Glasgow Venue 11 – Bellahouston Park

Glasgow Bellahouston Park (Pairc Bhaile Uisdean in Gaelic) is a public park in the Southern quarter of Glasgow and encompasses a tidy area of 180 acres, it first opened its doors to the public in 1896. There were additions to the site over the next few years including a municipal golf course being located there.

Between May and December 1938, the Empire Exhibition was held in the park and the opening ceremony which took place in nearby Glasgow Rangers Ibrox stadium attracted a crowd of 146,000. Despite it being an exceptionally soggy summer, the Exhibition attracted an astounding 12,800,000 visitors and it wasn’t even open on a Sunday! I know it is a long time ago as that is the year my beloved Preston North End last won the FA Cup.

A flyer advertising the 1938 Exhibition. Image Credit barnebys.co.uk

The most striking exhibit was Tait Tower (the Tower of Empire) which rose to 300 feet in height. There is an urban myth, though hotly denied, that its subsequent demolition the following summer was due to concerns around it being cited as a geographical reference for German bombers.  Regretfully of the 200 artefacts built for the exhibition, only the Palace of Art remains and even that is now a Sports Excellence Centre!

The site is a perfect backdrop for large public events. It has hosted the 1978 World Cross Country Championships, a gathering for the evangelist Billy Graham and two papal visits, the first in 1982 by John Paul II attracted a crowd of approximately 250,000. On the musical front, there have been Scottish pipe band competitions and Coldplay and Snow Patrol have also performed there.

Due to its inherent suitability, resembling a mega size version of Avenham Park in Preston, they began in August 2013 to stage three-day Glasgow summer sessions events there with Kings of Leon, Avicii and Eminem being the original cast of headliners. In 2019 Mogwai announced they were to play but in a slightly unusual twist via being in a support role to the Cure. Upon hearing this fine news, tickets and trains were purchased with Uncle George and Andy Berry escorting me on this particular jaunt.

Bellahouston Park. Image Credit Ents24.

I undertook the now extra leg from Manchester to Preston where I met the other chaps, and we jumped on to the next Avanti going North. After we grabbed our digs for the night, we had a couple of cold ones in a local bar which preceded a fish and chip tea. We then travelled on the Paisley Canal line from Glasgow Central to the station at Dumbreck, which is located 250 yards away from the park.  

There was a pleasant treelined avenue en route before landing at the security gates. Inside we met up with Marcus and his then current girlfriend Sarah who were also in attendance. The weather was unfortunately a bit tempestuous, and the ground was a tad muddy as a result. First up were the ever noisy Twilight Sad who now reside on Mogwai’s Rock Action label, and I was witnessing them for the fifth time in total.

Mogwai played under the worst of the weather and after so many years of watching them it felt hugely odd that they were not the headliners, but they were clearly honoured to be asked to play on the bill by one of their favourite bands. Their shortened set still contained the highlights of ‘Ithica’ and ‘Mogwai Fear Satan’.

Before the main act we decided to refuel with some more overpriced ale and trogged up to the hill to the main beer tent. Upon arrival, the people waiting kept snaking outwards and it wasn’t immediately evident where was the end point of what must have been the longest beer queue in the whole of Christendom! One upside was that we had a clear view of the stage, but the Cure were already performing by the time we finally reached the front.

Somewhat surprisingly, and not least to myself, I had never managed to catch the Cure live, the nearest I had come previously was at the Manchester Move Festival, but a decision was made to catch the reformed Pixies who played the night after. I had heard reports from my peers that they could sometimes be a tad ‘Neil Young contrary’ by playing a set of album tracks but on the counterpoint of that others had said they were compelling in a live setting.

The Cure on stage on the night. Image Credit youtube.com

Thankfully on the night I witnessed them, they fell into the second category. They were one of the tightest bands I have ever witnessed, bringing to minds other such accomplished bands on first sightings such as Pains of Being Pure at Heart, Wolf Alice, Electric 6 and Fontaines DC.

