Manchester Venues 140 to 141

If you head out the back exit of Piccadilly station you drop initially to the metro level and then the escalator gravitates down again to Fairfield Street at ground level and the accompanying taxi rank. Just beyond the cabs is a lift that takes you up to Platform 12 and then onto the next level and into the waiting area outside Platform 13 and 14. For more unscrupulous punters it could be used as a ticket barrier avoidance route!

Piccadilly Station with the lift in the right of picture. Image Credit showmethejourney.com

There are a plethora of breweries near the station ensconced in back streets and railway sidings. If you walk down Baring Street, you reach the hidden oasis of Mayfield Park, the 6.5 acre environmental green space encompassing the River Medlock which is the city’s first green space for over 100 years. To illustrate the industrial heritage of the area, thirteen Victorian wells were discovered in the construction and three were identified as still functional thus were then utilised to provide 20 cubic metres of water each to maintain the vegetation.  

Heading back from the park you would find yourself at Mayfield Depot which contains Escape to Freight Island with all their food and drink stalls and is also the location for conferences and fashion shows alongside the immensely popular Warehouse Project dance events. When waiting for later trains home on the overhead vantage point of Platform 14 I have regularly borne witness to the most extraordinary queues of customers awaiting access.  

Mayfield Park. Image Credit placenorthwest.co.uk

There was previously a venue alongside the Depot called the Fairfield Social Club on the wonderfully named Temperance Street where I once had tickets for a gig but unfortunately, they upgraded the show to another venue, and I never managed to attend there prior to its subsequent closure. It does now appear they have reopened Fairfield but in a different location over in Ancoats, near the Blackjack brewery, and they hold regular comedy nights there.   

Back on Fairfield St, you find one of Manchester’s most distinctive institutions, namely Manchester Star and Garter, the name of the establishment derives from the insignia pertaining to the Order of the Garter. It was originally built in 1803 outside the train station which had several monikers, including London Road prior to the current Piccadilly name. The build of the rail link to Oxford Road station in 1849 necessitated a brick by brick 100-yard movement of the venue, with its subsequent reopening in 1877.

Its initial incarnation was as a hotel containing an in house brewery. In 1986, the closure of the adjacent Mayfield station caused a chain reaction of the hotel also ceasing trading, and the area morphed into a brief ‘Dirty Old Town’ period. The building gained Grade II listed status in 1988 and reopened in 1991 as a live music site with its current pub and upstairs club lay out and has thrived despite its unusual location. It currently has a large Ian Curtis mural on one of its side walls.

It was threatened with closure again in the last couple of decades with the potential Northern hub expansion of the railway station. Their future however was solidified in 2020 with a ten year lease being purchased under the auspices of Mayfield Partnership.

It has been used as a location for many TV series including Band of Gold, Cracker, Prime Suspect and most extensively the recent Russell T Davies scripted landmark drama ‘It’s A Sin’. The venue is renowned for indie nights, Smile running for 20 years from 1993 to 2013 and the famous Smiths night which has been running for an even longer period than that.

The Star and Garter. Image Credit NME

It has hosted many diverse groups including Anti-Nazi league meetings, the 30-strong WBA supporters club of Manchester, Vampire Society and a comic night called Anti-Hoot which included the semi-legendary Bolton poet Hovis Presley!  It has mainly a rock/metal roster and was once coined as the ‘Temple of Doom’. Bands that have played there including Half Man Half Biscuit, Discharge, Frank Carter and the Rattlesnakes, Low and remarkably Status Quo in 1999.

For many years I intended to visit but without success, until finally a gig was located, and a sabbatical trip was arranged in March 2015. It does look a little like a haunted house from the outside, evoking comparisons to the Buffy the Vampire Slayer ‘Fear Itself’ episode, but that was instantly dispelled by the warm welcome in the downstairs bar!  We then sallied up to the 200 capacity venue room and the first act on stage was You Want Fox, a noisy female two-piece from Nottingham.

The headline act was the East Town Pirates who travelled in from Ipswich to air their stompy sea shanties and have been referenced as sounding like ‘Motorhead meets the Pogues’. I returned once more in 2022 to see a band called the Reverbs.

