Manchester Venues 147 to 148 – Royal Northern College of Music

As you progress down Oxford Road towards the Academy venues you reach the traffic light junction with Booth Street West and on that very corner is the Manchester Royal Northern College of Music (RNCM). Just beyond there is a recently developed retail area containing a Brewdog outpost and a branch of the omnipresent fast food chain Five Guys.

Across the road from the RNCM for many years resided the Phoenix public house, previously Barney McGrews, situated under the precinct. I can find records of the Phoenix being around since the 1970’s and in those days, it was a punky biker venue where upstairs they held sweaty club nights under the Tangled or Acid Rock monikers.

Phoenix pub. Image Credit manchestersfinest.com

Live music was staged there from 1977 onwards on the Bass Charrington pub rock circuit roster. There are scant details of bands but can find evidence of Aqua, a Burnage High school band, (does that scenario sound familiar?) who played there the following year with Graham Massey of 808 State in their ranks. They are absolutely not to be confused with the other band with the same name who release ‘Barbie Girl’ a couple of decades later!  

It was a renowned student haunt due to its proximity to the universities. It became more of a drum and bass venue in the 1990’s and Clint Boon, Mani and Piccadilly Records used to undertake DJ nights there.  Around the time I visited, it had morphed into an ‘It’s a Scream’ chain pub with bright yellow frontage and was in a very tired state by then. It subsequently closed its doors for the final time in 2011.

The RNCM was officially opened in its current location on 28 June 1973 and was a fusion of the Royal Manchester College of Music (RMCM), which opened in 1893 with original principal being Sir Charles Halle and the Northern School of Music, founded in 1920.

Its remit encompasses musical education and contains two thriving public performance venues alongside a smaller recital room and theatre, the latter two spaces are utilised in the main for educational and conference events. The college was subject to a £7.1m refurbishment in November 2014 across all areas including a new lighting rig and sound equipment. Previous alumni naturally contains many illustrious conductors and composers and also Howard Jones!  

RNCM. Image Credit Royal Northern College of Music.

The first venue I will cover is the Royal Northern College of Music Concert Hall which has a fixed seating of either 443 or 598 with an additional balcony setting raising the maximum capacity to 710. The layout ensures that all of the seating encircles the stage in the middle of the room and ensures a good view from all vantage points. They have a constant diverse roster of performances and previous acts to play there include Adele, David Byrne, Hugh Laurie, Halle Orchestra and Jarvis Cocker. Filming has also taken place there for television shows Waterloo Road and Question Time.

My first attendance was in November 2013, and I had an unusual journey there. On the day I needed to attend a workshop in the glamorous location of Telford, thus caught a train from there direct to Manchester and met up with the rest of the crew in the Joshua Brooks public house. I recall we also visited the Sand Bar and naturally gravitated to our usual nearby noodle bar for some tea.

As you enter the RNCM building there is initially a bar and café area before you reach the venue hall at the end of the corridor. They adopt a similar policy to the Royal Albert Hall where you could not take drinks into the venue and if returning from a comfort break you had to wait until the current track finished before you can grab your seat again.

The act that day was the incomparable Mark Lanegan, personally one of my Top 5 favourite vocalists with his gravelly ‘lived in’ unique delivery. He was touring his recent album ‘Imitations’ which featured cover versions of tracks by Nick Cave and the Bad Seeds, Nancy Sinatra and John Cale.

On the night he undertook an excellent version of Bobby Darin’s ‘Mack the Knife’ and Lou Reed’s ‘Satellite of Love’, the latter especially poignant as Lou had recently passed away. I have just read this week of a hugely emotional concert held with guest artists to celebrate what would have been Mark’s 60th birthday, he is sorely missed.

Mark Lanegan. Image Credit mubi.com

I had one other attendance there a couple of years later to see Mercury Rev and I spotted John Robb in the audience. The band were in a particularly noisy mode that evening with some guitar heavy tracks in the set, which suited me down to the ground!

