Nottingham Venues 46 to 48

Nearby the Lace Market tram stop at Unit 6 on Warser Street you will found the Lofthouse. The arts space venue is located on the third floor of an industrial unit and they sporadically had gigs and I visited there just the once on 24/10/15.

It was a late gig, so we decided to future proof our entrance by visiting earlier and purchasing tickets but unfortunately the chap did not have a hand stamp available at that point. This nearly burned us later after we returned to the venue after watching the Hooton Tennis Club at the Chameleon, as we had to persuade a different chap on duty that we were honourable gig goers with a valid right of entrance and not a couple of blaggards!

The band in question was a local band called Sunset Nebula. They hit the stage about 11pm and I would place them in the ethereal spacy post-rock bracket (if such a genre exists!), they were excellent and greatly assisted by a terrific sound system which created a crisp as a bell acoustics.

On 14/05/16, the night before my brothers 50th birthday party we somewhat unsurprisingly decided to head out and watch a couple of bands. There was a venue I had been targeting for a while called JT Soar out near Sneinton marketplace. It was previously an ex-fruit and veg warehouse that has been converted into a DIY music and arts space containing a recording studio and rehearsal space frequented in the main by local bands.

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Nottingham JT Soar venue. Image Credit leftlion.co.uk

After visiting a couple of grubby, not grungey nearby hostelries we sallied over to the venue. On first impression it resembled a squat with a battered doorway and settee to the right and a very small stage but in truth it had an undeniable charm. It looked like it had regular punters who frequented each week and you probably couldn’t exceed 100 people in the venue. It was a friendly vibrant place and a perfect example of one of those grassroots venues that absolutely need to survive.

We were notified at the door that it was BYOB, so we skelped off to a local off licence and purchased some Tyskie Polish lager before re-entering. The support band was Throwing Stuff, a hardcore group originally from Manchester in the mould of Black Flag and Minor Threat. They were somewhat erratic but frenetically enjoyable.

The headliners were the Bennies, a lively ska punk band from Melbourne, Australia. They formed in 2009 under the original name of Madonna before predictably encountering legal issues and changing to their current name a couple of years later.

In 2001, we heard about a small, short-lived event called the Treefest Festival which was held at Newstead Common on the outskirts of Nottingham. So, on a sunny Saturday afternoon in July, we decided to drive out take a gander. It was a very low budget affair and we saw two artists, Naomi Hillman and Ana Gracey, a singer/songwriter from London.

The most interesting amusing moment occurred when we were sat on the grass in the sunshine surrounded by young families. The background DJ music was of a decent level, and I think it was a Faith No More track playing, when suddenly the lead singer screamed out ‘MuthaF%#*@r’, the look on some of the kids’ faces was a picture!

That scenario recalled to me an incident at the local Asda in the Sherwood area in Preston when a freshly sacked employee decided to depart in style. He commandeered the tannoy system and proceeded to turn up the volume and play at high volume the non-radio potty mouthed version of Rage Against the Machine’s ‘Killing in the Name Of’. I wish I had been undertaking my weekly shop at that point as I would have flown around with Zack de La Rocha’s strident vocals ringing in my ears!  

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Rage Against the Machine. Image Credit getwallpapers.com

So, this completes my Nottingham story incorporating a grand total of 71 gigs across 48 different venues!     

Nottingham Venues 37 and 38

Many of the best venues are buried away down the city centre back streets, a case in point is the Chameleon Arts Café in Newcastle Chambers down Angel Row. It is a small eclectic place with a café downstairs with some quirky beers on sale and a 140-capacity venue upstairs. The venue is embraced by DIY promoters which presents the opportunity to catch some unusual and upcoming bands there.

My one criticism is the slightly cramped nature of the venue especially when busy caused by the small access to the venue but once you find your vantage point everything is ok again in the world! 

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The stage of the Nottingham Chameleon Arts Cafe. Image Credit YouTube

My debut visit on 29/09/12 was to see a roster of bands and the first I encountered was Standard Fare, a decent indie pop trio from Sheffield with a C86 aesthetic and the slightly wonky vocals of Emma Kupa. The second band was Milky Wimpshake, a lo-fi indie trio from Newcastle who first appeared in 1997 and remain on the circuit to this very day. Their original drummer had the terrific name of Ms Joey Ramone and they had a knowing charm about them.

The penultimate act was a five piece from Brighton called Shrag prior to the headliners Anguish Sandwich. The main act was a frenetic garage punk band from Northampton with high pitched vocals from Chris East and remaining in the C86 vein they reminded me of Stump, another band from that era.

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Anguish Sandwich. Image Credit blogspot.com

My second visit a couple of months later was to see the Nottingham stalwarts Grey Hairs for the third time. They were supported by an excellent energetic Spanish instrumental math rock three piece called Iepi. I would describe their sound as a more aggressive version of Leicester band Maybe She Will! Their 2014 album ‘New Wr’ is also well worth bending your ears around. They have supported Black Rebel Motorcycle Club and were the first Spanish band to play the post rock festival ArcTanGent held annually at Fernhill Farm in Somerset, which regretfully I have never yet attended.

My third and final appearance was on 24/10/15. Now I have never been a great fan of bands you might place in the Liverpool category of sound, though quite often having the jangly guitars, many bands from that area in my humble opinion sound too fey and lightweight.

However, that changed when I encountered Hooton Tennis Club in a live setting. I had heard some recorded output before and thought it sounded ok, but they were a revelation live with their diverse and inventive sound. The four-piece hailed from the Wirral and the name is taken from a local tennis court. Their debut album around the time was recorded by Bill Ryder Jones from the Coral and the band are currently on a hiatus.     

Continuing the Spanish theme, they were supported by the Parrots who are a duo from Madrid. Their rootsy wonky charm reminded me of their city counterparts the Hinds.

When my brother first moved to Nottingham, he had a flat off Mansfield Road in Sherwood. Just prior to Christmas in 2016 we took a sally out that way and encountered some non-descript pubs including the Robin Hood, a traditional Greene King hostelry. Whilst there we encountered a local cover band called Little Angels.