They were also mesmerizingly uncompromising with the refreshing attitude of if you don’t like it, move on, I have so much respect for bands like that! They performed a 27-song set with an epic seven track encore and despite tough competition, my favourite was ‘A Forest’ as I have always adored that tune.                          

On the return journey home the next day, we encountered a very strange scenario. The train ground to a halt at Lancaster station with no discernible sign of onward traction, it transpired that our forward engine was broken. Thus, the ask was for us to walk over the bridge to the other platform and swap places onto the original northbound Glasgow train, which would then retrace its route back to Preston. 

This necessitated ten full carriages of punters swapping from one train to another, including the young, old and infirm and as I am sure you can appreciate it was a fair period of time before we on our way again!  

Manchester Venue 95 to 97 Chorlton – Part 2

In May 2009, we watched PNE lose again in the play offs, this particular time to Sheffield United and post-match the discussion turned to attending another event on the weekend of the play-off final. Thus, a couple of weeks later Uncle George, John Dewhurst and I took a car down the old M63 to South Manchester and found some cheap digs near Old Trafford football ground.

We then purloined a cab over to Chorlton and I recall visiting the Sedge Lynn Wetherspoons pub which used to be an old billiards hall. The venue we were gravitating towards was the Irish Club on High Lane, which was originally founded in 1956 to serve the local Irish community. In more recent times, it has had numerous financial difficulties and was put up for sale in 2020, and its future remains very uncertain.

It held numerous community activities and also hosted comedy nights with Peter Kay and John Bishop performing in the building. It also periodically had gigs on and the week before our attendance Sad Day for Puppets played there, whose debut album I thought was a decent output. I do recall however the NME reviewing the gig and inexplicably scoring it 0 out of 10, which withstanding the fact of personal preferences aside as there are bands I really do not like, I would never provide a score of zero for a live performance!  

The venue reminded me of a large doctor’s surgery house, in a good way. Firstly, there was Chorlton Irish Club Acoustic room where I saw a set by Manchester band Bugs in Ember who were at that point crafting their debut album ‘Take These Bones’.

Chorlton Irish Club. Image Credit the businessdesk.com

Next to there was the Chorlton Irish Club Downstairs stage and first up was a five-piece from Matlock called Bicycle Thieves. They were followed by Marple boys the Dutch Uncles who had only formed the year before and were just releasing their self-titled debut album. They have links to the afore-mentioned local football club of West Didsbury and Chorlton and have in fact performed a promo on the pitch and their post-punk sound is still going strong as they are now six albums in. 

The Dutch Uncles on the pitch. Image Credit The Quietus

On the Chorlton Irish Club Upstairs stage we initially saw LoveLikeFire who were an enjoyable San Francisco dream pop band.  The main act was Pains of Being Pure at Heart, a shoegaze band from New York. I was always a huge fan of this band and treasure their self-titled debut album and this performance was very early in their career and about their sixth date in England and first in Manchester.

Refreshingly and in the spirit of old Manchester International days, they only took the stage at 11.45pm and were leaning on the wall next to me just prior to their performance. They were always best where they had oodles of volume and they were thankfully pretty thunderous in that regard that night.

They opened with my fave track ‘Contender’ and were spellbindingly good and were clearly taken aback by the hugely favourable and noisy audience reaction, at subsequent performances they always referenced this special night. They understandably only played about a 35 minute set as that encompassed all the tunes they had at that stage. After the show I managed to sweet talk a bouncer into letting us into a local late bar for a last drink before our 1am taxi pick up.   

  

Pains of Being Pure at Heart. Image Credit beardedgentlemenmusic.com

I have thought about this event after the fact and it ticked so many boxes for me with the multiple self-contained venues, a discerning likeminded crowd, great music, and late performances which  places it firmly as a Top 20 gig in my all-time list!