The other venue is the Royal Northern College of Music Theatre which has fixed seating capacity of 600 plus the option to have additional removable pit seats. This is a more traditional ‘cinema style’ setting and I have visited there just the once in October 2023. We went to see a play called New Dawn Fades which chronicles the story of Joy Division which contain live songs with a full band. It is written and directed by Brian Gorman who also takes an acting role as Factory boss Tony Wilson.  It was pretty well made but the second half of it leading to Ian Curtis’s suicide was understandably very bleak viewing.

Manchester Venue 87 Albert Hall – Part 2

One of the undeniable quirks of Albert Hall is the sheer size of the building and the multiple floors. A case in point is the extraordinary distance to access the lavatories which are situated in a veritable Bermuda Triangle maze of corridors in the basement, where it is rather easy to lose your bearings!

On 17/05/14 I recall us having a chippy tea on Cross Street and then watching the end of the FA Cup final between Arsenal and Hull which the former team won in extra time, before heading down to Manchester Albert Hall to watch the enigmatic Neutral Milk Hotel.

I had first discovered the band years after their breakup via reading an annual review pamphlet distributed by Piccadilly Records which listed them in several subscribers influential list. They hailed from Louisiana and their driving force was Jeff Mangum and their initial period of existence was from 1989 to 1998 before reforming for a couple of years in 2013.  

Their popularity in their initial phase resulting in them dropping off the map and heading into a hiatus and Jeff becoming a virtual recluse. Their music is ‘marmite’ to many punters, as it contains many unusual instruments such as a singing saw, uilleann pipes and the lesser spotted ‘zanzithophone’ which translates as a Casio digital horn. It also contains strange otherworldly lyrics, and they were cited as a resultant huge influence on bands that followed such as Arcade Fire and the Decemberists.  

My view on their landmark second album ‘In the Aeroplane Over the Sea’ is that is idiosyncratic, life affirming but also in equal parts deeply unsettling. It was fascinating to hear it converted to a live setting and some of their tracks had moments of genius about them.

Neutral Milk Hotel’s unique album cover. Image Credit Pinterest.

Because they had literally disappeared for such a sustained period and gained a degree of mythical status, many of their fans in the interim had developed into ardent zealots of their art, to the point that Uncle George observed on the evening that it felt a tad ‘insidious’. It was all in all a fascinating evening and the resultant people watch was almost as entertaining as the band.       

The following June I saw the ever-excellent Black Rebel Motorcycle Club for the fifth time with my personal favourite being when they astonishingly played five minutes’ walk away from where I lived in a small club in Preston called the Mill.

It was a glorious summers evening and despite being in an indoor venue the sun was angling through the many decorative windows to provide an elegant backdrop to their performance on stage. The band revel in long performances, quite often over two hours and flip consummately between straight up rock tracks like ‘Whatever Happened to my Rock N Roll (Punk Song)’ to countrified acoustic tracks such as ‘Complicated Situation’. They were in fantastic form on the evening and all things combined it resulted in becoming my gig of the year for 2015.

Black Rebel Motorcycle Club. Image Credit myfreewallpapers.net

My next visit was as part of the Dot-to-Dot festival roster in 2018. To add to the many things Covid was responsible for is the fact that it sadly cancelled the Manchester leg of the Dot-to-Dot event, and it is now only held in Bristol and Nottingham. I really miss this event as it provided a great opportunity to visit some more obscure venues and also achieve some serious steps totals as it encompasses venues all across the city in one day!   

The other unusual element it allowed was to visit venues during daylight hours when they are at times virtually deserted which is slightly disconcerting as you are so used to venues being busy just prior to an evening show. The band on stage were No Hot Ashes from Stockport who had been receiving some hype locally but for me they didn’t justify it. The following year they released their only album ‘Hardship Starship’ and in 2020 decided to take an unspecified hiatus but Covid intervened again to cancel forever their two planned farewell shows.

In 2019 I saw Suede for the first time, and I have always been a tad ambivalent about the music but many gigs I have attended in the last five years are because we are now just down the road from Manchester, so why the hell not! Brett Anderson remains quite an engaging front man and they put on a decent performance without really moving me. I was left with the conundrum afterwards of whether I respected him or not for having the temerity to still wear tight leather pants at his age!