Manchester Venues 133 to 134

The Manchester Retro Bar is located on Sackville Street, at the other end of Charles St from the Joshua Brooks pub and Factory 251 venue. It is situated underneath the train line at the mid-point between Oxford Road and Piccadilly. It is actually listed under the auspices of Manchester University as it resides in their North Campus area which houses the school of Electrical and Electronic Engineering. It is close by Vimto Gardens where the unusually large Vimto bottle and associated fruit is housed, which can clearly be seen when scooting past on the train.   

Vimto Gardens. Image Credit mikkitiamo.com

It was originally called the Swinging Sporran, which was an archetypal biker’s rock bar. Due to its proximity, UMIST students also frequented, and it was the site of very early sets by the Chemical Brothers, who at the time were called the Dust Brothers. The Retro Bar has a modernist vibe and would not feasibly look out of place within a 1990’s housing estate as it is essentially a pub built into a car park!  Gill and I stayed once at the hotel next door, now called Pendulum, in the days of affordable hotels in Manchester before they skyrocketed to the London prices now in place. 

The Retro has a bar area at the ground level where they once filmed a concert scene in the Cold Feet TV series when John Thomson played drums for his son’s band. Downstairs is a 120 capacity club and live music venue which hosts regular shows. The Retro Bar closed for a spell in 2017 but was subsequently reopened later that year under the name of Hive. Perhaps living up to its original name I did discover that in the last couple of years Tiffany and Spear of Destiny’s 40th anniversary tour took place there with Kingmaker scheduled for September.  

Retro Bar. Image Credit trustinns.co.uk

I had walked past the venue many times and noticed there was a live band scheduled to play on 28/02/13 when I was in town. Thus, after a Joy Formidable show at the Ritz I dragged Uncle George along to grab the opportunity to pay a visit prior to heading up to Piccadilly for the last train. The act that night was a local combo called Paper Tigers.  

My second and only other visit was as the first venue of the Dot-to-Dot multi venue wristband event on 24/05/19. The act that afternoon was a 3-piece from Cheadle called Elephant and the Rider. They had an indie angular sound and had only issued a couple of EPs at that stage. They have just recently released a couple of further singles which are starting to garner some radio airplay and interest from BBC Introducing.

If you travel further down Sackville Street across Whitworth St West, you reach Manchester Tribeca located in the area of that name which skirts both Chinatown and the Gay Village much as it does in the original incarnation in New York. The literal translation of Tribeca is Triangle below Canal. This was our second location of the same Dot to Dot event referred above.

In a continuation of the attempted New York replication, the bar is multi-tiered with a mezzanine area by the entrance with comfy sofas then onto a raised area by the bar. Downstairs, in a bizarre twist you will find a lounge bar with real beds, appropriately named B.E.D! They also have additional spaces called Blue Lounge and Purple Lounge and there are regular DJ sets at the weekend running into the wee small hours.

Tribeca Bar. Image Credit licklist.co.uk

When we visited, we grabbed a stop in the upper bar with a view down to the makeshift stage which was located in front of the huge bay windows with the afternoon sun filtering through, it created a bonny vista.

There was a decent local singer/songwriter called James Holt playing. He had a challenging start to his life as he was diagnosed with bilateral moderate to severe hearing loss at the age of four. However, he didn’t let this define him by subsequently graduating with a first-class honour’s degree and MA in Music Composition at the University and Salford and then launching a musical career. He has recorded at Abbey Road Studios and has been cited as ‘fresh and exciting to listen to’ by the producer Brian Eno.   

Wickerman Festival 1

There was gang of four of us (John and Tony Dewhurst, Uncle George and me) who attended every one of the 14 Wickerman Festivals. The festival took place in the third weekend of July and the first one took place in 2002. The first couple of years coincided with the British Open golf tournament and that first year we stayed in a B&B in Kirkcudbright.

The site itself was situated off a very quiet country road on farmland midpoint between Kirkcudbright and Dalbeattie, located just after passing through Dundrennan.

At about 5pm on the Friday we landed at a cold and rainy site. Not unusually for us, we headed straight to the beer tent and based on the remarkably attentive reaction from all staff I still contend we were one of the first to purchase a libation in the Festival’s history, the drink obviously being a cold frothy Tennants!

There cannot have been more than 1000 people in attendance, and it did so well to survive those first couple of years as it sure it must have been operating at a loss. It was grey and windswept until the local legendary 10 strong pipe band, including Big Dougie and Wee Dougie, called the Dangleberries stepped on the main stage, the sky cleared, and the sun came out and the Wickerman festival was born. They also played a highly original bagpipe cover of ‘Paranoid’. From that day we have always said the Dangleberries saved Wickerman!

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The Dangleberries on stage. Image Credit dgwgo.com

As the festival was badged in the Ska/Punk category, there was a Scooter Tent located at the top of the hill which looked like a huge Mash tent. The DJ was playing some killer tunes within. There was a suite of cover bands on stage over the weekend, namely Combat Rock (Clash), Surfin Pinheads (Ramones) and Last Year’s Men (Stiff Little Fingers), the last two named were very good fun.

The support act on the Main Stage on Friday were UK Subs with their timeless frontman Charlie Harper. To embody the DIY ethic Charlie was spotted carrying a table over to the side of the stage to set up his merchandise stand. He was later spied nursing a bowl of lentil soup in the one and only food tent on the site. The band themselves crunched out a sparky set, with ‘Warhead’ being the highlight.

I was very excited prior to the headliners SLF playing as I thought it was a such a novel location to witness them. I had only seen them once previously on the comeback tour in 1987 and they met my expectations by producing a stellar set. To add to the merriment, it was the muddiest moshpit I have encountered, to the point where you could barely raise your feet out of the treacly morass!

Other bands we observed over the weekend were Dub Skelper, Misled Youth, Naeem, Druggy and Wilderbeast. The headliners on the Saturday were Spear of Destiny who I had misjudged beforehand as being primarily in the Goth space. However, they surprised me with a stronger more metallic sound and I thoroughly enjoyed their performance.

To mirror the film theme, there was a ritual at every festival at midnight on the Saturday to burn a huge wooden Wickerman. As we were in the Sassenach minority in the audience, we were joking we might be the human sacrifices, but thankfully that didn’t come to pass. It was a suitably warm combustible end to the weekend!

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The Burning of the Wickerman. Image Credit efestivals.