Tag: The Slits

Manchester Venue 191 Gorilla – Part 2

Manchester Gorilla had a coup a few years ago when none other than Kylie Minogue requested to play two intimate European dates prior to her upcoming arena tour and she chose to play Berghain in Berlin alongside the Gorilla. I believe as a result the tickets went like hot cakes!

My next visit to describe was the exceedingly welcome reformation of Rocket from the Crypt (RFTC), who in my personal view were the best live band on the circuit for a couple of years in the late 1990’s and was the first time I had witnessed them in twelve years. They were still in fine fettle, and I enjoyed the show.

Manchester Gorilla. Image Credit Visit Manchester.

The driving force of RFTC is the lead singer John ‘Speedo’ Reis, who owns the Swami record label and has also been in several other bands over the years including Pitchfork, Drive Like Jehu, Sultans, Night Marchers, Swami and Hot Snakes. In January 2018 I saw the last named act who serve up a more stripped down sound than RFTC where John was more in the background and during the first track dampened down the ‘Speedo’ chants from the admittedly sparse audience. They produced an urgent, vibrant and thoroughly enjoyable performance.   

On a cold January night in 2015 we trogged over to see Neneh Cherry for the first time. She was born in Sweden under the name of Neneh Mariann Karlsson and her half-brother is musician Eagle Eyed Cherry. She has punk heritage as a 15 year old member of the Slits and around that time roomed with lead singer Ari Up in a squat in Battersea. In 1989, she had a huge hit with ‘Buffalo Stance’ and has also dabbled in DJing and broadcasting.

She cut a spiky intriguing presence and was a veritable bundle on energy on stage and we very much enjoyed the show however we unfortunately had to scamper off early to guarantee we could catch a train home.   

The Slits. Image Credit billboard.com

Next up was Parquet Courts, a four piece from New York who met whilst at university in Texas. They were touring to support their fifth album ‘Human Performance’, for which the art and packaging of that particular release garnered a Grammy Award nomination.

Later that year, I had my latest dose of the unique Lovely Eggs who were in fine form. It was Gill’s first exposure to them, and she was swiftly converted. They were supported on the night by the Hornblower Brothers, who have nobody named Hornblower or any brothers in the lineup! What I can tell you is that they had more than a passing resemblance to Half Man Half Biscuit. A couple of years later in 2018 we saw the Eggs again there and they marked a milestone as it was the first time I reached a century of gigs in a calendar year.   

The next one on the roster was a band that I had been chasing for a long time, but events always seemed to conspire against me when they announced tour dates. The act in question was Mono, an instrumental band from Tokyo. They formed in 1999 and have released eleven albums in total, and my favourite is the epic titled ‘Walking Cloud and Deep Red Sky, Flag Fluttered and the Sun Shined’. In 2005 they took the unusual route of releasing a split album with the aforementioned Pelican and restricted the recording to vinyl and only 4000 copies.

They have more of a lush classical sound then their post-rock compatriots. They are seated when they play live, but they are definitely not Westlife as they break into some noisy sonic guitar sounds when the muse takes them. The only remaining band of this ilk who I have still not seen is Built to Spill.

Mono were joint headliners with French post-rockers Alcest, who started originally as a black metal combo before moving into less abrasive territory, and their sound evoked comparisons with My Bloody Valentine.   

Mono on stage. Image Credit asiapacificarts.org

In April 2018 I witnessed the Madrid majesty of the Hinds. They were originally a two-piece called Deers but risked legal action from The Dears so changed the name to their current moniker, but to a degree retained the original as it can be translated in some languages to ‘female deers’. They then morphed into a four-piece and released 4 albums before resorting back to a duo in 2023.

They are firmly in the garage rock domain with lovely harmonies and were terrific fun and had a fine stage banter and presence. My most recent attendance at the venue was in 2025 to see the band again for a second time. In 2019 I had my second sighting of Fontaines DC who were very entertaining again and were supported by Cut the Mustard.

At the final ever Dot to Dot festival later that year I saw Crows who provided some thunderously loud abrasive post-punk. Their latest album ‘Reason Enough’ was recorded in a former Catholic church and convent in Stroud and their lead singer James recently fronted the band Humanist on their arena support slots for Depeche Mode. Finally in May 2024 I saw Maybeshewill, a post-rock band from Leicester who I enjoyed as much as the previous time I had seen them at the Ferret in Preston in 2011.

Now, for the very eagle-eyed (not Cherry!) among you, you will have noted that I have only documented seventeen gigs at the venue, the eighteenth I will document next time in its own specific article, and the reasons for this will then become apparent.

