Preston Venue 60 The Ferret – Part 3

If you walk to the back of the Preston Ferret there is a well utilised beer garden, where you can seek some quiet solace and grab some air in the gaps between bands. In a spot just before you head outside there was for a spell the traditional cramped pub pool table.

The Ferret beer garden. Image Credit visitpreston.com

In November 2012 after seeing an underwhelming Eddie and the Hot Rods gig at the Continental I witnessed Bobbie Peru for whom the driving force is Bert Genovese. He originated from Connecticut but is now based in Manchester. Next on the list was False Flag who supported Piatcions. The main band were from Domodossola in Italy and originally named Thee Piatcions, they provided some enjoyable psych infused shoegaze but sadly only ever produced one single EP.

In March 2013 I attended my mate Jez Catlow’s 50th birthday shindig where he played sets from his three bands in Strettles next door. During breaks in those sets we wandered the 20 yards to the Ferret and saw local bands The Escobars and Binary. The same month after a Nine Black Alps gig at Preston Blitz I witnessed the bruising punk of Beard of Wolves, a two-piece from Wolverhampton who wore pig masks on stage. They memorably described their sound ‘as getting beaten by a meth addled Scarlet Johansen’ and unsurprisingly imploded for ever in 2014.

Beard of Wolves. Image Credit thrashhits.com

In May 2013 I saw Dave Clark and the Stones who proceeded Orphan Boy from Grimsby. The latter combo split in 2015 but reformed in 2022 and seem to be still active on the gig circuit. The following week I saw again The Chapman Family alongside Rook and the Ravens who feature the Fay brothers in their lineup. Also on that bill were Brassic and The Laze who evolved from a sludge outfit called Doom Cow. For a three-year period, The Laze had their own Valhalla club night at Liverpool Zanzibar’s club and their sound was heavily influenced by Frank Zappa.In August 2013, I saw the Escobars for a second time alongside the Locals.

A couple of months later I saw Deadwood Dog’s first headline set across the road at 53 Degrees. After the Dog’s show I sallied over to the Ferret and continued the canine theme by catching the scuzzy grunge sounds of Cat Called Dog. They must surely or at least subconsciously derive their name from Cat Deeley’s character Cat the Dog from SMTV Live which used to salve my hangover on Saturday mornings in the late 1990’s!

My first appearance of 2014 involved local combo The Kausters who were supported by Local Girls. Also on the bill was Matthew Cogley who performed solo but also doubled as the guitarist and singer with Chorley band Failsafe. His band once appeared on an episode in the third series of the successful Inbetweeners TV series and appeared at the famous South by Southwest festival in 2010. There is however a desperately sad postscript in that he subsequently died whilst on a trip to Belfast on New Years Day 2015 at the tender age of 30.

Later that month I saw the quirky four-piece Hello Bamboo. Soon after I saw an absolute belter of a show when Massive Wagons who are a rock band from Lancaster hit the stage. They reminded me of the Darkness in a good way and were terrific fun and incited a febrile audience reaction. Since that gig they have had a steady but exponential rise with support slots with Status Quo and Ugly Kid Joe prior to two individual headline tours and a top ten UK position with their ‘House of Noise’ album released during the pandemic.

Massive Wagons. Image Credit planetradio.co.uk

Next up was some soulful folk from Bill Orrick followed by some reggae rock crossover vibes from Conscious Collective. In November 2014 it was Moon and the Beams with their self-described slightly-delic rock who supported Mothertongue who provided some prog rock sounds. The final show of 2014 was a four-piece from Leeds called Clay who revolved around the nucleus of the Harvey brothers. The main band that night was Avalanche Party who provided some gritty garage punk and they hailed from the windswept ‘Wuthering Heights’ North Yorkshire moors. 

After my first exposure to the delightful Lovely Eggs at the Continental in March 2015 we decamped to the Ferret to catch some ska punk with Honour Roots and some prog with Jagwar. Next up was Nikki and the Styx (not the Motley Crue bassist) who supported local glam rockers Dragstrip Junkies whose members had the evocative names of Adam Wired, Johnny Rocker and Paul Wasted. A double bill followed with Monster as Humans, who reminded me of Aerogramme, preceding Midas Fall. The main band being a Scottish female duo who had gothic tones.

Nottingham Venues 35 and 36

There are so many tales in the fabric of the music industry relating to the trajectory of bands. Random events such as timing, changes in personnel and dumb luck can all contribute to how successful or not a band can be. I am sure we can all name bands who fall into the ‘how the hell did they become so big’ or the alternate ‘what might have been’ category.

As I have undertaken many visits to Nottingham over the years, I began to become familiar with many of my brother’s friends. One such pair was Paul Arnall and Sarah Simmonds. Paul was the instigator in the forming of the band Fatal Charm in 1978 and was the lead guitarist and vocalist before Sarah joined as lead vocalist to allow Paul to concentrate more fully on song writing duties. Their music is tricky to quantify but they could arguably be viewed in the post-punk dream pop category.

See the source image
Fatal Charm. Image Credit electricityclub.co.uk

They began to garner attention and as a result were enlisted for numerous Radio 1 sessions with Bob Harris, Janice Long and Annie Nightingale amongst others. They also appeared on the legendary Channel 4 Tube programme in 1983 and were a support act to Ultravox and Orchestral Manoeuvres in the Dark.

However, the volatile nature of the music business at that point in time resulted in numerous record contract breakdowns and a poorly promoted debut album in 1985. They were eventually signed to RCA and as result morphed into a newly named band State of Grace who existed from 1991 to 1998 and had a more ambient sound.

The net result of the combined events above meant that the band never broke through into the mainstream. They subsequently reformed as Fatal Charm in 2012 and commencing playing some local gigs again.   

Their venue of choice was the Trent Navigation pub, home to the Navigation brewery. The hostelry has lived up to its name over the years looking after the navvies who used to work in the canals. It is now run by the Great Northern Inns group and is a homely establishment located on Wilford Street and any pub that has a specific pie night is good enough for me!

See the source image
Trent Navigation Inn. Image Credit Nottingham Post.

I saw them there twice in quick succession in June and September 2012. You could tell they retained a touch of class with Sarah’s plaintive vocals and Paul’s accomplished guitar work and they attracted a decent crowd each time. They rather oddly passed around a collection for their appearance fee, something which I have never witnessed before. There was talk at one point of arranging a gig in Preston at the Continental but that never came to fruition.

As you may have gleaned by now, I am always hunting down new venues and a place called Doghouse Studios caught my eye. They are located on Alfred St North not too far from the Arboretum. They are a recording studio, but they also house a fully equipped stage for video and photographic shoots and have two record labels. They also occasionally had live gigs.

On 16/11/13 we went to see a band called the Others who were a guerrilla rock band led by the intimidating figure of Dominic Masters. They played many so-called ‘guerilla gigs’ at quirky locations such as the Hammersmith & City Line tube, on the dodgems at Leeds Festival and on the Abbey Lane crossing in London town. They were signed by Alan McGee’s Poptones Label in 2004. They had a loyal fanbase coined ‘the 853 Kamikaze Stage Diving Division’.

It was an interesting venue with a distinct space for the bands and they proceeded to produce a noisy rambunctious set.