Tag: Pains of Being Pure At Heart

Manchester Venue 47 – Ruby Lounge

One of my favourite venues in Manchester was the Ruby Lounge situated on High Street opposite the Arndale Centre and backing onto the Northern Quarter. The venue opened in 2007 and sadly closed in 2018 as it was hoovered up in a £79m city centre development.

It was housed in a somewhat dilapidated seven store block and behind the unprepossessing metal doors were stairs carrying you down to the venue. It was one large room with battered sofas and a games machine to the left, bar facing and a stage to the right. It had a scruffy charm, and the capacity was 375 for live music and 600 for club nights. It had a thin access to view the stage that could be a slight inconvenience when it was busy.

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Entrance to the Ruby Lounge. Image Credit Britannia Hotels.

I attended there nine times in total and they always had a sonic sound system and as a result I have seen some astoundingly loud gigs. A case in point was my first attendance in 2009 to see A Place to Bury Strangers, a noise rock combo from New York. Remarkably the support band Dead Confederate outdid them on the decibel count. They hailed from the birthplace of REM in Athens, Georgia. Prior to the gig I had explored for the first time a selection of the plethora of bars located nearby in the Northern Quarter. Another regular pre-gig pub was the English Lounge which is only 100 yards from the venue.

My second and third visit also continued in that vein, first up were Rock Actions shoe gazers Twilight Sad. The next was to see Pelican, a post rock four piece from Chicago, Illinois. We were chatting to some punters prior to their set who advised us not to leave our beers on the wooden shelfs as the sound check was so loud, they had knocked a couple of glasses off. They were totally instrumental and ear splintering, and I would quantify them in my Top 5 loudest list, and they were also fabulous as it is so good to hear bands as uncompromising as they are!

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Pelican. Image Credit en.wikipedia.org

In 2010 I saw the grungy quartet Dinosaur Pile Up from Leeds. They did not stay long in the memory and it was one of those gigs where their friends and family were in attendance which I always find in equal parts odd but endearing.

In 2014, I saw Pains from Being Pure at Heart for the fourth time and it was by now unfortunately a case of diminishing returns as their output for me gradually depreciated after their stunning debut album. They were not a patch on their electrifying set in Chorlton 5 years earlier which I will cover in a future blog. They were supported by Fear of Men.

Later that year I saw again the perennial London punks Snuff who were in fine fettle and their cover of the Likely Lads propelled me as ever into the mosh pit! The following year I went to see Preston’s Evil Blizzard due primarily to support them on a Manchester date. Despite them putting on a show I couldn’t warm to their musical output. They were supported by Creature Comforts.

My penultimate gig there was a terrific double bill of Ex Hex and Jacuzzi Boys, both bands I had seen before. Jacuzzi Boys are a highly accomplished garage rock band from Miami in Florida. Ex Hex are all female three-piece hailing from Washington DC and are in the mould of the Go-Go’s and had an effervescent presence. My final gig there was on 28/05/16 to see an Australian band called the Rubens as part of the Dot to Dot festival roster.

Manchester Venue 5 – Academy 2 (Part 2)

Many of the pre-gig drinks meets for this venue were located in Jabez Clegg situated on the other side of Oxford Road however that pub closed around 10 years ago. It was swiftly replaced by the nearby Big Hands which is a slightly grubby, fabulously noisy venue with a fine jukebox where there is a tradition to play ‘Hells Bells’ prior to departing to the gig.

In 1995, Buffalo Tom hit town and I do find their soothing Americana is like putting an old pair of slippers on. A great live act.

The following year, we encountered a band who I thought were the best live band on the circuit at that point in time, namely Rocket From the Crypt. The first sight of them was then they roared onto stage and their effervescent lead singer Speedo uttered the bracing opening phrase ‘This is Motherfuckers God’s music’. They then lived up to that claim by producing a thunderous set. I saw them twice there that year and the second had about 10 of us in attendance.

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Rocket from the Crypt live on stage. Image Credit mrteeth.reviews.com

This high was followed by a crushing disappointment when we went to see Screaming Trees. The main reason was the fact that lead singer Mark Lanegan had a damaged throat and only completed 4 songs before stomping off. The gig should have been cancelled and I recall Paul Bruzzese being understandingly vocal in his consternation. What made it worse was it was my one and only chance to witness them. I still treasure their ‘Dust’ album.

Screaming Trees ‘Dust’ Album cover. Image Credit norman.records.com

I have seen Billy Bragg there twice, one of those a couple of weeks ago when he played selected songs from his first three albums. I have also seen Wannadies, 3 Colours Red, And They Shall Know us by the Trail of the Dead, Mark Lanegan, Nine Black Alps, Ash and Yo La Tengo.

Mercury Rev in 1999 was an outstanding gig where their swirling sound was unique. When they left the stage the lights didn’t come in and there was no piped music for 10 minutes, despite that half the audience left leaving us stalwarts to enjoy an intimate encore. I saw them there again 9 years later.

I saw Bob Mould there twice and also captured Pains of Being Pure at Heart, Children of Bodom, And So I Watch From Afar, Dinosaur Jr and most recently Pup, a Canadian punk band.

Also, in 1999 Death in Vegas played and they had the noisiest bass I have ever encountered. I recall we were leaning on the side walls and they were literally vibrating! I saw them again 3 years later. Teenage Fanclub were also really enjoyable. I also have tickets for DIIV there next year. 

Now I have found that as I have got older, that it takes a lot more to impress me until Hold Steady stopped me in my tracks. The first gig in February 2007 was bloody brilliant as their intelligent sing along evangelical performance was utterly life affirming. Their subsequent performances in 2010 and 2014 were equally as impressive. Lead singer Craig Finn is a modern day bard and I like them a lot.