Connect Festival 2007

Alongside my favourite ever festival, which were always the Wickerman events, I have always endeavoured to attend other festivals in Scotland so was intrigued to hear of a new one called Connect in 2007. We decided to attend the debut event as for us it had a dream bill of four of my favourite ever bands, (if Carlsberg did festivals!) and three of which appropriately were Scottish. Unfortunately, the festival only lasted one more year and was scrapped thereafter due to high running costs, which was a shame as it turned out to be a belting event. 

The setting was the idyllic Inverary Castle, located on the banks of Loch Fyne in Argyll and was badged as the first ever ‘boutique’ festival and was aimed at a more mature audience with the bonus of a real ale tent saving you from the ‘delights’ of Tennents Lager!  

Inverary Castle. Image credit johansens.com

The first conundrum was bagging accommodation and Uncle George played a blinder by finding us some digs above a pub on the main drag in Arrochar. We then decided to undertake the trip by train as we always like to avoid driving if there is a viable alternative. The Preston to Glasgow leg was easy but the second part needing planning as there were very sparse trains onwards to Arrochar.

So, on the Friday, we arrived in good time for the 12.22 from Queen Street to Oban, because the next train was not for another four hours. Once the train traversed through the industrial area north of Glasgow it turned into a very scenic route with a steep uphill section bringing us into our destination of Arrochar and Tarbet. 

The pub owners very graciously picked us from the station as it was a good mile walk into the town. We grabbed some hearty food and a couple of cold ones and then headed to the nearby bus stop for the ‘regular’ buses to the site…

An hour later we were still stood there and there was a small group of us now gathered but no sign of any transport. One of the brethren rang up to complain and astonishingly a taxi arrived which I think was free to take us to our destination.

As we walked up to the entrance, we encountered a young lass with the heaviest most overladen backpack I have ever seen replete with pots and pans (literally the kitchen sink!) who it transpired had travelled in from Manchester. Chivalry kicked in and we took in turns to carry the lead weight into the site, joking afterwards that we could have been inadvertent drug mules!

We watched Aerogramme’s last ever show on the Guitars and Other Machines stage, they were a very decent post-rock band from Glasgow. We also saw Vector Lovers, Baillie and the Fault, Numbers DJ’s and an enjoyable set from electro band Cansei de Ser Sexy (CSS). 

The first of the big hitters on the main stage was Jesus and Mary Chain, who I was seeing for the sixth time, but for first time for nine years since a chaotic Liverpool show on their final tour in 1998. Despite the inclement weather, they were excellent. We also witnessed a little of the headliners Beastie Boys before an infinitely smoother return journey to our digs where we were allowed to take a ‘one for the ditch’ Guinness upstairs at last orders.       

On the Saturday, we managed to pick up a standard bus that dropped us in the small town of Inverary with its two pubs, the George Hotel, and the Anchor Inn. The George particularly was a lovely establishment with lodgings that Gill and I utilised a few years later whilst travelling to Mull. On the way to catching the ferry at Oban, you pass Loch Awe which lives up to its moniker. Mull itself was a beautiful island and we had one of our best meals ever at Café Fish in Tobermory. The restaurant looked like a transport café from the outside, but the food was astoundingly good.

Back to the festival, we arrived early specially to see my new favourite band the Hold Steady who I only caught for the first time a month early in Manchester and they did not disappoint. This time, we only got a truncated thirty-five-minute set, but they were still compelling viewing. We also witnessed Rilo Kiley and a segment of Primal Scream’s headline set.

The two acts prior to the headliners were of infinitely more interest to us, the initial one being the hardy perennials Teenage Fanclub and the latter the ever-magnificent Mogwai. More chaos then ensued at the coach pick up point, but we made it back eventually.

Arrochar and Tarbet station. Image credit geography.org.uk

The Sunday consisted of a leisurely walk back to the station to await the opening train of the day back to Glasgow which landed at 14.09. In the interim we began to hear the distinct sound of a steam train hauling itself up the hill into the station which is always a sight to behold. It then sat on the platform for a spell, and we could see many contented punters being treated to a fine Sunday lunch and accompanying wine.   

