Preston Venue 26 – 53 Degrees Club Part 1

Following the closure of the old Preston Polytechnic venue back in the 90’s it took a fair period of time before a new venue was incorporated into the updated University of Central Lancashire (UCLAN).

On the original site on Fylde Road the new £6.5million venue 53 Degrees was launched in 2005, with the first gig being an AC/DC tribute band and the first proper band was a very young Subways. The venue closed in 2015 with the final gig responsibility being given to the Inspiral Carpets.

There were two separate halls, the main downstairs venue with a capacity of 1500 but in this particular blog, I am going to concentrate on the Preston 53 Degrees Club venue located upstairs with a capacity of 400.

Access was gained from the rear of the building up a flight of stairs that dropped you into a corridor reminiscent of Manchester Hop & Grape. The doorway to the left took you into the venue with bar opposite and the stage down to the right. It was a fairly intimate venue but was located in a thin level room which made viewing a challenge when it was heavily populated. The beer as at many venues was of a pretty foul quality.

I have witnessed 15 gigs there in total and my first foray there was in June 2006 to see a full roster of bands. First up were the Architects followed Komakino, a five-piece band from Derby who were a regular support band at that stage to the likes of Bloc Party and the Editors. They subsequently split up in 2008.  

The main support was Love Ends Disaster! formed whilst at University in Loughborough and Nottingham. They were a decent live act and a couple of years later were receiving airplay from the likes of Colin Murray and Huw Stephens on Radio 1, when I saw them again at the Rescue Rooms in Nottingham. They subsequently disbanded in 2012.

The headline act was Cooper Temple Clause hailing from Wokingham and their first two albums in 2002/2003 received some considerable acclaim. I would put them in the post-hardcore mould, and they created a fine clattering racket!

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Cooper Temple Clause. Image Credit YouTube.

My second visit there was on a Bank Holiday Sunday on 06/05/07 following attending Preston North End’s last game of the season where we beat Birmingham 1-0 but just missed out on the play-offs by a single point, probably a blessing in disguise!

The band on show was Mumm-Ra who I had witnessed the year before when I went to see Amusement Parks on Fire at Manchester Night and Day. They were a tad fey and lightweight for my tastes.     

Three days later I went to see 65 Days of Static who I had first picked up on via their multiple inclusion in John Peel’s Festive Fifty off their 2004 debut album ‘The Fall of Math’. They are in the post rock genre but with a more electronic bent and emanate from Sheffield and are still now ploughing their trade.

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65 Days of Static. Image Credit blogspot.com

They have always been good value live and were supported by Josh T Pearson from Texas who was previously in the lauded Lift to Experience. He was performed as a solo act at this time and was a slightly odd act as his singing was more in the vein of a stream of consciousness!   

On 26/09/07 I went to see one of the perennial stalwarts of the last 20 years Idlewild who as ever were consistently good. They were supported by Twilight Sad who are a fellow Scottish post punk shoegaze band and they had only just released their debut album on Mogwai’s label Rock Action Records. They had a fearsome live reputation and they lived up to that mantle as a thunderously loud act.

Preston Venue 12 – Polytechnic Part 2

Attached to the venue was a bar/nightclub called 42nd Street which we smuggled into a few times despite being non-students.

On 31/05/92 I went to see the Cornish band the Family Cat. It was a hot summer which at that point of my life was nosebleed season for me. It was a late decision to go with a couple of friends. We met in the Continental and then got distracted walking into town by Jools Holland playing a set on Avenham Park.

In the pub before the gig, some punters were watching a Nigel Benn title fight on a little TV in a corner. We went in about 11pm and caught an unnamed support act who had one song titled ‘Kenneth Clarke is a Sad Man’.

The place was about half full and I saw a pal of mine called Warren Beasley in the audience. A couple of years after Warren tragically died from cancer at the age of 26.    

Family Cat came on about 12.15. It never ceases to astound me looking back how late the sets were in those days, it would never or very rarely happen now. It was a nondescript gig and they played for about an hour.

In 1997 John Dewhurst, Uncle George, Gill and I went to see Billy Bragg.  It was 6 days before the General Election, and it was patently obvious that after 18 years of Tory rule we were finally going to see a Labour government. As a result, he was on fire that night literally preaching to the converted   and that enthusiasm created an anticipatory buzz in the crowd.  

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Billy Bragg. Image Credit The Salt Lake Tribune

The charged atmosphere added to the lustre of ‘Ideaology’ and ‘New England’. A thoroughly enjoyable set.

The following week the expected landslide came to pass. I recall on the Friday morning Dominik Diamond opened his show on 5 Live by stating ‘he was proud of the British public’ earning him a reprimand for breaching the legendary BBC impartiality rules.

That evening George and I headed into town where I could partake in my first legal drink under Labour power at the sprightly age of 29 and we took full advantage ending the night in the legendary Raiders nightclub!

It was an enervating time and on a personal level it coincided with major life events of buying our first house and getting married before the 90’s were out. The time period was the Yin to the current Yang of the post Brexit Covid Britain we currently reside in.

My final gig there was to see Electric Six on 29/11/03.  It was on a Friday night and the place was almost full. They were a six-piece band from Michigan and had just released their fine debut album ‘Fire’. They had shot to fame on the back of their two hit singles ‘Danger! High Voltage’ and especially ‘Gay Bar’ accompanied by a startlingly original video which resulted in me never looking at Abraham Lincoln in the same way!

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Electric Six. Image Credit brightonandhovenews.org

I think they remain the band that I was most surprised by in relation to how unexpectedly good they were, they were as tight as a drum live. Dick Valentine was an utterly engaging lead singer complete with a French stick as a prop.

Little did I know when I started attending gigs that in my mid 30’s I would be joyously bopping round a moshpit with a hundred others bellowing ‘I have got something to put in you’!