Tag: Preston Clouds

2024 Gigs – Part 4

In March I made another pilgrimage to Manchester Band on the Wall where I went to see BDRMM for the second time. I will cover the band in more detail when I review my first sighting of them on what turned out to be a chaotic night at Manchester White Hotel.

I thoroughly enjoyed their set, but the downside was that it was exceedingly busy with no wriggle room to gravitate from your chosen slot. Uncle George, John Dewhurst and Riggers were in tow, and I recall pre-gig drinks at Northern Monk Refectory MCR and Smithfield Market Tavern and pre-gig tucker at Viet Shack.   

Manchester Northern Monk. Image Credit reeceleung.com

Around the time of the Cheltenham Festival and St Patricks Day I was on the way to another gig, and I happened to catch a portion of the House Band at Manchester Blues Kitchen Bar and a segment of the set of a singer/songwriter named Harriet at Manchester Albert Schloss. Later in the year I saw a couple of other acts at Albert Schloss when they had regular daytime gigs taking place to coincide with the student graduation season.

The gig I was indirectly heading towards was at Manchester Albert Hall and was preceded by imbibing a couple of bevvies in the Sir Ralph Abercromby located in an alley right behind the venue. My Albert Hall attendance was to see the Pixies for the fifth time and my ticket was booked prior to realising that they were playing ‘Trompe Le Monde’ and ‘Bossonova’, my least favourite of their albums as my personal highlight of theirs has always been ‘Surfer Rosa’.

Having said all that, it was beneficial to reappraise these records and there is some belting tunes sporadically dotted about on them including on the night fine versions of ‘Velouria’, ‘Allison’ and ‘Planet of Sound’. I have also just clocked that earlier this year they released a live album of the shows on that tour. They were supported by The Pale White who were a three piece from Newcastle who include in their ranks brothers Adam and Jack Hope. 

A small matter of eight days after I returned to the venue to have my latest sweet fix (Some Candy Talking?) of Jesus and Mary Chain. I have in the last month travelled past the 40th anniversary of my attendance at their legendary gig at Clouds in Preston on the 6th of September 1985.

Preston Clouds attached to Preston Odeon approximately 1981. Image Credit facebook.com.

There was a posse of seven gathered in the afore mentioned Sir Ralph Abercromby prior to the show for beers and badinage. They started with a bang with ‘Jamcod’ and ‘Happy When It Rains’ and completed the main set with a flourish of ‘I Love Rock and Roll’ and ‘Just Like Honey’. I also had the veritable treat of finally catching up with fellow local music aficionado Cath Aubergine at the conclusion of the gig. The night as many before it culminated in the Temple of Convenience bar.    

In October I had my final 2024 visit where I saw Public Service Broadcasting performing. They were as ever at a decent level but was probably my least favourite viewing of them across the four times I have witnessed them so far.

There were two appearances at Manchester Ritz, bringing my total there to 37, which places it in third place on my most attended venue list. The first was the Australian band Jet who formed in 2001 and disbanded in 2012 before two separate reformations, the second one preceding this tour. They were playing their original popular first album ‘Get Born’ and it was around 15 years since I saw them previously in the same venue.   

The other gig was with the stellar company of Rick Clegg and his daughter Charlotte and her pal Laura. We went to the newly reopened and revamped Grosvenor pub on Oxford Road with the obligatory visit to the Umami noodle bar close by. The band playing was English Teacher from Leeds, led by the charismatic singer Lily Fontaine. Their debut album ‘This Could Be Texas’ had recently won the 2024 Mercury Prize, thankfully breaking a nine-year stronghold of London-based musicians winning the award. They were a quirky bunch and very enjoyable.

English Teacher. Image Credit nme.com

The final show of the year to reference was at Manchester Night and Day and came to my attention via some musical gurus on Twitter (now X) before I decided like many others to ditch that poisonous platform. Marcus and I attended, and we watched a portion of that night’s Euros 24 match in the boozer beforehand.