Wickerman Festivals 12 and 13

My penultimate Wickerman article commences with the 12th festival which took place in 2013. Dreadzone were back for their third appearance and Dundee rock band Fat Goth were on their second showing. There was as ever the contingent Scottish representation with Primal Scream and singer songwriters KT Tunstall and Amy MacDonald.

On the roster were Welsh folk band Glendale Family, ska bands Random Hand and the 9-piece Amphetameanies from Keighley and Glasgow respectively and some rambunctious ska punk from London’s Buster Shuffle. Casual Sex from Glasgow were very much in the Orange Juice/Fire Engines mould and there was a decent set from the Edinburgh rock and roll band William Douglas and the Wheel.

Also on the bill were Mark Wilson, Maask, Machines in Heaven, Bellowhead, Friends in America, The Hang Project, Galapagos, Mark Thomson & Neil Patterson, The Yawns and Gardens of Elk. Dexys produced a rather limp set, and The Enemy from Coventry were also in town.

Wicker had over the years had many punk bands on the bill, many of whom were ageing and who should maybe give up the ghost! One sparkling exception to this viewpoint was the Rezillos from Edinburgh who were superb and their stellar single 1978 single ‘Top of the Pops’ went down a storm! My fave punk band Stiff Little Fingers also produced a fine greatest hits set.

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The Rezillos. Image Credit Blurt.

The post-burning act was my first opportunity to witness Public Service Broadcasting who were at the stage in full computer voice mode even when acknowledging the audience, they were thoroughly enjoyable, and I have seen them a couple of times since.

The best band of the weekend and arguably the finest ever Wicker performance was from the legendary Nile Rodgers and Chic. They were so accomplished and a visual spectacle and played hit after hit reminding you how many fine tunes he has written/produced. Normally one of our crew would wander off but everyone remained in place for their terrific set complete with dubious dad dancing and I have never seen the festival crowd so engaged!

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The incomparable Nile Rodgers and Chic. Image Credit godisinthetvzine.co.uk

Our accommodation at Dewhurst Towers in Kirkcudbright is literally next door to the Selkirk Arms which has an old-fashioned front room with the portable TV in the corner and fine Guinness on tap. The back room is the food lounge area with a large sunny beer garden, and remarkably it can get proper warm in Scotland in July! They also have lodging rooms and the Proclaimers resided there when they played the festival.

Other pubs in the town were at different times the Gordon House Hotel (AC/DC regularly on the jukebox), Masonic Arms (best pub in town), Commercial (apparently the racing driver David Coulthard has been spotted in there over the years as he was born in neighbouring Twynholm), the Steam Packet (by the harbour), the Royal (used to watch Open Golf) and the Tides (battered establishment where we watched the racing and contained a commendable jukebox).

Wickerman 13 in 2014 had Dizzee Rascal, Shed Seven, Jason Dupuy and the Mac Trio on the bill. The old troubadours Martha Reeves and the Vandellas, Idlewild’s Roddy Woomble plus band and the always top value the Beat played. I created a first by catching two individual sets on the Main and Acoustic stage by Colonel Mustard and The Dijon 5.

Also on the roster were Explosion Soundsystem, The New Piccadillys, Neon Waltz, Vladmir, United Fruit, Broken Records, The Zombies, The Feeling, Skerryvore, The Chair, Cockney Rejects, Pale Honey and Schnarff Schnarff.

Another punk band who could still most definitely cut the mustard were The Members. They were a very tight unit and thunderously loud and their extended closing track of Sound of the Suburbs was sublime. British Sea Power were as excellent as ever.

We saw a highly touted Glaswegian three-piece rock band called The Amazing Snakeheads who produced a rip snorting live set to a frenetic packed tent. They had just released their sole album Amphetamine Ballads but disbanded the following year. I have just discovered that tragically their lead singer Dale Barclay died of brain cancer in 2018 at the brutally tender age of 32. I now feel even more privileged to see them in their heyday!

The final band to reference was a terrific vibrant set from a Scottish female 4-piece called Teen Canteen who produced slabs of sugary indie-pop and they since received acclaim and sessions and airplay on Marc Reilly’s 6 music show.