umami Noodle Bar which has been a regular pre-gig eating stop for over 20 years.

The Footage with the Trof Deaf Institute sign in the background. Image Credit Zomato.com.

My first gig there was on 02/07/09 when I saw Nine Black Alps, a four-piece band from Manchester whose original moniker was The Chelsea Girls. The Alps name was selected from a line in a Sylvia Plath poem. I had picked up on them initially via their belting debut album ‘Everything Is’ which I still play periodically to this day.   

A couple of years later I had to cancel at short notice a trip to my brothers in Nottingham thus missing a Kyuss (forerunners to Queens of the Stone Age) gig. I was kicking my heels and a couple of lads were off to see Killing Joke, so I tagged along, but discovered on arrival at the Academy that their gig was sold out. A variant C approach then evolved by quickly checking that night’s gig listings and identifying an event at the Deaf that I could attend and then meet up after with the boys for the train home.

I struck lucky as the act on that particular night was the Dum Dum Girls whose name derived from a Vaselines album and an Iggy Pop song, thereby displaying their musical influences. Originally it was a solo project for Californian Kristin Gundred who then renamed herself as Dee Dee. After she signed up with legendary label Sub Pop three more girls were added into the band including the drummer Frankie Rose who has also been in Crystal Stilts, Vivian Girls and Frankie Rose and the Outs.

Dum Dum Girls. Image Credit Fanpop.

They disbanded in 2016 where Dee Dee then became Kristin Kontrol and her sound morphed more into the synth pop arena. She also around that time provided an excellent atmospheric cover of one of my favourite Jesus and Mary Chain tracks ‘Teenage Lust’. They were enjoyable live with many of the tracks coming off their debut album ‘I Will Be’ and reflecting the geographical location they were playing in, they decided to finish their set with a cover of ‘There is a Light That Never Goes Out’.  

Next up was one of those ‘right place right time’ moments that only occur very occasionally in one’s gig going journey. During my attendance at the Dot-to-Dot festival in May 2013 I had sighted on the roster an upcoming band I had just become aware of, and at that stage had only released two singles. The band in question who were performing in a teatime slot were Wolf Alice.

The venue filled up just before they landed on stage, and they were stunningly good, and rarely have I seen a young band who had such poise and justifiable confidence in their sound and ability.  At one quiet point between tracks a punter at the bar said in an awed voice ‘outstanding, absolutely outstanding’ which received a shy thankyou from lead singer Ellie Rowsell.  They finished with their superb first single ‘Fluffy’ and it was plainly obvious they were destined for great things including subsequently headlining Glastonbury stages and Mercury Music prizes.

As the set arrived at a tumultuous finale and the band left the high stage Ellie was struggling to step down so I proffered a hand to assist her which she gratefully accepted. Musical royalty was touched in that very instance and I am sure Ellie has not washed her hand since!   

Wolf Alice. Image Credit nylon.com

In October 2013 I went to see White Hills for the first time who are a stoner psychedelic rock band from New York and provided a pleasing slab of white noise. They have had a prolific output since their formation in 2003 and have recorded over fifty releases incorporating an impressive twelve studio albums. In their early days they were championed and supported by Julian Cope and were also cherry picked to appear as a live band in a scene of a 2012 Jim Jarmusch movie ‘Only Lovers Left Alive’.  

There then followed a gap of 4.5 years until my next visit in March 2018. Gill and I headed down with our pal Laura Buckley to see an Icelandic dream synth pop band called Vok, the name translating as a ‘hole in the ice’. They had formed in 2013 and gained some instant recognition by winning Musiktilraunir, an annual Iceland music contest and the year before we saw them, they released their debut album ‘Figure’.