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Alongside the seemingly omnipresent Action Records in Preston, the other hugely important record shop in my gig going lifetime is Manchester Piccadilly Records. They originally opened in 1978, which was coincidentally also the conception year of Factory Records. They started as a record concession within another shop before morphing into a singular store themselves.

They were located initially in the Piccadilly area before moving to Brown Street near to Piccadilly Gardens. I remember distinctly visiting that particular site many times in the late 1980’s/early 1990’s and I was also in regular correspondence when sourcing many tickets, predominantly for gigs at that stage at the old Manchester International 1. Now one for the kids out there, I use to send a paper item called cheques through the post and then as if by magic valuable tickets were subsequently received on my doormat a couple of weeks later!     

Original site of Piccadilly Records in 1990. Image Credit mdmarchive.co.uk

They had a change of management in 1990 before being caught up in the IRA bombing of 1996. One of the staff at that time still owns a Fugees album which had its cover shredded when the windows blew through in the explosion. A year later they moved into their current location on Oldham Street in the yet to be developed Northern Quarter.

They have moved with the trends and times and exploited the post punk genre in their earlier days and continued to develop and adapt as the digital streaming age came into play. They have received regular newspaper awards and additionally have won the prize for the best independent record store at Music Week and also at the Gilles Peterson worldwide awards. It remains eternally popular and local musicians Tim Burgess and Johnny Marr are regular visitors.  

On an annual basis they used to produce a little book with their albums of the year and also recommendations of timeless lost albums. As a direct result I finally became acquainted with Neutral Milk Hotel’s remarkable 1998 album ‘In the Aeroplane Over the Sea’.

Like all good record shops, they began to showcase and undertake in-store sessions, and a particular one caught my beady eye which was taking place on 31/01/20. It was on a Friday, so I gravitated down there after work. The band in question was the Smoke Fairies who derive from Chichester and consist of Katherine Blamire and Jessica Davies.

Smoke Fairies. Image Credit nme.com

They first met at school in Sussex in the 1990’s and undertook a blues musical education by spending 2002 in New Orleans. Their fledgling music then took another direction when they discovered folk when working as car attendants at the Sidmouth Folk Week festival. They subsequently garnered valuable support slots with Bryan Ferry, Richard Hawley and Laura Marling and were the first UK act to release a single on Jack White’s Third Man Records, produced by the man himself.

They were chosen to provide a cover of ‘Alabama’ for a MOJO compilation to commemorate the 40th anniversary of Neil Young’s ‘Harvest’. On the very day of the gig, they had released their fifth album ‘Darkness Brings the Wonders Home’ which had a brooding melancholia to it, in the vein of PJ Harvey. The duo positioned themselves by the counter and undertook a short enjoyable set appreciated by a decent size audience. I was also then intending to attend a Lovely Eggs session in that location but that was later cancelled by the pandemic.

In 2021 a previously under-used area on the corner of Dale Street and Lever Street was recreated as the Manchester Mala Secret Garden Bar, the land being previously used as a drugs den with paraphernalia and tents being regularly spotted there. It is situated outside the Chapter One bookshop and café within the Northern Quarter and is also nearby to the Travelling Man shop which quite often catches my eye when I walk past, where they specialise in comics, graphic novels and board games.

Mala Secret Garden. Image Credit opentable.ca

As Mala means ‘garden’ in Hawaiian it has now been converted into a Victorian glass house with ‘Parisian-style gardens’ with cable cars resembling cabins with room for individual batches of six people. There are numerous trees and plants and with an additional children’s play area and within the horticultural space there are picnic benches and long tables placed undercover with capacity for eighty punters.

On a Sunday they stage chilled jazz-tinged events and last year I was in brief residence there and I saw a blues based singer called Stephanie performing a short set.

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If you head out the back exit of Piccadilly station you drop initially to the metro level and then the escalator gravitates down again to Fairfield Street at ground level and the accompanying taxi rank. Just beyond the cabs is a lift that takes you up to Platform 12 and then onto the next level and into the waiting area outside Platform 13 and 14. For more unscrupulous punters it could be used as a ticket barrier avoidance route!

