Manchester Venue 156-Peer Hat

In a previous blog I reviewed AATMA, a venue which is literally buried away on an upper floor in a building off Faraday Street behind Stevenson Square in the Northern Quarter. Situated to the ground level and the street side of that very same building is Manchester Peer Hat.  

The pub first appeared into the world in 2017 run by a couple of self-proclaimed unsuccessful musician brothers named Mike and Nick Kenyon. They were both originally in the band Politburo who were likened to Dead Kennedys and played many gigs at the now defunct Roadhouse and Hard Rock Café venues when they were in their pomp. Another co-owner is Dom who also runs the aforementioned AATMA.

Politburo. Image Credit Louder Than War

The hostelry is a bohemian haunt and is a proper throwback to a student style pub back in the day in that it is a welcome and hospitable place and has a fine varied jukebox. The house motto is ‘Omnio sub petasum’, and for those whose Latin is rusty or non-existent like moi, that translates as ‘Everything under the hat’.

Like many low budget places, they really struggled through Covid but thankfully survived that challenging period. They have hosted some unique events, including a HAUNT Manchester ‘Black Christmas’ event and the Manchester Folk Horror Festival in 2018 and 2019. They have also had art exhibitions and in 2018 one included a feature from the Manchester Gothic Arts Group (M:GAG), thankfully not MAGA!

In the middle of the ground floor space, some vertiginous steps take you down to the music venue with a cosy capacity of 120. I do have a fondness for cellar venues and this one is a belter and they also seem to always have good sonic sound down there, all of that resulting in it being worthy of inclusion in my Top 10 Manchester favourite venues.   

The Peer Hat. manchestersfinest.com

They have fairly regular gigs, and they achieved a coup with their first ever event being none other than Thurston Moore, but they had no functioning bar at that stage, so they served him beer out of a bucket of ice! I have attended there six times in total, the majority of these being part of multi venue wristband events such as Dot to Dot or Carefully Planned Festival. On my first visit there as part of the Off the Record Festival in November 2017 I saw a local artist called Billy Bee.

Six months later the band on stage was Jade Assembly, a rock band from Bolton who formed in 2008. They are proud Boltonians and are closely linked to the local football club with songs such as ‘Our Town’ and ‘Burnden Aces’. Their music is still played over the tannoy at Bolton Wanderers matches and they signed their first record deal on the pitch at half time during one of the matches.

The band had a fervent following nicknamed the ‘Jade Army’. After a slew of singles, they released their debut album ‘One Last Time’ in 2023 which coincided with them calling it a day after fifteen years and they appropriately played their last ever two gigs at the local venue, The Ramp in Horwich. 

My next appearance was in November 2018 where we caught an early set from Red Rum Club, who had only formed a couple of years earlier and was also a year before they released their debut album ‘Matador’. They have gradually risen in profile since with their fourth LP ‘Western Approaches’ in 2024 reaching number 8 in the UK charts.

They hail from Bootle in Merseyside and cite their hometown as an influence on their sound with the seafaring, industrial aspect of the area. On the night their El Mariachi style songs were excellent and thoroughly enjoyable, and the thunderous sound combining with a sweaty venue created a communal treat.

Red Rum Club (twice!). Image Credit liverpoolecho.co.uk   

I visited again in May 2019 where I saw Women You Stole, a Manchester band driven by lead singer Hayley Faye. I would class them in the garage rock vein, and they released a fine debut single ‘Shake’ around this time but sadly don’t appear to be still active. They were supported by post-punkers Document who named themselves after the stellar REM album of that name.  

A couple of months later was my only visit there to see a standalone gig. The band on show was my one time thus far watching the excellent Helicon. The band derive from Jesus and Mary Chain East Kilbride territory and were initially formed by brothers John-Paul and Gary Hughes. Their self-titled album was recorded in 2017 at Mogwai’s Castle of Doom Studio on Glasgow and their 2023 album ‘God Intentions’ won the prize of ‘Psych Lovers’ Album of the Year’.  They were superb and the intimate venue played to their strengths.

My most recent visit in April 2022 was to see Priceless Bodies who are now a Manchester based lo-fi duo made up of twin sisters Viv & Bianca Pencz. Their name was drawn from a line by 19th century French poet Rimbaud and their musical influences derived from being disgruntled teens in Vancouver, Canada which was known locally at the time as ‘No Fun City’!

Manchester Venues 115 to 117

As cited in a previously blog, The Band on the Wall has recently been refurbished with a new site for gigs outside their main venue room, with an 80-person capacity. Thus, at the culmination of a gig I attended there recently we walked out into the Manchester Band on the Wall Bar and discovered a bonus band on the small stage called Black Cat Lion. I am assuming they only commenced playing when the band in the main room had finished their set.

Band on the Wall. Image Credit propermanchester.com

The last time I encountered an occurrence like that was when leaving Nottingham Rock City in the late 1990’s after watching a Spiritualised set to discover to my utter delight that the South London punks Snuff were in the middle of a thunderous set in a function room downstairs. That night I dived into the already fully functioning mosh pit and thoroughly enjoyed the half bonus gig and the standout was their cover of ‘I Think Were Alone Now’ with the vocals provided by a selected chap from the aforementioned pit!

Situated in a very old area of the Northern Quarter is Tariff St. I have also previously covered the bars and venues on this evocative ‘mill town’ thoroughfare, but I had never yet witnessed a gig at the Manchester Whiskey Jar Upstairs Bar, only having attended gigs in the downstairs space. The Whiskey Jar is housed in a Grade 1 listed textile mill, and it lives up to its name by having around 350 varieties of the hard stuff available, with representation from many continents.

Whiskey Jar bar. Image Credit creativetourist.com

On the same night of the above Band on the Wall gig I was navigating my route back to Manchester Piccadilly station for the late train home, and my attuned ears could hear music at ’100 yards’, much like Father Jack of Father Ted fame who could pick up the distinctive sound of a Sauvignon Blanc bottle at the same distance! Therefore, I had no choice but to undertake a quick detour into the Whiskey Bar to catch the last 1.5 songs of the Blues Kids set whilst still allowing enough time to enable myself to make the scheduled train without excessive scampering!

In November 2019 I attended at the last minute the Off the Record festival, an event for unsigned bands that takes place in a suite of venues in the Northern Quarter. I picked up my wristband from the hub venue of Gullivers about 6pm and decided to weave down Tib Street to my first venue. As I walked down I was distracted by a sign outside Manchester Matt & Phred’s.

Matt & Phred’s opened in its current format of a Jazz and Blues late night club in 2010 and holds live gigs 6 days a week. It has an appropriate low lit intimate setting with a 200 capacity and apparently provides fine cocktails and tasty pizzas. In its previous guise in 2007 Adele played two gigs there in a fortnight window and to have graced the stage there also are Rochdale’s Lisa Stansfield, Wynton Marsalis, Ed Harcourt, Mumford and Sons, Daniel Johnston and George Ezra.

Matt and Phreds. Image Credit DesignMyNight.com

Due to the genre of the music, I couldn’t see myself ever paying for and attending a gig there and had only once previously been in for a drink in an afternoon setting. However, returning to the previously mentioned sign outside which was providing an invite to attend a free early gig which happened to be at the exact point I was walking past.

Not wanting to look a gift horse in the mouth I entered the establishment and found a side wall to lean on. The act on stage were called Courteous Thief and transpired to be a folk singer who was a fisherman’s son from North Wales. He had already by that stage picked up support slots with Turin Brakes, Tom Hingley, Mark Morris and John Otway.