The band was the Reds, Pinks and Purples which is the brainchild of Glenn Donaldson who is also a photographer and record collector. He is a prolific singer/songwriter exemplified by writing 200 songs and releasing seven albums in seven years. When he is playing live, he is part of a five-piece band comprised of musicians from his San Francisco home. He has a soothing evocative voice and was one of my favourite gigs of the year. He was supported by Ryan Davis & The Roadhouse band who hail from Kentucky.

Gigs from Abroad Part 20 – Alicante

Alicante has always been viewed as a strategic military location and a singular key defence mechanism underpinning this is the existence of the impressive Santa Barbara Castle which was built in the 9th century and to this day still towers over the city. I can personally confirm it is a physically exacting trek up the hill to the castle, especially in baking sunshine! The city has an interesting lineage in that they have chronologically been inhabited by Iberian tribes, Phoenicians, Greeks, Romans, Goths (thought they were peaceful!), Moors and latterly the Spaniards.

Santa Barbara Castle. Image Credit tripkay.com

In the 1960’s it began to generate the first inklings of a future tourist destination, and the city was transformed accordingly. Other nearby resorts followed suit, including Benidorm and the success of this new venture was assisted by the closure of the old Rabasa airfield and the corresponding building of the new modern El Altet Airport. Famous people from the city include the tennis players David Ferrer and Alex de Minaur and the black metal band Nahemah.

In 2018, to commemorate our fifty years on this earth, Gill and I decided to undertake two trips around our individual birthdays and on my milestone we decided on a jaunt to Alicante. I took a liking to the city as similar to Malaga it was a bustling modern city with a beach, promenades, marina area and the aforementioned castle.

We found some decent restaurants and a plethora of bars. On my actual birthday we had a leisurely lunch, and wouldn’t you just know it I had lined up a gig for the evening! We headed into what resembled the ‘Northern Quarter’ in the Southern area of the city and our ultimate destination was Alicante Sala Stereo.

On our first pass we thought the venue was closed but Gill reassured me that they would be operating on chilled European hours, and she was absolutely correct as it didn’t open its doors until around 10pm. When there is no live music on, it runs solely as a nightclub and is open between the quite frankly insane hours of 2.30am to 8.30am!   

Sala Stereo. Image Credit youtube.com

I cannot find much history of the venue, but it appears to be still thriving today and on music nights they generally concentrate on homespun acts. It was a homely brightly lit venue with a friendly local crowd. The capacity was 500 and they had the excellent novel touch of beer bottle holders on the side walls to safely house your ice-cold beverage. 

The initial act was a decent singer from Valencia called Sienna followed by a local musician called Olivia. The clock kept ticking and moved into the day after my birthday and still we waited for the main band. They finally pottered on stage around 1am which places it squarely in my latest ever gigs lists alongside Goldblade at Preston Aqualenium and Jesus and Mary Chain at Preston Clouds in 1985, the latter now feels like it was in an earlier lifetime!

The headliners El Mato a Un Policia Motorizado, also known as EMAUPM or El Mato who were created in La Plata in Argentina. Their unusual name derives from a line in a 1987 Spanish movie R.O.T.O.R and translates literally as ‘that boy just killed a motorcycle cop’.  They formed in 2003, and the driving force of the five-piece band is the vocalist Santiago ‘Motorizado’ and they have released five albums with their latest being ‘Super Terror’ in 2023.

El Mato a Un Policia Motorizado. Image Credit diariohoy.net

They were also chosen to contribute a cover of ‘Slippery People’ for a fortieth anniversary tribute album of Talking Heads ‘Stop Making Sense’ alongside artists such as Miley Cyrus, Lorde and Paramore. The record then debuted at the top of the Billboard Compilation Albums chart in August 2024.

The band cite their musical influences as Pixies, Sonic Youth and Velvet Underground amongst others, unfortunately they did not live up to that envisaged sound and to be honest they were a tad limp. Given the late hour I wasn’t too disappointed at this development as after a couple of tracks it allowed us to shuffle out and head back to our digs. On the walk back the town was just beginning to boot up into the busier hours of its nightlife. The following evening, we attended a tapas restaurant called Alicante El Rincon de Alma and saw a local singer called Juan.