Piccadilly Station with the lift in the right of picture. Image Credit showmethejourney.com

There are a plethora of breweries near the station ensconced in back streets and railway sidings. If you walk down Baring Street, you reach the hidden oasis of Mayfield Park, the 6.5 acre environmental green space encompassing the River Medlock which is the city’s first green space for over 100 years. To illustrate the industrial heritage of the area, thirteen Victorian wells were discovered in the construction and three were identified as still functional thus were then utilised to provide 20 cubic metres of water each to maintain the vegetation.  

Heading back from the park you would find yourself at Mayfield Depot which contains Escape to Freight Island with all their food and drink stalls and is also the location for conferences and fashion shows alongside the immensely popular Warehouse Project dance events. When waiting for later trains home on the overhead vantage point of Platform 14 I have regularly borne witness to the most extraordinary queues of customers awaiting access.  

Mayfield Park. Image Credit placenorthwest.co.uk

There was previously a venue alongside the Depot called the Fairfield Social Club on the wonderfully named Temperance Street where I once had tickets for a gig but unfortunately, they upgraded the show to another venue, and I never managed to attend there prior to its subsequent closure. It does now appear they have reopened Fairfield but in a different location over in Ancoats, near the Blackjack brewery, and they hold regular comedy nights there.   

Back on Fairfield St, you find one of Manchester’s most distinctive institutions, namely Manchester Star and Garter, the name of the establishment derives from the insignia pertaining to the Order of the Garter. It was originally built in 1803 outside the train station which had several monikers, including London Road prior to the current Piccadilly name. The build of the rail link to Oxford Road station in 1849 necessitated a brick by brick 100-yard movement of the venue, with its subsequent reopening in 1877.

Its initial incarnation was as a hotel containing an in house brewery. In 1986, the closure of the adjacent Mayfield station caused a chain reaction of the hotel also ceasing trading, and the area morphed into a brief ‘Dirty Old Town’ period. The building gained Grade II listed status in 1988 and reopened in 1991 as a live music site with its current pub and upstairs club lay out and has thrived despite its unusual location. It currently has a large Ian Curtis mural on one of its side walls.

It was threatened with closure again in the last couple of decades with the potential Northern hub expansion of the railway station. Their future however was solidified in 2020 with a ten year lease being purchased under the auspices of Mayfield Partnership.

It has been used as a location for many TV series including Band of Gold, Cracker, Prime Suspect and most extensively the recent Russell T Davies scripted landmark drama ‘It’s A Sin’. The venue is renowned for indie nights, Smile running for 20 years from 1993 to 2013 and the famous Smiths night which has been running for an even longer period than that.

The Star and Garter. Image Credit NME

It has hosted many diverse groups including Anti-Nazi league meetings, the 30-strong WBA supporters club of Manchester, Vampire Society and a comic night called Anti-Hoot which included the semi-legendary Bolton poet Hovis Presley!  It has mainly a rock/metal roster and was once coined as the ‘Temple of Doom’. Bands that have played there including Half Man Half Biscuit, Discharge, Frank Carter and the Rattlesnakes, Low and remarkably Status Quo in 1999.

For many years I intended to visit but without success, until finally a gig was located, and a sabbatical trip was arranged in March 2015. It does look a little like a haunted house from the outside, evoking comparisons to the Buffy the Vampire Slayer ‘Fear Itself’ episode, but that was instantly dispelled by the warm welcome in the downstairs bar!  We then sallied up to the 200 capacity venue room and the first act on stage was You Want Fox, a noisy female two-piece from Nottingham.

The headline act was the East Town Pirates who travelled in from Ipswich to air their stompy sea shanties and have been referenced as sounding like ‘Motorhead meets the Pogues’. I returned once more in 2022 to see a band called the Reverbs.

In December 2021, local legend Tim Burgess put on a record fair themed event which had a novel set taking place on a Sunday lunchtime at the Manchester Piccadilly Station Mezzanine. The first challenge was actually finding this location and it transpired to be in the aforementioned metro entry level. By the time we found the spot, we only caught the last three tracks of an acoustic set from Starsailor’s James Walsh, who had an appropriate fine busker’s voice which matched the setting!