In December 2021, local legend Tim Burgess put on a record fair themed event which had a novel set taking place on a Sunday lunchtime at the Manchester Piccadilly Station Mezzanine. The first challenge was actually finding this location and it transpired to be in the aforementioned metro entry level. By the time we found the spot, we only caught the last three tracks of an acoustic set from Starsailor’s James Walsh, who had an appropriate fine busker’s voice which matched the setting!  

Manchester Venues 121 to 122 Deaf Institute – Part 1

One of my favourite Manchester venues is the Deaf Institute situated on Grosvenor Street off Oxford Road, almost equidistant between Manchester Oxford Road train station and the Academy venues.

The Deaf has a long history, initially being built in 1877 by a chap called John Lowe (not the darts player!) and the foundation stone laid by local MP Hugh Birtley was engraved and is still in situ. Also still inscribed over the doorway is its original name of Adult Deaf and Dumb Institute. No expense was spared at the time, and the initial build cost a princely sum of £5800. There were annual soirees arranged including the institute performing Romeo and Juliet in sign language in Hulme Town Hall as early as 1900.

Deaf institute entrance. Image Credit Tokyoindustries.com

It served an integral role in the city by helping individuals with speech and hearing difficulties. However, when the Institute moved to new premises in 1975, it resulted in the original site falling into disrepair and it lay unused, abandoned and reputedly ghostly for many years. The next activity was that planning permission was provided in 1987 to convert the building into a wine bar and bistro.

In 2006, the local promoters TROF took ownership and sensitively upgraded the building by utilising its existing grand features, including the stone gothic exterior. It was subsequently reopened in 2008 and was renamed as simply The Deaf Institute.

It is a three-tiered Grade II listed building with high, lavishly decorated rooms. The ground level is the Manchester Deaf Institute Bar which had a seating area which you could visit as a standalone bar. They had food options available, including a Sunday Vegan hangover menu, in this area they also staged DJ sets and periodically bands played there.  

Deaf Institute Bar. Image Credit headbox.com

I have seen three acts in this space, the first on 14/11/16 prior to attending a gig at Trof’s sister venue Gorilla, the performer being an acoustic singer called Rafiq B. The second gig on 05/12/21 was as part of a Record Vinyl collectors event organised by the Charlatans lead singer Tim Burgess, who is a keen advocate and supporter of the Manchester music scene.  

The band undertaking a decent acoustic set that day were Apollo Junction who are an indie band from Leeds. They formed in 2015 and within a couple of years were appearing live in session for the Janice Long show and their music has been used as the soundtrack for Match of the Day. They released their debut album ‘Mystery’ in 2019 and have since released two further albums and even played at the Tan Hill Inn (Britain’s highest pub).

What impressed me most was their engagement and inclusivity with their fans resulting in an avidness and dedication within their fanbase that you don’t witness very often, the last time I sighted that was with Hold Steady and their followers. The other band I saw there were called the Mottleys.   

Apollo Junction. Image Credit radio30org.fr

In 2022 a reorganisation took place, and the ground level area was closed as a working bar area and is now used more as a rehearsal space. The downstairs room was originally an events space that could be hired out for functions and regular club nights called Girls on Film took place there. This area has now been recalibrated into a smaller gig space called the Lodge, a venue I have not yet visited.  

Within the 2008 reopening the upper floor area was converted into the Deaf Institute Music Hall complete with a huge disco ball, parrot patterned wallpaper, raised stage and a small outdoor smoking balcony. There is an upper viewing balcony and there are wooden blocks to perch on at the rear of the venue that are reminiscent of the layout of the University of Central Lancashire’s original venue back in the 1990’s.

It has an intimate capacity of 260 and the likes of Kate Tempest, 1975 and Florence and the Machine have played there. Additionally, Johnny Marr held a residence there in 2011 when he was relaunching his solo career.

I have attended gigs there on 11 occasions, though I did miss one of my favourite bands Sennen playing an early tour date there. In retrospect, that turned out to be a blessing as speaking to them a couple of years later they outlined that it had been a promo event and they had only been allowed to undertake a very late post-midnight short set in front of an unresponsive corporate audience.