Nottingham Venue 30 – The Maze

On Mansfield Road, at the junction where Forest Fields commences sits the Forest Tavern pub. The hostelry is a real ale paradise, and you could happily quaff your way down the drink’s menu in the small front tap room. This was a regular haunt and quite often a last stop prior to stumbling across the dark forest fields on the way back to my brother’s residence.

In the back of the pub was a more spacious gig venue called the Maze. It was always a decent venue with a cracking sound system and was mainly a roots and ska place but did cover other genres. Despite a successful crowdfunding scheme to raise 20K in 2017 to revamp the premises, the venue sadly closed its doors for the final time in 2019 and there are now plans to convert the building into student flats.

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The Forest Tavern with the Maze located in the back of the building. Image Credit flickr.com

My first visit there in August 2009 was for a double bill with Minus Society providing the support. The headliners were a radical leftist punk band with the natty name of Leftover Crack from a squat in Manhattan, New York who produced a vibrant noisy set.

My next foray was in 2011 to see a fairly limp performance by a local band called Kick the Rabbit with Youth in Revolt in support. A couple of years later a dub band from Brighton called the Resonators were in residence and produced a suitable skanky set.  

My final visit there was on 08/05/15. The previous night we had watched North End beat Chesterfield 1-0 in the Play Offs in a pub further down Mansfield Road in the Sherwood area. The gig was originally planned for a café venue in town which I had not attended previously, but for the life of me I cannot recall the name of the place. Anyhoo, they moved it at a late date to the Maze venue.

First band on was Eyre View and the main support was Flyying Colours from Melbourne, Australia who I had totally forgotten I had seen until I checked my notes. I think I see too many bands which I don’t view as a problem, but it can cause bouts of partial amnesia! The reason for my surprise is that I adore this band now and had tickets to see them earlier this year, which was naturally cancelled by the pandemic, but will catch them at their rescheduled date in 2022. I recall enjoying their Slowdive influenced shoegaze heavy set.   

The main band was PinkShinyUltraBlast, a fabulously named shoegaze band hailing from St Petersburg in Russia. Listening to their recorded material beforehand I heard elements of Asobi Seksu, Sereena Maneesh and Cocteau Twins in their sound and they portrayed all that in a live setting. What was so astonishing was the volume, and I mean thunderous white noise pin you to the walls sonic attack type of volume, which was all encompassing in a fun way but did lose a smidge of the subtlety.

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PinkShinyUltraBlast on stage. Image Credit www.godisinthetvzine.co.uk

As a result, I would have to include them in my Top 5 loudest live bands list alongside more recognisable luminaries in this genre of Mogwai, My Bloody Valentine, Swans and Pelican.    

Manchester Venue 6 – The Ritz (Part 1)

The Ritz has always been a grand old venue with Northern Soul roots and its spacious old ballroom vibe and sprung dance floor. It has a capacity of 1500 which allows it capture some medium sized bands without the impersonality of playing in an arena setting. It was built in 1927 and was designated a Grade 2 listed building status in 1994.

Taking into account a Ladytron gig planned there in February 2020 this will make a round total of 30 visits, placing it at No 4 on the all-time venue attended list.  The venue is handily placed on Whitworth St West, literally stumbling distance from Oxford Road station making it an ideal location for last minute dashes for late trains back to Preston (occasionally missed!).

Ritz in 1964. Image Credit pinterest.co.uk
Ritz today. Image credit pinterest.co.uk

My first foray there was in October 1987 to see the Swans supported by AC Temple and Twang. I recall distinctly the DJ playing some rather fine Cajun music between bands. The Swans had semi-legendary status at that stage due to their immense volume and there were urban legends circulating that members of the audience had been physically sick due to the decibel effect earlier in the same tour. They had a sludgy sound which was at that stage the loudest band I had witnessed and there was one brave nay foolish punter with his head in the speaker – it was an odd gig.

Swans on stage. Image credit Revoly.com

In 2000 we purchased tickets for a Death In Vegas gig who were in their pomp at that stage and on receipt of the tickets discovered they were playing a late set commencing at 12.15am like the old days. Undeterred we gained a couple of extra hours in the boozer supping dangerously strong Moonraker in the Rain Bar. It was a tad hazy after that but I recall a mosh pit where my good pal John Dewhurst lost his specs necessitating an escort back to the station for the late train.

Around that time I saw an early Mogwai gig there. You will henceforth notice a reoccurring theme as they are the band I have witnessed the most times (current total is 33). They fall into the post rock category (you may have to look that one up) and are the standout purveyors of that particular genre.

They are primarily instrumental with a quiet/very loud dynamic and their white noise is positively grandiose and blissful. I would also contend their music is built in a classical structure with layers of sound added throughout and has been utilised effectively in cinematic circles to soundtrack ‘Zidane’ and the French TV series ‘The Returned’.

The venue was probably not even half full and they were as spellbinding as ever. It was relatively early days for them and quite a lot of lucky souls were seeing them for the first time. I recall heading to the loo mid gig in the midst of one of their sonic assaults and the look of wonderment on the barman’s face as I headed past was a sight to behold! Without a shadow of a doubt, my favourite live band ever.