Manchester Venues 75 to 76 – Blues Kitchen

As you head down Deansgate and just across Bridge Street you reach the Lost Dene pub, which was a Covid hero establishment for me. We attended with a couple of friends just prior to the third and most challenging lockdown at the tail end of 2020 and they were superb finding us two tables adjacent to each other even though we were in different households. It justifies the mantra of always bring honest as groups were denied entry as they were patently not in the same household when challenged for additional details!  

A little further down Deansgate brings you to Quay Street where you find the Opera House. An establishment I have yet to visit even when in theatre mode, but I recall Uncle George and Tony Dewhurst attending there to see Gil Scott Heron shortly before his death in 2011, by all accounts it was a belting gig.

Next to there on Little Quay Street resided for many years the Old Grapes owned by Coronation Street’s character Vera Duckworth (actress Liz Dawn). It was for a while a meeting point for us and was utilised if we ever undertook a group taxi to a gig. It was situated round the corner from the old Granada studios. It finally shut its doors for the last time in 2016 and is now an office block with the 20 stories restaurant at its apex and is contained within the large Spinningfields complex.

The Old Grapes pub. Image Credit Manchester Evening News

Back on Quay Street there used to be the large Aussie sports themed Walkabout pub which I periodically used to visit. It opened in 2000 and closed for good on New Year’s Eve 2015.

The building itself used to be a Victorian Eye Hospital with many original features. It apparently bears similarities with the Manchester and Salford Skin Hospital that used to be further down the block. It then became the Post Office Social Club prior to the Walkabout era.  

The site remained empty for a few years until the Blues Kitchen group purchased it and added it to their existing three sites in London and it was opened post pandemic. They stage music seven nights a week and as the name implies, they dabble in the blues, soul and funk domain.

It has made great strides to retain the blues heritage, and this is exemplified by it retaining a stained-glass window retrieved from Greystone Park Psychiatric Hospital in New Jersey where the legendary Woody Guthrie once resided. It has a gospel roof created from 19th century tin plates retrieved from a disused church in Manhattan and there is also a bizarre option available of booking private parties inside a 1920’s Air Stream Caravan.

I had never really intently studied the roster here but when a couple of friends invited us to a gig, I jumped at the chance to visit. So, on 26/08/22 after a quick libation at Brewdog we deliberately arrived a bit earlier to sample the Manchester Blues Kitchen Bar downstairs which is an open access area even if you are not attending a gig upstairs.

It was vibrant and busy with standing room only and had low lighting and I liked the place instantly. On stage was the Kitchen House Band modelling the smoky Amy Winehouse vibe (not her tribute band Amy House Wine!).

  

Manchester Blues Kitchen interior. Image Credit secretmanchester.com

We then traversed up the ornate stairs to the 500 capacity Manchester Blues Kitchen Venue. The band we had come to see was Smoove and Turrell who have supported the irrepressible Nile Rodgers and Chic on a previous tour. My colleague at work John Scott (I do always try to resist calling him Bon!), used to DJ with Smoove in Newcastle back in the day.

They hail from Gateshead and have been in existence since 2007 and the bedrock of the band is Jonathan Scott Watson (Smoove) and singer/songwriter John Turrell. When they tour, they expand the combo with several other members.  On the night they produced an energetic slab of Northern Funk despite them all having to cram on to quite a small stage!  

Wickerman Festivals 12 and 13

My penultimate Wickerman article commences with the 12th festival which took place in 2013. Dreadzone were back for their third appearance and Dundee rock band Fat Goth were on their second showing. There was as ever the contingent Scottish representation with Primal Scream and singer songwriters KT Tunstall and Amy MacDonald.

On the roster were Welsh folk band Glendale Family, ska bands Random Hand and the 9-piece Amphetameanies from Keighley and Glasgow respectively and some rambunctious ska punk from London’s Buster Shuffle. Casual Sex from Glasgow were very much in the Orange Juice/Fire Engines mould and there was a decent set from the Edinburgh rock and roll band William Douglas and the Wheel.

Also on the bill were Mark Wilson, Maask, Machines in Heaven, Bellowhead, Friends in America, The Hang Project, Galapagos, Mark Thomson & Neil Patterson, The Yawns and Gardens of Elk. Dexys produced a rather limp set, and The Enemy from Coventry were also in town.

Wicker had over the years had many punk bands on the bill, many of whom were ageing and who should maybe give up the ghost! One sparkling exception to this viewpoint was the Rezillos from Edinburgh who were superb and their stellar single 1978 single ‘Top of the Pops’ went down a storm! My fave punk band Stiff Little Fingers also produced a fine greatest hits set.

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The Rezillos. Image Credit Blurt.

The post-burning act was my first opportunity to witness Public Service Broadcasting who were at the stage in full computer voice mode even when acknowledging the audience, they were thoroughly enjoyable, and I have seen them a couple of times since.

The best band of the weekend and arguably the finest ever Wicker performance was from the legendary Nile Rodgers and Chic. They were so accomplished and a visual spectacle and played hit after hit reminding you how many fine tunes he has written/produced. Normally one of our crew would wander off but everyone remained in place for their terrific set complete with dubious dad dancing and I have never seen the festival crowd so engaged!

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The incomparable Nile Rodgers and Chic. Image Credit godisinthetvzine.co.uk

Our accommodation at Dewhurst Towers in Kirkcudbright is literally next door to the Selkirk Arms which has an old-fashioned front room with the portable TV in the corner and fine Guinness on tap. The back room is the food lounge area with a large sunny beer garden, and remarkably it can get proper warm in Scotland in July! They also have lodging rooms and the Proclaimers resided there when they played the festival.

Other pubs in the town were at different times the Gordon House Hotel (AC/DC regularly on the jukebox), Masonic Arms (best pub in town), Commercial (apparently the racing driver David Coulthard has been spotted in there over the years as he was born in neighbouring Twynholm), the Steam Packet (by the harbour), the Royal (used to watch Open Golf) and the Tides (battered establishment where we watched the racing and contained a commendable jukebox).

Wickerman 13 in 2014 had Dizzee Rascal, Shed Seven, Jason Dupuy and the Mac Trio on the bill. The old troubadours Martha Reeves and the Vandellas, Idlewild’s Roddy Woomble plus band and the always top value the Beat played. I created a first by catching two individual sets on the Main and Acoustic stage by Colonel Mustard and The Dijon 5.

Also on the roster were Explosion Soundsystem, The New Piccadillys, Neon Waltz, Vladmir, United Fruit, Broken Records, The Zombies, The Feeling, Skerryvore, The Chair, Cockney Rejects, Pale Honey and Schnarff Schnarff.

Another punk band who could still most definitely cut the mustard were The Members. They were a very tight unit and thunderously loud and their extended closing track of Sound of the Suburbs was sublime. British Sea Power were as excellent as ever.

We saw a highly touted Glaswegian three-piece rock band called The Amazing Snakeheads who produced a rip snorting live set to a frenetic packed tent. They had just released their sole album Amphetamine Ballads but disbanded the following year. I have just discovered that tragically their lead singer Dale Barclay died of brain cancer in 2018 at the brutally tender age of 32. I now feel even more privileged to see them in their heyday!

The final band to reference was a terrific vibrant set from a Scottish female 4-piece called Teen Canteen who produced slabs of sugary indie-pop and they since received acclaim and sessions and airplay on Marc Reilly’s 6 music show.