Gigs from Abroad Part 20 – Alicante

Alicante has always been viewed as a strategic military location and a singular key defence mechanism underpinning this is the existence of the impressive Santa Barbara Castle which was built in the 9th century and to this day still towers over the city. I can personally confirm it is a physically exacting trek up the hill to the castle, especially in baking sunshine! The city has an interesting lineage in that they have chronologically been inhabited by Iberian tribes, Phoenicians, Greeks, Romans, Goths (thought they were peaceful!), Moors and latterly the Spaniards.

Santa Barbara Castle. Image Credit tripkay.com

In the 1960’s it began to generate the first inklings of a future tourist destination, and the city was transformed accordingly. Other nearby resorts followed suit, including Benidorm and the success of this new venture was assisted by the closure of the old Rabasa airfield and the corresponding building of the new modern El Altet Airport. Famous people from the city include the tennis players David Ferrer and Alex de Minaur and the black metal band Nahemah.

In 2018, to commemorate our fifty years on this earth, Gill and I decided to undertake two trips around our individual birthdays and on my milestone we decided on a jaunt to Alicante. I took a liking to the city as similar to Malaga it was a bustling modern city with a beach, promenades, marina area and the aforementioned castle.

We found some decent restaurants and a plethora of bars. On my actual birthday we had a leisurely lunch, and wouldn’t you just know it I had lined up a gig for the evening! We headed into what resembled the ‘Northern Quarter’ in the Southern area of the city and our ultimate destination was Alicante Sala Stereo.

On our first pass we thought the venue was closed but Gill reassured me that they would be operating on chilled European hours, and she was absolutely correct as it didn’t open its doors until around 10pm. When there is no live music on, it runs solely as a nightclub and is open between the quite frankly insane hours of 2.30am to 8.30am!   

Sala Stereo. Image Credit youtube.com

I cannot find much history of the venue, but it appears to be still thriving today and on music nights they generally concentrate on homespun acts. It was a homely brightly lit venue with a friendly local crowd. The capacity was 500 and they had the excellent novel touch of beer bottle holders on the side walls to safely house your ice-cold beverage. 

The initial act was a decent singer from Valencia called Sienna followed by a local musician called Olivia. The clock kept ticking and moved into the day after my birthday and still we waited for the main band. They finally pottered on stage around 1am which places it squarely in my latest ever gigs lists alongside Goldblade at Preston Aqualenium and Jesus and Mary Chain at Preston Clouds in 1985, the latter now feels like it was in an earlier lifetime!

The headliners El Mato a Un Policia Motorizado, also known as EMAUPM or El Mato who were created in La Plata in Argentina. Their unusual name derives from a line in a 1987 Spanish movie R.O.T.O.R and translates literally as ‘that boy just killed a motorcycle cop’.  They formed in 2003, and the driving force of the five-piece band is the vocalist Santiago ‘Motorizado’ and they have released five albums with their latest being ‘Super Terror’ in 2023.

El Mato a Un Policia Motorizado. Image Credit diariohoy.net

They were also chosen to contribute a cover of ‘Slippery People’ for a fortieth anniversary tribute album of Talking Heads ‘Stop Making Sense’ alongside artists such as Miley Cyrus, Lorde and Paramore. The record then debuted at the top of the Billboard Compilation Albums chart in August 2024.

The band cite their musical influences as Pixies, Sonic Youth and Velvet Underground amongst others, unfortunately they did not live up to that envisaged sound and to be honest they were a tad limp. Given the late hour I wasn’t too disappointed at this development as after a couple of tracks it allowed us to shuffle out and head back to our digs. On the walk back the town was just beginning to boot up into the busier hours of its nightlife. The following evening, we attended a tapas restaurant called Alicante El Rincon de Alma and saw a local singer called Juan.

Manchester Venue 135 – Bread Shed

On the opposite side of Grosvenor Street from the Deaf Institute venue you will find the Sand Bar. This is one of the many hostelries within the Oxford Road corridor, but it is a singular Manchester institution and one of my fave places to visit. It came into existence in the mid-90’s and I have been attending there for pre-gig drinks for many years. It is housed in an old industrial mill with an olde world feel and has an unprepossessing and almost hidden entrance. They have always served fine beers and was the first place that I was aware of that stocked continental lagers and was the location of my first sampling of the Bavarian Schneider Weisse wheat beer!  

Manchester Sand Bar. Image Credit flickr.com

On the next corner is another watering hole with the previously very simplistic name of ‘The Pub’. It is housed in a Grade II listed building, and they regularly have quiz nights and open mic nights, this one being more of a sporadically visited hostelry. A recent artistic addition to their side wall in May this year was a large mural of Kurt Cobain. At the back of this pub for many years there was a nightclub called the Zoo, now a singular music venue called Manchester Bread Shed.

I first visited the venue in its Zoo nightclub phase as part of the Dot to Dot festival event in 2013 and the act on stage was Beans on Toast which is the stage name of folk singer Jay McAllister who derives from Braintree in Essex. He is a prolific musician and has recorded fifteen albums since 2005 and has a liking for releasing them on his birthday of 1st December.

The Bread Shed. Image Credit designmynight.com

To be honest, he was not my cup of Yorkshire Tea though there were many punters in there who were lapping up his performance. On a personal front, my day improved dramatically immediately after as I caught a startlingly good Wolf Alice set across the road in the Deaf Institute.

In August 2017 the site rebooted as the Bread Shed and the owners Stonegate Pub Company spent £450k on upgrades. The unusual name derived from the history of the building as in the 1900’s it was the Duncan & Foster bakery site. This was also reflected in the attached pub revising its name to the Flour & Flagon. It was set up as an events space with a 480 capacity and beyond the live music they also reinstated the XS Malarkey comedy night that had for a short period been rehomed at the Comedy Store.   

Prior to attending a Fontaines DC gig at Gorilla in 2019 I cheekily blagged my way into the venue and caught a portion of a pretty woeful Iron Maiden tribute who were at the same low calibre level of the ‘legendary’ Damascus gig (my third ever gig) at Preston Clouds in 1984!   

My next visit was in October 23 where Marcus and Anita attended with Gill and I. Marcus had some ticket issues on the door but managed to negotiate his way in. The band we had come to see was the Boo Radleys who I was witnessing after a 29-year sabbatical as I had not seen them since two gigs in 1994. They were on a rotating joint headline tour and were the support on the night and were in excellent form with the fabulous ‘Lazarus’ being performed towards the end of their set.  

The headliners were Cud who are an electro indie band from Leeds who I had surprisingly never seen before. They formed in 1987, broke up in 1995, but reformed again in 2006. In their first incarnation they undertook a cover of Hot Chocolate’s ‘You Sexy Thing’ which garnered a number 20 position in John Peel’s festive fifty in 1988. Their lead singer is Carl Puttnam who can be marmite to some people, and I honestly didn’t approach them with high expectations. However, these chaps could play and were seriously good fun, reminding me of the vibrancy of Electric Six’s live performances.   

Cud band. Image Credit 3loopmusic.com

My latest visit was in April this year to see the ska/punk sounds of Snuff for the eighth time. Just when I was thinking the audience were very quiet on the first three tracks and not resembling an archetypal Snuff crowd they then played ‘Soul Limbo’ cricket theme, and the place went ballistic! So much so the instantly created moshpit had a kick back and Uncle George was knocked back onto the floor and temporarily flattened, but he is literally made of Teflon so bounced straight back up again! I had a rare foray into the pit myself for a few tracks and as ever thoroughly enjoyed their show!