Liverpool Venues 11 to 12

I am returning this week to the ‘Beatles influenced’ musical haven of Mathew Street in the centre of the city. One of the establishments even goes so far as to name itself after one of their albums, namely Liverpool Rubber Soul. There are a suite of bars that line the street, and they are badged within the ‘Rubber Soul Complex’ and located within the Cavern Walks area.

Rubber Soul Bar. Image Credit go-eat-do.com

I surmise that the bar has been open for many years but can find no detail of this apart from the fact that it unexpectedly closed in 2009 before being extensively refurbished and reopened in 2013. One of the two bar rooms incorporates an exhibition pertaining to its history as a former fruit market and the legendary Liverpool Eric’s nightclub that is situated in the downstairs space.  

Additionally, TP Molloys the site of the previous Tutti Frutti nightclub which was originally behind the venue was changed into a carvery and grill restaurant. That building which dates back to the 1930s had lain empty for many years but this was also restored and is now called Yesterday. Rubber Soul is a fairly basic sports bar showing big screen sports and has DJ’s playing every Friday and Saturday. On one particular night I saw a singer called Callum play there.

The afore mentioned Eric’s opened on 1 October 1976 in the basement of the Fruit Exchange building in Victoria Street. Shortly after they moved to their new location of Mathew Street opposite the Cavern Club. The local promoter Roger Eagle was the driving force and used his experience from previously hosting nights at the Stadium in Liverpool and the Twisted Wheel in Manchester.

He was joined in the enterprise by Ken Testi, who managed Deaf School and Pete Fulwell who was the owner of the ‘Inevitable’ record label and latterly manager of local bands It’s Immaterial and The Christians. The choice of Eric’s name was a tad tongue in cheek and its particular plainness was in response to the trend at that stage of naming disco clubs with funky names such as ‘Tiffany’s’!

The original Eric’s in the 1970’s complete with intriguing graffiti! Image Credit pinterest.co.uk

A lot of life’s successes and failures can come down to timing of ‘sliding doors’ moments and they were very fortunate in this regard as the opening of the club coincided with the explosion of punk. Thus, in the opening month the Stranglers played and there were huge queues for The Runaways.  The Sex Pistols also performed which transpired to be their one and only Liverpool gig.  Other acts to play there include The Clash supported by The Specials (a fine double bill!), The Ramones, The Slits and X-Ray Spex.

They also had the novelty of staging two shows on Saturday’s, one a matinee set in the afternoon for the under 18’s and then a more regular gig in the evening. There was apparently one famous afternoon show when Iggy Pop played a storming set to a posse of school children who took him by surprise by singing a full rendition of ‘Happy Birthday’ back to him. He finished the performance with ‘I Wanna Be Your Dog’ though due to his star quality the price of the show had doubled from the usual price of £1 to £2!

The mention of matinees makes me reminiscent of those days where bands would not arrive on stage before 11pm. It has now gone so far the other way that due to club nights following the gigs in some venues, the event can be finished by the very early time of 9.30pm. There were also in those days’ gigs taking place all year round and I recall Blondie once playing Glasgow Apollo on New Years Eve in 1979 which was recorded for Radio 1 and Old Grey Whistle Test.

Talking of timings and also the recent onset of spring makes me recall when my brother and I were young lads down in London on a weekend when the clocks changed and were heading back to Preston on an early train on the Sunday morning. When we got on the train back into the city, we both commented that it seemed remarkably quiet, little wonder as we had tangled up on our spring forward/fall back understanding. Thus, our thinking was that we were on an 8am train, but the real time was actually 6am, what a couple of plonkers!   

Iggy Pop on stage at the infamous Eric’s gig. Image Credit liverpoolerics.blogspot.com

The club survived until March 1980 when it was raided by police for drugs offences, and the last band to play there was Psychedelic Furs, I never visited in that era as I was far too young. The club was then briefly Brady’s before closing again shortly after. There was a significant time gap after that before the original venue reopened in 2011, with OMD playing on the opening night. I once recently visited the pub at ground level and saw a chap called Teddy playing.   

In 2009 Eric’s history was covering extensively in the tome titled ‘Liverpool Eric’s: All the Best Clubs are Downstairs, Everyone Knows That’. An ethos I can readily attest to as I have found that many of the most atmospheric venues are in cellar spaces, The Ruby Lounge, Roadhouse and Peer Hat in Manchester, EBGB’s in Liverpool and the 13th Note Bar in Glasgow to name but a few!