Tag: Stereophonics

2024 Gigs – Part 3

I always manage to catch some random performances in venues around Oxford Road train station prior to heading home. One such venue is Manchester Grand Central where in May I saw a band called Level Up, in September I witnessed Throwback, in October I caught Ben from the Block and a month later Warrington act Pray for Mojo. The latter combo provided a pleasing slab of psych rock in the vein of King Gizzard and the Lizard Wizard.  

The other venue in that vicinity is the old stalwart Manchester Thirsty Scholar. I visited the Scholar in August and October where I saw a couple of double acts called Alvin and Rob and Sid and Benny. Jenny Jazz followed at the tail end of October.

My final attendance in December was part of the Year’s End Festival on a monsoon style rainy day where first up on stage were a noisy garage rock band called Redchecks. They are a Welsh act who are now based in Manchester, but somewhat confusingly formed in Glastonbury in 2021.

Scatterchild. Image facebook.com

The other performers were locals Scatterchild who had recently released their debut album ‘An Everyday Landscape’. It was possibly the busiest I have seen the pub in all my visits, and we snuggled into a spot perched on the bar. It turned out be my last gig there prior to the recently rebadging of the hostelry into O’Connells Irish pub, still thankfully staging live music.

Another venue of the Year’s End festival roster was Manchester Retro Bar Downstairs Stage. It was only my third visit to the cellar and as it transpired my last as the venue is now closed for good after a thirty-five-year tenure. It is due to be demolished soon to make way for the Sister regeneration project which aims to generate 10,000 jobs and 1500 new homes.  

Retro however are still aiming to relocate and set up in a new site and are apparently exploring possible locations in this regard. The band on stage were called Wren and they cut a very heavy presence with their noisy sludge metal and it is the kind of music your Granny may love!  

The final festival venue to reference was further down Oxford Road at Manchester Deaf Institute Lodge. The first act I saw was Meelik who were most definitely the first ever band I have seen from Estonia. I then undertook some research on famous bands from the northernmost of the Baltic states and the intriguing name that caught my eye was the punk band called Bedwetters!

Meelik. Image Credit escbubble.com

Meelik fall more into the indie genre and are literally a high school band formed originally by their guitarist, Rain. Confidence in their musical ability was initially gained after winning one of their school song competitions. They had a break from 2011 to 2022 before reforming and entering their national Eurovision Song Contest qualifiers where they obtained a fourth place. On stage they wore school uniforms though they avoided Angus Young comparisons by the virtue of them wearing long pants! They were rather quirky, and I enjoyed the portion that I saw of their set.

The other act was Nadia Sheikh who is a Spanish/British singer and songwriter now based out of London. She self-released a slew of singles prior to obtaining a coveted 19 date support slot for Stereophonics on a sold out tour including dates at Manchester and Cardiff Arena. She had a heartfelt expressive voice which was overlaid over an indie backdrop sound.

There were also acts playing in the Manchester Deaf Institute Music Hall. First up was Kynsy who was probably my favourite performer of the whole day. Outside of her stage non de plume name she is known by her family as Dublin born, now London based lass Ciara Lindsey. She gained her musical stripes as a teen in an all-female rock band before branching out as a solo artist and received many favourable reviews. I liked her soulful voice and heartfelt tunes, and she reminded me of Hatchie.   

Kynsy. Image Credit NME.com

The other artist playing was Orphan Boy, a combo from Cleethorpes but now based in Manchester. Upon sighting them, I had a sense of déjà vu which turned out to be justified as my annals informed me that I had seen them twice before, once at the Wickerman Festival in 2008 and the other at the Mad Ferret in Preston.    

There was one additional visit to the Music Hall in August when I saw Southall, who are sometimes also known as Read Southall, reflecting the founding member who hails from Oklahoma. The sextet is strictly in the country rock mould and have released four albums in total since 2015 and the lead singer also has a likeness to the old crooner Mick Hucknall.

Although I can never reference the latter named without casting my mind back to Mark and Lard’s infantile but humorous Ancient Customs CD in 2010 where the singer, actor and comedian Bernard Wrigley (nicknamed the ‘Bolton Bullfrog’) undertook ‘Two Ronnies’ style readings on top of musical accompaniments with titles such as ‘Humping the Hucknall!

Leeds Venues 8 to 11

Continuing on the monorail of the 2014 Live at Leeds festival brought us to our next venue, Leeds Town Hall. Originally built in the 1850’s in a Baroque style on The Headrow, it was the tallest building in Leeds for over a century and it housed the law courts and council chambers and a public hall and was opened by Queen Victoria.

These elements were gradually relocated via the completion of the Civic Hall in 1933 and the Leeds Crown Court in 1993. At that point it morphed into primarily a concert, conference, and wedding venue. It is currently undergoing an extensive refurbishment in time for the 2023 Leeds city-wide cultural festival.

Leeds Town Hall. Image Flickr.

We arrived at the Victoria Hall which was a really striking location and contained a 6,600-pipe organ, the largest in Europe. The band on stage was Lanterns on the Lake, a five piece from Newcastle on Tyne who produce some swirly dreamy shoegaze with hushed female vocals, what’s not to like, I hear Yeah Yeah Yeahs and Cocteau Twins in their music. They were subsequently nominated for the Mercury Music Prize in 2020.

Unfortunately, as is the wont of these multi-event festivals we arrived late to their set and only caught their last two tracks, including their soaring outro. That was a crying shame as they sounded an extremely vibrant live act and I have never yet seen them since.

The building on Cookbridge Street that the Leeds O2 Academy is now housed in has a long history. It was originally opened in 1885 by Prince Albert and is a grade II listed gothic building. It was originally named the Coliseum where it staged circus shows and political gatherings. For the majority of the 20th century, it was the home to a cinema, television studio and a bingo hall.

In 1992 it became a bespoke music venue under the moniker Town and Country Club and Stereophonics and Stone Roses graced the stage there. It closed in 2000, before reopening the following year after refurbishment as Creation Nightclub before converting back to a singular music venue in 2007 under Academy’s ownership.   As with many venues in Leeds, the chosen band for the opening night on 08/10/08 was the local boys Kaiser Chiefs. Over the years the Pogues, Anthrax, Proclaimers and Deftones have played there.

Despite the striking exterior which could resemble a church, we entered into the cavernous main room with its capacity of 2300 which was a tad soulless. There is apparently also a smaller venue downstairs which can contain 400 punters. On stage was Ella Eyre, a soul singer from Ealing in West London, the previous year she had featured on a number one single with Rudimental. It was not my Yorkshire cup of tea and was a little warbly for my tastes.

Leeds O2 Academy. Image Credit able2uk.com

Progressing onwards brought us to Leeds Met Stage contained within what is now known as Leeds Beckett University. They have two campuses, one in Headingley and the other in the city side where we were located. It is a thriving establishment with 24k students and 185k alumni worldwide.

On the stage were The Bug, a dance music collective formed by London based producer Kevin Martin. They had been in existence since 1997 with an ever-changing line up.

We then sallied over to Leeds Met Stage 2 where we had a little wait before the Canadian power punks PUP (abbreviated from Pathetic Use of Potential) hit the stage.  They had only released their self-titled debut album six months earlier and they were very engaging, energetic, and downright good fun!