Stockport Venues 5 and 6

In the continuance of my ongoing Stockport story, I am going to initially backtrack to new venues visited in areas that I have already covered. The first one in that regard is the Stockport Dog and Partridge located at the junction of Didsbury Road and Burnage Lane just outside the East Didsbury metro station.

Stockport Dog and Partridge. Image Credit yelp.com

The D&P is a large, detached pub that originally opened in 1959 replacing an older pub a couple of doors down. It was at that stage under the jurisdiction of Boddingtons Brewery and was a sister to the nearby Griffin hostelry owned by the same company. It underwent a significant refurbishment in 2017, shortly before I moved into that area. I initially cited this as a Manchester establishment, but I then subsequently discovered it is in fact about 20 yards over the Stockport border.

There are benches facing the main road at the front of the pub and a more enclosed beer garden at the rear which Gill and I utilised a couple of times during the pandemic. Inside it is brightly lit and caters quite heavily toward live sports and on occasions can be a tad rough and ready.  I had noted that in the last couple of years they began referencing live music on Saturday nights, so a Didsbury Road pub crawl was arranged with Marcus in tow to take advantage of this fact.

We started further up Didsbury Road and visited the Crown, Heatons, the aforementioned Griffin before arriving at the Dog and Partridge about 9.30pm. We grabbed a table in the corner and caught a local singer called Dennis playing.

Progressing then over to Moor Top you would find Stockport Nook. This café bar first opened in 2015, and I visited for the first time three years later where on the outside tables you can nuzzle a coffee during the day or a craft beer in the evening. At that stage they rather bizarrely had the lavatories behind the bar. Since the pandemic they have created a shared space with the chippy on the left and Roost at 113 on the right which encompasses three restaurants with tapas, Mexican and Italian cuisine available under one roof.     

Stockport Nook. Image Credit stockporthub.co.uk

Around this time Nook totally refurbished their establishment with repurposed timber and other artefacts. They also linked up with North Manchester based pizzeria Dough So Good who have now built a pizza shack in the covered beer garden downstairs (previously a car parking space) which is accessed from the back of the building. They also have on their schedule vinyl nights and Open Door Thursdays with music acts performing and on one of those very evenings we saw a chap called Acoustic Al play there.

Martin Stephenson and the Daintees were a folk based band from the Northeast of England who were formed in 1982 after the lead singer and self-taught musician had previously commenced busking at the age of fifteen. They were signed initially to a local independent label called Kitchenware Records alongside other bands such as the Kane Gang and Prefab Sprout. The label also struck gold a couple of decades later by capturing The Editors at an early stage who recorded their platinum selling album ‘The Back Room’ with them.

Martin Stephenson’s combo who also contain his wife Kate took an eight-year hiatus in 1992 but then reformed and have operated continuously since 2000. They released their most acclaimed album Boat to Bolivia in 1986 and like many other bands have undertaken full tours since playing that album in full.  He also collaborated with Billy Connolly in 2018 on a documentary about the comedian’s colourful life.

Martin Stephenson live at Plot 20 Allotment Music Festival. Image Credit youtube.com

In a previous blog I referenced the Blue Cat in Heaton Moor where the band played in 2009. My good pal Mark was there, and he told me the tale of a request then being made of Martin to play at a local allotment. He had a renowned predilection for playing obscure unusual venues, so he readily accepted the challenge.  Thus on 06/09/09, you would find him undertaking a gig with large sunflowers in the background and the set even includes a Postman Pat/Muppet Show medley! Slightly wonky footage of his performance there can be found on You Tube under Plot 20 Allotment Music Festival.

Preston Venue 26 – 53 Degrees Club Part 1

Following the closure of the old Preston Polytechnic venue back in the 90’s it took a fair period of time before a new venue was incorporated into the updated University of Central Lancashire (UCLAN).

On the original site on Fylde Road the new £6.5million venue 53 Degrees was launched in 2005, with the first gig being an AC/DC tribute band and the first proper band was a very young Subways. The venue closed in 2015 with the final gig responsibility being given to the Inspiral Carpets.

There were two separate halls, the main downstairs venue with a capacity of 1500 but in this particular blog, I am going to concentrate on the Preston 53 Degrees Club venue located upstairs with a capacity of 400.

Access was gained from the rear of the building up a flight of stairs that dropped you into a corridor reminiscent of Manchester Hop & Grape. The doorway to the left took you into the venue with bar opposite and the stage down to the right. It was a fairly intimate venue but was located in a thin level room which made viewing a challenge when it was heavily populated. The beer as at many venues was of a pretty foul quality.

I have witnessed 15 gigs there in total and my first foray there was in June 2006 to see a full roster of bands. First up were the Architects followed Komakino, a five-piece band from Derby who were a regular support band at that stage to the likes of Bloc Party and the Editors. They subsequently split up in 2008.  

The main support was Love Ends Disaster! formed whilst at University in Loughborough and Nottingham. They were a decent live act and a couple of years later were receiving airplay from the likes of Colin Murray and Huw Stephens on Radio 1, when I saw them again at the Rescue Rooms in Nottingham. They subsequently disbanded in 2012.

The headline act was Cooper Temple Clause hailing from Wokingham and their first two albums in 2002/2003 received some considerable acclaim. I would put them in the post-hardcore mould, and they created a fine clattering racket!

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Cooper Temple Clause. Image Credit YouTube.

My second visit there was on a Bank Holiday Sunday on 06/05/07 following attending Preston North End’s last game of the season where we beat Birmingham 1-0 but just missed out on the play-offs by a single point, probably a blessing in disguise!

The band on show was Mumm-Ra who I had witnessed the year before when I went to see Amusement Parks on Fire at Manchester Night and Day. They were a tad fey and lightweight for my tastes.     

Three days later I went to see 65 Days of Static who I had first picked up on via their multiple inclusion in John Peel’s Festive Fifty off their 2004 debut album ‘The Fall of Math’. They are in the post rock genre but with a more electronic bent and emanate from Sheffield and are still now ploughing their trade.

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65 Days of Static. Image Credit blogspot.com

They have always been good value live and were supported by Josh T Pearson from Texas who was previously in the lauded Lift to Experience. He was performed as a solo act at this time and was a slightly odd act as his singing was more in the vein of a stream of consciousness!   

On 26/09/07 I went to see one of the perennial stalwarts of the last 20 years Idlewild who as ever were consistently good. They were supported by Twilight Sad who are a fellow Scottish post punk shoegaze band and they had only just released their debut album on Mogwai’s label Rock Action Records. They had a fearsome live reputation and they lived up to that mantle as a thunderously loud act.